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Showing 313–336 of 2232 results

Brindisi, House of Virgil, 1840

40,00 

Brindisi, Casa di Virgilio è un’incisione realizzata nel 1840, che rappresenta una veduta animata della casa di Virgilio a Brindisi.
Questa opera è stata creata da C. Werner, con incisione in acciaio eseguita da Bertrand.

  • Sheet size: mm. 240×320 circa
  • Engraving size: mm. 160×220 circa
  • Support: Thick engraving paper
  • Condition: Perfette, nitida e ben contrastata

Toast, The Castle, Saint-Non, 1781

120,00 

Toast, The Castle It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work offers a suggestive view of the Castle of Brindisi and part of its port.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 17×22 approx.
  • Technique: Etching on laid paper colored with watercolor
  • Condition: Excellent state of preservation
  • Work taken from: “Voyage Pittoresque or description of the Royal Palaces of Naples and Sicily”

Brindisi, Ruins of the Temple of San Giovanni, 1890

20,00 

Brindisi, Rovine del tempio di San Giovanni it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Brindisi, View of the City, Saint-Non, 1781

120,00 

Brindisi, Veduta della Città It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work, entitled Vue de la Ville de Brindes, è un’acquaforte su carta vergellata colorata all’acquarello, parte del volume Voyage Pittoresque ou description des Royaumes de Naples et de Sicile.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 17×22 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Browne, Muscles of the Legs, 1694

135,00 

Muscoli delle gambe è un’incisione realizzata da Giulio Casserio e Odoardo Fialetti nel 1694.
Questa tavola di anatomia, tratta dall’opera Myographia nova, sive musculorum omnium, pubblicata ad Amsterdam, offre una dettagliata rappresentazione dei muscoli del corpo umano.

  • Sheet size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con scritte retro in latino leggermente visibili al recto

Browne, Muscles of the Legs, 1694

35,00 

Muscoli delle gambe è un’incisione realizzata da Giulio Casserio e Odoardo Fialetti nel 1694.
Questa tavola di anatomia illustra i muscoli del corpo umano ed è tratta dall’opera Myographia nova, sive musculorum omnium, pubblicata ad Amsterdam nel 1694.

  • Sheet size: cm. 34×21 approx.
  • Engraving size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con scritte retro in latino leggermente visibili al recto

Brueghel, Bashan, 1771

30,00 

Brueghel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe basate sui dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Brueghel il Vecchio, noto anche come Bruegel dei Velluti, è stato un rinomato pittore fiammingo, membro di una famiglia di artisti.
È il figlio di Pieter Bruegel il Vecchio e il padre di Jan Brueghel il Giovane.

Oxen, P. Potter, 1845

20,00 

Oxen è una litografia realizzata da P. Potter nel 1845.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Burgos, Spain, 1838

20,00 

Burgos, Spain, 1838 it's a lithographic printing which portrays the majestic Cathedral of Burgos.
This work comes from Picturesque Polyorama, a publication dedicated to the dissemination of artistic and cultural knowledge, directed by Filippo Cirelli in Naples in 1838.

  • Printed part dimensions: cm. 23×12
  • Margins: almost absent
  • Condition: Excellent
  • Support: Paper

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Caen The Stock Exchange. France. Woodcut 1861

11,00 

Court of the Stock Exchange Caen It is an engraving made in 1861, which represents the famous square of Caen, known for its historicity and beauty.
This woodcut is from the Picturesque Store and shows the Saint Pierre Square, located in front of the church of the same name.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 21 x 15 approx.
  • Support: Light paper
  • Condition: Excellent

Cagliari, Via Roma and Western Station, 1890

20,00 

Cagliari, Via Roma and Western Station It is a woodcut print made in 1890, which offers a fascinating look at the city of Cagliari at the end of the nineteenth century.
This work is characterized by an image of approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Cairoli Benedetto, 1889

20,00 

Cairoli Benedetto è una xilografia del 1889, tratta da The Italian Illustration.
Questa stampa rappresenta Benedetto Angelo Francesco Cairoli, un importante politico italiano, noto per il suo ruolo come garibaldino e rifugiato politico.

  • Sheet size: mm. 270×215
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

La stampa è stata estratta dal libro e presenta un retro scritto.

Calabria, Calabrian Shepherd, 1844

30,00 

Calabria, Pastore Calabrese è un’incisione realizzata da E. Duverger nel 1844.
Questa opera, che rappresenta un pastore nel tipico costume calabrese, è parte del volume Social, political and religious customs and habits of all the peoples of the world by N. Dally.

