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Showing 97–120 of 236 results

HOGARTH WILLIAM, The Times Plate II, 1822

70,00 

The Times Plate II It is an etching made by William Hogarth nel 1822, un’opera che riflette le sue visioni pessimistiche sulle macchinazioni politiche e le corruzioni del suo tempo.
Questa incisione, parte della serie The Times, fu pubblicata postuma e rappresenta un esempio significativo dell’arte satirica di Hogarth.

  • Sheet size: cm. 48×64
  • Engraving size: cm. 22×30
  • Support: Thick paper without watermark
  • Condition: Excellent condition

Al centro dell’immagine si trova una statua del re Giorgio III, circondata da figure che simboleggiano il favore reale e le dinamiche politiche dell’epoca.
La scena include elementi come il Parlamento e riferimenti a eventi storici, rendendo quest’opera non solo un pezzo d’arte, ma anche un’importante testimonianza storica.

Unknown called Leonardo's Goldsmith, GBGatti, 1840

40,00 

Unknown called Leonardo's Goldsmith it is an etching made by GB Cats In the 1840.
This work is based on a painting by Leonardo and represents a significant example of mid-19th century art.

  • Sheet size: cm. 30×42 approx.
  • Size of the joke: cm. 17×25 approx.
  • Support: Thick engraving paper
  • Condition: Excellent state of preservation

Unknown called Leonardo's Goldsmith, GBGatti, 1840

40,00 

Unknown called Leonardo's Goldsmith it is an etching made by GB Cats In the 1840.
This work is based on a painting by Leonardo and represents a significant example of mid-19th century art.

  • Sheet size: cm. 30×42 approx.
  • Size of the joke: cm. 17×25 approx.
  • Support: Thick engraving paper
  • Condition: Excellent state of preservation

Il Consiglio di guerra di Courtrai, 1850-60

20,00 

Il Consiglio di guerra di Courtrai è un’incisione realizzata tra il 1850 e il 1860, che rappresenta un’importante scena storica.
This work is taken from the Art Journal Engraving e presenta una dettagliata rappresentazione del consiglio di guerra, ispirata a un dipinto della Vernon Gallery.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent state of preservation

The Convent, 1806

30,00 

The Convent it is an engraving made in 1806, representing a hermitage.
This work is a etching and colored aquatint with watercolor, printed on thick white paper on the verso.

  • Sheet size: cm. 27×35
  • Support: Paper
  • Condition: Excellent condition

Il Giovane Falconiere, 1850-60

20,00 

Il Giovane Falconiere It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata prodotta utilizzando la tecnica dell’Etching and Burin e fa parte della pubblicazione Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il lavaggio dei piedi, 1850

20,00 

Il Lavaggio dei Piedi è un’incisione realizzata nel 1850, che rappresenta una scena delicata e significativa, tratta dalla collezione reale.
Questa opera è stata prodotta con la tecnica dell’Etching and Burin e fa parte dell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il Monastero, 1850-60

20,00 

Il Monastero It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
This engraving, made with the technique ofetching and burin, è stata pubblicata nel Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Il Montanaro, 1850

20,00 

Il Montanaro è un’incisione realizzata nel 1850, tratta da Art Journal Engraving.
Questa opera, che rappresenta un montanaro, è stata realizzata con la tecnica dell’Etching and Burin.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Il Mulino a Vento, 1850-60

20,00 

Il Mulino a Vento It is an engraving made between 1850 and 1860, coming from the royal collection.
Questa opera è stata pubblicata nell’Art Journal Engraving e presenta una combinazione di etching and burin.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il Penseroso, 1850

20,00 

Il Penseroso è un’incisione realizzata nel 1850, proveniente dalla collezione reale.
Questa opera è stata realizzata utilizzando la tecnica dell’etching and burin and it is taken from theArt Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il Pescivendolo, 1806

30,00 

Il Pescivendolo è un’incisione del 1806, conosciuta anche come The Fishmonger.
Realizzata con la tecnica dell’acquaforte e acquatinta colorata all’acquarello, questa opera è stampata su carta spessa bianca al verso.

  • Sheet size: cm. 27×35 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Portsmouth Harbour, 1850

20,00 

Portsmouth Harbour It is an engraving made in 1850, which represents the famous British port.
This work is taken from the Art Journal Engraving and presents a fascinating view of Portsmouth Harbour, preserved in the Royal Collection.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent state of preservation

In riva al fiume, 1850-60

20,00 

In riva al fiume It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione, tratta dall’Art Journal Engraving, combina la tecnica dell’acquaforte e del bulino, offrendo un’immagine suggestiva di un paesaggio fluviale.

  • Sheet size: cm. 32×24
  • Support: Strong engraving paper
  • Condition: Excellent general condition

The Last Dream, 1850

20,00 

The Last Dream It is an engraving made in 1850 by J. Edwards, inspired by a monument.
This work is performed with the technique ofEtching and Burin and it is taken from theArt Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

La Battaglia di Meeanee, 1850

20,00 

La Battaglia di Meeanee It is an engraving made in 1850, che rappresenta un’importante scena storica.
Questa opera è tratta da un’immagine della Royal Collection e pubblicata nell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent general condition

Charity, 1850

20,00 

The Charity It is an engraving made in 1850, from the Vernon gallery.
This work is performed with the technique ofetching and burin and it is taken from theArt Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

La Fonte nel deserto, 1850-60

20,00 

La Fonte nel deserto It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata prodotta utilizzando la tecnica dell’etching and burin ed è stata pubblicata nell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

La nascita di Belfoebe e Amoretto, 1850-60

20,00 

La nascita di Belfoebe e Amoretto è un’incisione realizzata tra il 1850 e il 1860, ispirata all’opera presente nella Royal Collection.
Questa opera è una combinazione di etching and burin, published in Art Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Luca Giordano, The Pool, 1786

70,00 

Luca Giordano, The Pool It is an engraving made in 1786, which represents a work of great artistic value.
This etching is printed on laid paper without watermark and comes from the prestigious Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

The work is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.

M.Hofmann, Morte di Filippo II, XVIII secolo

30,00 

Morte di Filippo II è un’incisione realizzata da M. Hofmann nel XVIII secolo.
This work, performed in etching, rappresenta un momento drammatico della storia, raffigurando la morte di Filippo II di Savoia, noto come ‘senza terra’.

  • Sheet size: cm. 12×88 circa
  • Support: Unlaid paper
  • Condition: Excellent

Malta, Plan of the City and Port, Saint-Non, 1781-86

120,00 

Malta, City and Port Map It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21x34 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent condition

The work offers a beautiful animated view of the city and the port of Malta, highlighting the artistic skill of Saint-Non, known for his contribution to the representation of Italian landscapes.

Mappa dell’Oceania, 1865

60,00 

Mappa dell’Oceania è una carta geografica acquarellata realizzata nel 1865.
Drawn by Naymiller and engraved by Allodi, this map is from theAtlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Map dimensions: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Mappa della città di Ninive, 1650 ca

40,00 

Mappa della città di Ninive è un’incisione realizzata da Diodoro Siculo, datata circa 1650.
Questa mappa rappresenta la città di Ninive secondo le descrizioni di Diodoro Siculo e del famoso erudito E.P. Kircherus.

  • Sheet size: cm. 46×38 circa
  • Engraving size: cm. 43×30 approx.
  • Technique: Etching
  • Support: Carta spessa vergellata senza filigrana
  • Condition: Excellent condition

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