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Showing 913–936 of 993 results

Stefano Della Bella, A Girl and a Bull, 1660

150,00 

Una fanciulla e un torello It is an engraving made by Stephen Of The Beautiful around 1660.
Questa opera rappresenta una giovane donna che trattiene un torello, esemplificando l’abilità artistica dell’autore.

  • Sheet size: cm. 28×20 approx.
  • Engraving size: mm. 158×150 circa
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

L’incisione è firmata in lastra due volte, in basso a destra e in basso a sinistra.
Si tratta di una bellissima prova nel secondo stato su due, impressa su carta vergellata senza filigrana, con ampi margini e ottima inchiostratura.

Stefano Della Bella, A Girl and a Bull, 1660

150,00 

Una fanciulla e un torello It is an engraving made by Stephen Of The Beautiful around 1660.
Questa opera rappresenta una giovane donna che trattiene un torello, esemplificando l’abilità artistica dell’autore.

  • Sheet size: cm. 28×20 approx.
  • Engraving size: mm. 158×150 circa
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

L’incisione è firmata in lastra due volte, in basso a destra e in basso a sinistra.
Si tratta di una bellissima prova nel secondo stato su due, impressa su carta vergellata senza filigrana, con ampi margini e ottima inchiostratura.

Stemma della Duchessa di Kendal, W.Hogarth, 1840

20,00 

Stemma della Duchessa di Kendal It is an engraving made by W. Hogarth in 1840.
Questa opera rappresenta gli stemmi nobiliari con un’elegante incisione all’acquaforte su acciaio, acquarellata a mano.

  • Sheet size: cm. 27×21 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

Stradanus, Crocodile Hunt, 1594-98

180,00 

Crocodile hunting It is an engraving made by Johannes Stradanus between 1594 and 1598, with the collaboration of Jan Collaert And Philips Galle.
This work is part of the rare series Venationes Ferarum, auium, piscium pvgnae Bestiariorum, inspired by the drawings of Stradanus, also known as Jan Van der Straet.

  • Sheet size: cm. 25×32 approx.
  • Engraving size: cm. 20×25 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

The engraving is signed on the plate with the words Ioan Stradanus invent, Collaert sculp, Phill. Galle excud.
Stradanus, active in Italy, influenced the work of Antonio Tempesta and his works were used for tapestries, some of which were in the possession of the Medici.

Stradanus, Caccia ai serpenti, 1594-98

80,00 

Caccia ai serpenti It is an engraving made by Johannes Stradanus between 1594 and 1598, engraved by Jan Collaert and published by Philips Galle.
This work is part of the rare series Venationes Ferarum, auium, piscium pugnae Bestiariorum, ispirata ai disegni di Stradanus, noto per le sue rappresentazioni di scene di caccia.

  • Sheet size: cm. 25×32 approx.
  • Engraving size: cm. 20×25 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Stradanus, Deer Hunt, 1594-98

80,00 

Deer hunting It is an engraving made by Johannes Stradanus between the 1594 and 1598, engraved by Jan Collaert II and published by Philips Galle.
This work is part of the rare series Venationes Ferarum, auium, piscium pugnae Bestiariorum, inspired by a drawing by Stradanus.

  • Sheet size: cm. 25×32 approx.
  • Engraving size: cm. 20×25 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Good

The engraving features three folds and reflects the influence of Stradanus, who worked in Italy and inspired tapestries commissioned by the Medici, depicting hunting scenes.

Stradanus, Caccia al cinghiale, 1594-98

80,00 

Caccia al cinghiale It is an engraving made by Johannes Stradanus tra il 1594 e il 1598.
Questa opera è un’acquaforte su carta vergellata, firmata in lastra con la dicitura Ioan Stradanus invent, Carlus Collaert excudit.
Fa parte della rara serie Venationes Ferarum, auium, piscium pvgnae Bestiariorum, ispirata da disegni di Stradanus, noto anche come Jan Van der Straet.