  • Sheet size: mm. 170×265
  • Engraving size: mm. 105×170
  • Technique: Burin
  • Support: Acciaio acquerellato a mano
  • Condition: Ottimo stato di conservazione (una leggera piega del foglio trasversale)

Caladium, Chromolithograph, 1883

30,00 

Caladium, L’Automne it's a chromolithography made in 1883, taken from the prestigious Horticultural Review of Paris.
Questa opera, firmata da Godard e litografata da G. Severeyns, presenta un design splendido e decorativo, ideale per gli amanti della botanica e dell’arte.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

Neapolitan Calesse, W.French, 1840-50

50,00 

Calesse Napoletano It is an engraving made by W. French between 1840 and 1850.
This work, a watercolor etching, rappresenta un elegante calesse tipico di Napoli.
Published in Payne's Universe e stampata a Lipsia e Dresda, questa incisione è un esempio pregevole dell’arte incisoria dell’epoca.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Callot, Great Miseries of War, 1633

80,00 

Great miseries of war It is an engraving made by Jacques Callot in 1633, part of the series The miseries and the evils of war.
This work, entitled The Firing Squad, is an extraordinary example of Callot's mastery of etching.

  • Sheet size: mm. 80×184 plus 1 cm margins
  • Engraving size: mm. 80×184
  • Support: Laid paper
  • Condition: Excellent condition

Jacques Callot, an engraver and illustrator from Nancy, is known for his ability to capture the complexity of war through powerful, detailed images.
His art represents one of the most original expressions of seventeenth-century France, combining a fantastic freedom with a precise modulation of light.

Callot, Small Miseries of War, 1636

130,00 

The Little Miseries of War It is an engraving made by Jacques Callot in 1636, which represents a dramatic episode in which brigands attack travellers.
This work is a significant example of his skill in etching, a medium that Callot chose to express his creativity.

  • Sheet size: mm. 54×112 plus 1 cm margins
  • Engraving size: mm. 54×112
  • Support: Laid paper with watermark (jester with six-cornered hat)
  • Condition: Excellent condition

Callot, an engraver and draftsman from Nancy, is known for his works that capture the life and miseries of his time. His art is characterized by a fantastic freedom and a precise modulation of light, making his compositions both elegant and picturesque.

Campagna di Agrigento, Saint-Non, 1781-86

40,00 

Campagna di Agrigento It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione offre una bella veduta animata della Sicilia, ben conservata e di grande valore storico.

Campagna di Agrigento, Saint-Non, 1781-86

40,00 

Campagna di Agrigento It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La veduta animata offre uno sguardo affascinante sulla Sicilia del XVIII secolo.

Bellflower, 1890

20,00 

Campanula latifolia è una cromolitografia realizzata nel 1890, che rappresenta una delle meraviglie della botanica.
This work is taken from The garden. An illustrated weekly journal of horticulture in all its branches, curato da Guillaume Severeyns nach H.G. Moon per William Robinson.

  • Sheet size: cm. 21×28 approx.
  • Support: Medium thickness paper, white back
  • Condition: Excellent state of preservation

Elysian Fields from Cape Miseno, Phlegraean Fields, 1841

30,00 

Campi Elisi da Capo Miseno è un’incisione originale realizzata nel 1841, che rappresenta una splendida veduta dei Campi Elisi.
Questa opera è stata creata da William Leitch e Henry Bartlett per il corredo grafico dell’opera di George Newenham Wright, The Rhine, Italy, and Greece, pubblicata a Londra dalla casa editrice Fisher, Son & Co.

  • Sheet size: mm. 260×192
  • Engraving size: mm. 192×123
  • Technique: Burin
  • Support: Thick paper with white backing
  • Condition: Excellent

Phlegraean Fields, Bacoli, Saint-Non, 1781

45,00 

Campi Flegrei, Bacoli è un’incisione realizzata da Jean-Claude Richard de Saint-Non nel 1781.
This work represents la vista dei resti di un antico teatro, erroneamente chiamato il Tombeau d’Agrippine, situato a Bauli, vicino a Baia.

  • Sheet size: cm. 19×28 approx.
  • Engraving size: cm. 17×22 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Buone condizioni, con foglio ingiallito ai margini

This engraving is part of the volume Voyage Pittoresque ou description des Royaumes de Naples et de Sicile, un’opera enciclopedica illustrata dallo stesso Saint-Non, che documenta le sue impressioni durante i suoi viaggi in Italia.

Campobasso, Panorama, 1890

30,00 

Campobasso, Panorama it's a woodblock print built in 1890, which offers a fascinating view of the city of Campobasso.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 24x17 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 24×17 approx.
  • Support: Paper
  • Condition: Excellent

Hunting Dogs, 1890

30,00 

Cani da caccia It is a lithograph made in 1890, taken from the famous publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa enciclopedia, pubblicata dal Bibliographischen Instituts di Leipzig e Vienna.

  • Sheet size: cm. 29×23 approx.
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

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