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Showing 913–930 of 930 results

Via Crucis, Raphael Sanzio, 1846

30,00 

Way of the Cross It is an engraving made by Raphael Sanzio in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Vicenza, The Luzzo Gate, 1860

35,00 

Vicenza, Il portone del Luzzo è un’incisione realizzata nel 1860, rappresentante un’importante veduta architettonica della città di Vicenza.
This work is part of the album Album d’Italia, Album d’Italie Trieste, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Peasants Drinking, D.Teniers, 1840-50

20,00 

Peasants who drink It is an engraving made by David Teniers, published between 1840 and 1850.
This work, also known by its original title Boors drinking, is an etching on strong paper, with a white back.
It was published in the Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Strong paper

Life of Napoleon, 1850

50,00 

Life of Napoleon it is an engraving made in 1850, which illustrates the salient episodes of the life of Napoleon Bonaparte.
This work is an etching measuring 20.5 x 28 cm, without margins, glued onto cardboard.

  • Era: 19th century
  • Condition: Excellent condition
  • Support: Cardboard
  • Dimensions: Medium
  • Technique: Etching

Life of Napoleon, 1850

50,00 

Life of Napoleon it is an engraving made in 1850, which illustrates the salient episodes of the life of Napoleon Bonaparte.
This work is an etching measuring 20.5 x 28 cm, without margins, glued onto cardboard.

  • Era: 19th century
  • Condition: Excellent condition
  • Support: Cardboard
  • Dimensions: Medium
  • Technique: Etching

Wilhelm Traugott Krug, 1830

30,00 

Wilhelm Traugott Krug It is an etching made in 1830, which portrays the famous German philosopher.
Krug, born in Radis bei Wittenberg in 1770 and died in Leipzig in 1842, was an important professor of philosophy and theology, known for having occupied the Kant chair at the University of Königsberg.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Wilhelm von Kaulbach, A.H.Payne, 1840-50

20,00 

Wilhelm von Kaulbach, A.H.Payne è un’incisione realizzata tra il 1840 e il 1850,
che rappresenta un’importante opera pubblicata in Payne's Universum und Buch der Kunst, edita a Lipsia e Dresda.

  • Sheet size: cm. 21×27
  • Engraving size: unspecified
  • Support: Medium thickness paper
  • Condition: Excellent condition

Wilhelm von Kaulbach, nato a Bad Arolsen nel 1805 e morto a Monaco di Baviera nel 1874, è noto per i suoi affreschi e le illustrazioni di libri.
Albert Henry Payne, incisore e disegnatore inglese, ha fondato a Lipsia una casa editrice nel 1838, contribuendo significativamente al panorama artistico dell’epoca.

Willem de Eerste, Prince of Holland, 1845

20,00 

Willem de Eerste, Prince of Holland It is an engraving made in 1845, representing the Dutch prince.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

William Hogarth, Hymen and Cupid, 1822

30,00 

Hymen and Cupid è un’incisione realizzata da William Hogarth nel 1822, che rappresenta un affascinante incontro tra l’amore e il matrimonio.
This work is made with the technique ofEtching and Burin e presenta un’immagine di dimensioni cm. 15×19 su un foglio di cm. 20×28.

  • Sheet size: cm. 20×28
  • Image size: cm. 15×19
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, Rich's Triumphant Entry, 1822

30,00 

Rich’s Triumphant Entry It is an engraving made by William Hogarth In the 1822.
Questa opera rappresenta il glorioso ingresso di Rich a Covent Garden, con una scena vivace che mostra il trasferimento di Rich e dei suoi accompagnatori da Lincoln’s Inn Fields alla nuova residenza.

  • Sheet size: cm. 23×38 approx.
  • Image size: cm. 17×30 circa
  • Technique: Etching
  • Support: Thick paper without watermark
  • Condition: Excellent

La scena si svolge nell’Area del Covent Garden, dove una lunga processione avanza verso il teatro, con un carro carico di tuoni e fulmini. In testa alla processione, il signor Rich, vestito con la pelle del famoso cane in “Perseo e Andromeda”, cavalca insieme alla sua padrona su un carro guidato da Arlecchino e trainato da satiri.

William Hogarth, The Country Inn Yard, 1822

50,00 

The Country Inn Yard It is an engraving made by William Hogarth In the 1822.
Questa opera rappresenta un vivace cortile di una locanda di campagna durante un momento cruciale: le elezioni.
Hogarth, noto per il suo acuto senso dell’osservazione sociale, cattura l’atmosfera frenetica di questo evento, con una folla che si raduna in fondo all’immagine, suggerendo una critica alla disattenzione del popolo inglese verso le elezioni.