  • Sheet size: cm. 20×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Stradanus ha lavorato in Italia e ha influenzato artisti come Antonio Tempesta. I suoi disegni sono stati utilizzati per arazzi, alcuni dei quali sono stati commissionati dai Medici, che possedevano diverse opere ispirate alle scene di caccia di Stradanus.
The engraving was made by Jan Collaert II, un incisore fiammingo attivo ad Anversa, e pubblicata da Philips Galle.

Stradanus, Caccia al drago, 1594-98

80,00 

Caccia al drago It is an engraving made by Johannes Stradanus between the 1594 and 1598.
This work, engraved by Jan Collaert II, fa parte della rara serie Venationes Ferarum, auium, piscium pvgnae Bestiariorum.

  • Sheet size: cm. 25×32 approx.
  • Engraving size: cm. 20×25 approx.
  • Technique: Acquaforte su carta vergellata con parziale filigrana
  • Condition: Excellent state of preservation
  • Support: Paper

L’opera è firmata in lastra da Stradanus, De Mallory e Philips Galle.
Johannes Stradanus, noto anche come Jan Van der Straet, ha lavorato in Italia e ha ispirato numerosi artisti, tra cui Anthony Tempest.
I suoi disegni sono stati utilizzati per arazzi, alcuni dei quali erano di proprietà dei Medici, che possedevano diverse opere ispirate alle scene di caccia di Stradanus.

Stradanus, Caccia all’orso, 1594-98

80,00 

Bear hunting It is an engraving made by Johannes Stradanus between 1594 and 1598, engraved by Jan Collaert and published by Philips Galle.
This work is part of the rare series Venationes Ferarum, auium, piscium pvgnae Bestiariorum, ispirata ai disegni di Stradanus, noto per le sue rappresentazioni di scene di caccia.

  • Sheet size: cm. 25×32 approx.
  • Engraving size: cm. 20×25 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Stradanus, Caccia all’unicorno, 1594-98

80,00 

Caccia all’unicorno It is an engraving made by Johannes Stradanus between the 1594 and 1598.
Questa opera, che fa parte della rara serie Venationes Ferarum, auium, piscium pvgnae Bestiariorum, was engraved by Jan Collaert and published by Philips Galle.

  • Sheet size: cm. 25×32 approx.
  • Engraving size: cm. 20×25 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

The engraving is signed on the plate with the words Ioan Stradanus invent, Collaert sculp, Phill. Galle excud.
Stradanus, noto anche come Jan Van der Straet, ha lavorato in Italia e ha ispirato molti artisti, tra cui Antonio Tempesta. I suoi disegni sono stati utilizzati per arazzi, alcuni dei quali erano in possesso dei Medici.

Stradanus, Monkey Hunt, 1594-98

80,00 

Monkey hunting It is an engraving made by Johannes Stradanus between 1594 and 1598, engraved by Jan Collaert II and published by Philips Galle.
This work is part of the rare series Venationes Ferarum, auium, piscium pvgnae Bestiariorum, inspired by a drawing by Stradanus, known for his work in Italy and for his influence on artists such as Antonio Tempesta.

  • Sheet size: cm. 25×32 approx.
  • Engraving size: cm. 20×25 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Stradanus, Expulsion of the Satyrs 1594-98

80,00 

Expulsion of the Satyrs It is an engraving made by Johannes Stradanus between 1594 and 1598, with the collaboration of Jan Collaert And Philips Galle.
This work depicts women chasing satyrs from the forest and is part of the rare series Venationes Ferarum, auium, piscium pvgnae Bestiariorum.

  • Sheet size: cm. 25×32 approx.
  • Engraving size: cm. 20×25 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

The engraving is signed on the plate with the words Ioan Stradanus invent, Collaert sculp, Phill. Galle excud.
Stradanus, also known as Jan Van der Straet, worked in Italy and influenced the production of tapestries, some of which were commissioned by the Medici, inspired by his hunting scenes.

Stradanus, Naphtha Collection, 1594-98

180,00 

Naphtha collection It is an engraving made by Johannes Stradanus and engraved by Jan Collaert II between the 1594 and 1598.
This work, part of the rare series Venationes Ferarum, auium, piscium pvgnae Bestiariorum, represents the collection of naphtha and bitumen with the aid of sponges.

  • Sheet size: cm. 22×27 approx.
  • Engraving size: cm. 20×25 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Stradanus, also known as Jan Van der Straet, worked in Italy and influenced the work of artists such as Antonio Tempesta. His designs were used for tapestries, some of which were owned by the Medici, depicting hunting scenes.

Subiaco, Cascate, 1850

40,00 

Subiaco, Cascate è un’incisione realizzata nel 1850, che offre una splendida veduta delle cascate di Subiaco.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo d’arte affascinante per collezionisti e appassionati.

Subiaco, Convento dei Benedettini, 1850

40,00 

Subiaco, Convento dei Benedettini è un’incisione realizzata nel 1850, che offre una splendida veduta di questo storico luogo.
The work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Perfect

This engraving stands out for its sharpness and liveliness, making it a valuable piece of art for collectors and enthusiasts.

Svizzera, The Castle of Chillon, 1833

25,00 

Svizzera, The Castle of Chillon è un’incisione realizzata nel 1833, che cattura la bellezza del famoso castello situato sulle rive del Lago di Ginevra.
This work is an example of etching della prima metà del XIX secolo, realizzata con grande maestria.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Tempio di Antonino e Faustina, Roma, 1850

25,00 

Tempio di Antonino e Faustina, Roma it is an engraving made by Saverio Pistolesi in 1850.
This work is part of the album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in 1850.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 22×15 approx.
  • Technique: Etching
  • Support: Tissue paper glued onto cardboard
  • Condition: Excellent state of preservation

Temple of Segesta, Trapani, Saint-Non, 1781-86

40,00 

Temple of Segesta, Trapani It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The engraving offers a beautiful animated view of the temple, representing an important testimony of the Sicilian architectural heritage.

Temple of Segesta, Trapani, Saint-Non, 1781-86

40,00 

Temple of Segesta, Trapani It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

This engraving offers a beautiful animated view of the temple, well preserved and of great historical value.

Teniers, The Pula Cutter, 1830

70,00 

Il tagliatore di Pula è un’acquatinta colorata realizzata nel 1830 da Ralph Cockburn, un noto pittore ed incisore, nonché primo custode della Dulwich Picture Gallery.
Questa opera è una splendida esecuzione tratta da uno dei quadri presenti nella galleria, ed è caratterizzata da un’eccellente qualità artistica.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this work even more rare and decorative.

Terni, Waterfalls, 1798

40,00 

Terni, Cascate It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta è caratterizzata da un’animazione vivace e un ottimo contrasto. Al retro della stampa è presente una spiegazione dettagliata.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Thiergarten, Beuron, Germania, A.H.Payne, 1840-50

20,00 

Thiergarten, Beuron, Germania It is an engraving made by A.H. Payne between 1840 and 1850.
Questa opera, che rappresenta il Monumento di Federico Guglielmo III, is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition
  • Back: White

Thomas MORELL, W.Hogarth, 1840

20,00 

Thomas Morell and W. Hogarth It is an engraving made in 1840, which celebrates the work of the librettist Thomas Morell, known for his collaboration with the musician Handel.
This engraving was made with etching on steel and then watercolourised, making it a work of art of considerable value.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 27×21 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent state of preservation

Tintoretto or Giacomo Robusti, Jupiter and Leda, 1786

70,00 

Giove e Leda è un’incisione realizzata da Tintoretto, noto anche come Giacomo Robusti, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta una delle opere più celebri del maestro.

  • Sheet size: cm. 24×37 approx.
  • Condition: Buone, con uno strappo di 8-10 cm riparato al recto con carta
  • Support: Laid paper
  • Published by: J. Couche, Paris, 1786

La prova è di bella qualità, con un buon contrasto, rendendo questa incisione un pezzo interessante per collezionisti e appassionati.

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