  • Sheet size: cm. 26×38 circa
  • Engraving size: cm. 21×30 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

William Hogarth, Burlesque, 1822

50,00 

Burlesque It is an engraving made by William Hogarth nel 1822, che satirizza la pala d’altare di Kent nella chiesa di St. Clement Danes.
Questa opera mette in evidenza le scarse abilità artistiche di Kent, rappresentando angeli e cherubini in modo sproporzionato e caricaturale.

  • Sheet size: cm. 40×30 circa
  • Engraving size: cm. 33×18 circa
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

La pala d’altare, commissionata dai parrocchiani, suscitò delusione e fu successivamente rimossa.
L’opera di Hogarth, con la sua chiave satirica, offre una critica pungente all’arte di Kent, evidenziando la sua inadeguatezza.

William Hogarth, Masquerade Ticket, 1822

50,00 

Masquerade Ticket It is an engraving made by William Hogarth in 1822.
Questa opera rappresenta una grande compagnia che preme con impazienza alla porta di una Masquerade, all’interno della stanza affollata da una moltitudine di personaggi grotteschi, che celebrano le orge del luogo.

  • Sheet size: cm. 24×35 circa
  • Image size: cm. 18×25 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, Putti, 1822

30,00 

William Hogarth, Putti è un’incisione realizzata nel 1822, che rappresenta un momento giocoso della natura.
This work, entitled Boys Peeping at Nature, mostra tre putti e un satiro in una scena vivace.

  • Sheet size: cm. 19×17 circa
  • Engraving size: cm. 15×13 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation
  • Technique: Etching and burin

L’opera è un biglietto di abbonamento inciso per A Harlot’s Progress, basato su un disegno a pennello presente nella Royal Collection.
I putti sono rappresentati in attività artistiche, mentre uno di loro cerca di proteggere la statua di Efeso Artemide da uno sguardo indiscreto. Il design trae ispirazione da un dipinto di Rubens e Bruegel, evidenziando l’abilità di Hogarth nel combinare arte e satira.

William Hogarth, Royalty, Episcopacy and Law, 1822

50,00 

Royalty, Episcopacy and Law è un’opera incisoria di William Hogarth, made in 1822.
Questo emblema iconoclasta, eseguito in uno stile surrealista, rappresenta un audace attacco alla classe dirigente inglese dal punto di vista della classe media.

  • Sheet size: cm. 27×30 circa
  • Image size: cm. 18×25 approx.
  • Technique: Etching and burin
  • Support: Thick paper without watermark
  • Condition: Excellent condition

La stampa raffigura re, vescovi e avvocati come forme vuote e meccaniche, simbolizzando il potere di manipolazione attraverso i loro ornamenti. La forma circolare della stampa suggerisce il campo visivo di un telescopio, con un re che tiene uno scettro e un globo, mentre un vescovo è rappresentato in una posizione lussuosa.
L’avvocato, vestito in modo eccessivo, è affiancato da figure simboliche che rappresentano la società aristocratica, creando un’opera ricca di significato e critica sociale.

William Hogarth, The Lottery, 1822

50,00 

The Lottery it is an etching made by William Hogarth in 1822, which is a satire on the state lottery.
This iconic work shows a drawing of lots at Guildhall, with allegorical figures explaining the significance of each character in the scene.

  • Sheet size: cm. 32×48
  • Image size: cm. 22×31
  • Support: Thick paper without watermark
  • Condition: Excellent condition

The English caption provides details about the characters:
1) The allegory of National Credit is supported by Justice;
2) Apollo shows Britannia a picture of the earth;
3) Fortune is on the right;
4) Unrestrainedness is on the left;
5) Suspense, Hope and Fear are found at the base of the pedestal;
6) Good Luck is kidnapped by Pleasure and Madness;
7) Bad Luck is oppressed by Pain, supported by Minerva;
8) Sloth and Avarice complete the scene.
This engraving is an important reflection on the consequences of the lottery and human destiny.

William Hogarth, The Man of Taste 1822

30,00 

The Man of Taste It is an engraving made by William Hogarth in 1822.
This work represents a satirical analysis of the taste and culture of his time.

  • Sheet size: cm. 28×27 approx.
  • Engraving size: cm. 22×16 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

Wouvermanns – A Hunting Party, 1830

70,00 

Wouvermanns – Una festa di caccia è un’incisione realizzata nel 1830 da Ralph Cockburn, noto pittore ed incisore e primo custode della Dulwich Picture Gallery.
This work is a splendid colored aquatint measuring 17x23 cm, mounted on a thick cardboard support measuring approximately 26x32 cm.
Al verso si trova il timbro della Haverhill Public Library, rendendo questa opera ancora più interessante per i collezionisti.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×23 approx.
  • Support: Cardboard
  • Condition: Excellent

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