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Showing 73–96 of 1614 results

Ancient tools, beer making machines, beer breweries

30,00 

Antichi strumenti, macchine per fare la birra It is a lithograph from 1890, taken from the publication Meyers Conversations Lexicon, published in Germany starting from the second half of the 19th century.
This work is part of a large series of antique prints made to illustrate this famous encyclopedia.

  • Sheet size: cm. 29×23 approx.
  • Support: Paper
  • Condition: Fair general conditions
  • Notes: Leggero ingiallimento del foglio e piega centrale editoriale

Ancient instruments, microscopes, mikroskope

30,00 

Ancient instruments, microscopes, mikroskope It is an old lithographic print made in 1890, taken from the publication Meyers Conversations Lexicon, published in Germany.
This work is part of a large series of antique prints created to illustrate this famous encyclopedia, which had several editions starting from the second half of the 19th century.

  • Sheet size: cm. 29×23 approx.
  • Support: Paper
  • Condition: Fair overall condition, with light yellowing and a central editorial crease

Ancient tools, air pumps, luftpumpen

30,00 

Ancient tools, air pumps, luftpumpen It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, a German encyclopedic work published from the second half of the 19th century.
This print is part of a large series of illustrations dedicated to this famous encyclopedia, published by the Bibliographischen Instituts with offices in Leipzig and Vienna.

  • Sheet size: cm. 29×23 approx.
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Ancient tools, steam press, dampfhammer

30,00 

Ancient tools, steam press, dampfhammer It is a lithograph made in 1890, taken from the famous publication Meyers Conversations Lexicon, published in Germany.
This work is part of a large series of antique prints created to illustrate this encyclopedia, which had several editions starting from the second half of the 19th century.

  • Sheet size: cm. 29×23 approx.
  • Engraving size: cm. 29×23 approx.
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Antelope, Gazella, Gnu, 1890

15,00 

Antelope, Gazelle, Wildebeest It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was produced by the Bibliographischen Instituts, with offices in Leipzig and Vienna, and represents a significant example of 19th-century publishing production.

  • Sheet size: cm. 29×23
  • Condition: Fair condition, with light yellowing and central crease
  • Support: Paper, white back

Anthony van Dyck, 1830

30,00 

Anthony van Dyck, 1830 it is an etching made on laid paper, which represents a significant work by one of the most famous Flemish portraitists.
Van Dyck, known for his elegant style and his ability to portray the nobility, became the first court painter in England after a long stay in Italy.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Aosta, Panorama, 1890

30,00 

Aosta, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera offre una vista suggestiva della città di Aosta, catturando l’essenza del paesaggio montano.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 24×17 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The entire sheet containing the print will be shipped.

Aosta, Verres and Emaville, 1834

35,00 

Aosta, Verres e Emaville It is a double steel engraving made between 1834 and 1837.
Ogni incisione misura circa cm. 11×8 e fa parte di un foglio di dimensioni cm. 25×16.
This work is taken from Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11×8 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

The views are lively and decorative, making this engraving a fascinating piece for collectors and enthusiasts.

Eagle, Facade of San Bernardino, 1890

20,00 

Eagle, Facade of San Bernardino it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet. The complete sheet measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Eagle, Hawk, 1890

15,00 

Aquila, Falco It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Condition: Fair condition, with light yellowing and central crease
  • Support: Paper, white back

Eagle, Panorama, 1890

30,00 

Eagle, Panorama it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 24x17 cm, surrounded by text, with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 24×17 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Arabs dividing the spoils, 1830

20,00 

Arabi che dividono il bottino è un’incisione realizzata nel 1830, che rappresenta un momento di condivisione tra arabi.
Questa opera è stata creata con la tecnica dell’Etching and of the Burin, mostrando una notevole maestria artistica.

  • Sheet size: cm. 21×30 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Archimede, 1857

30,00 

Archimede è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper.

  • Sheet size: cm. 23×32
  • Engraving size: mm. 140×180
  • Support: Strong paper
  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.

Archbishopric of Bavaria.1861 Woodcut

15,00 

Archbishopric of Bavaria It is a woodcut from 1861 representing a view of the old Archbishopric of Bamberg.
This work was created by Freeman, who drew inspiration from a photograph for his drawing.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 21×15 approx.
  • Support: Light paper
  • Condition: Excellent

Ariccia, 1840

30,00 

Ariccia, 1840 it is a steel engraving that offers a fascinating view of the town of Ariccia.
Made in 1840 for the volume Picturesque Italy, published by Ernst Kollmann in Leipzig, this work has wide margins and a remarkable printing quality.

  • Sheet size: mm. 140×230
  • Engraving size: mm. 102×155
  • Support: Paper
  • Condition: Good general condition

The engraving is signed by FROMMEL del. and made by Atelier C.Frommel and H. Winkles, showing a beautiful animated view, well contrasted and decorative.

Ariccia, 1860

35,00 

Ariccia It is an engraving made in 1860, part of the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work is an etching that represents an important artistic testimony of the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Ariccia, 1877

25,00 

Ariccia, 1877 It is a woodcut made by Adolf Closs, a well-known 19th-century wood engraver.
This work offers a beautiful panoramic view from Ariccia, lively and very decorative, perfect for enriching any environment.

  • Sheet size: cm. 25×19 approx.
  • Engraving size: cm. 20×15 approx.
  • Support: Paper
  • Condition: Excellent

Armadillo, Sloth, 1890

15,00 

Armadillo, Sloth It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany since the second half of the 19th century by the Bibliographischen Instituts, with offices in Leipzig and Vienna.
This print features a white back and a light yellowing of the sheet, highlighting its state of conservation.

  • Sheet size: cm. 29×23
  • Condition: Discrete
  • Folding: The sheet has a central fold because it was originally inserted folded into the volume

Armed, Salvino of the Armed, 1857

30,00 

Armed, Salvino of the Armed it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper with white back.

  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
  • History: Salvino degli Armati is known as one of the alleged inventors of glasses, although he is probably a character who never existed, the result of a 17th century forgery.

Arnold von Winkelried, A.H.Payne, 1850

20,00 

Arnold von Winkelried It is an engraving made by AH Payne in 1850, using the technique of burin.
This work is published by Verlag d. Englischen Kunstastalt AH Payne, Leipzig & Dresden.

  • Sheet size: mm 210×270
  • Condition: Good state of preservation
  • Support: Medium engraving paper

It represents a mythical figure in Swiss history, a symbol of courage and sacrifice.

Arnolfo di Lapo, 1857

30,00 

Arnolfo di Lapo è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa opera rappresenta Arnolfo di Cambio, noto scultore e architetto italiano attivo a Roma e Firenze tra il Duecento e il Trecento.

  • Sheet size: cm. 23×32 approx.
  • Size of the joke: mm. 140×180 circa
  • Support: Strong paper
  • Condition: Ottima, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione

Arona, The Colossus of St. Charles Borromeo, 1860

35,00 

Arona, Il Colosso di S. Carlo Borromeo è un’incisione realizzata nel 1860, che rappresenta una delle opere più significative del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Arqua, Petrarca's House, 1840

40,00 

Arqua, Casa di Petrarca è un’incisione realizzata nel 1840, che rappresenta una bella e fine veduta animata della casa di Petrarca.
L’opera è stata disegnata da Samuel Prout and engraved by Heach utilizzando la tecnica del Burin con coloritura manuale all’acquarello.

  • Sheet size: mm. 100×140 alla battuta + piccoli margini
  • Support: Medium paper
  • Condition: Buone (lieve ingiallimento del foglio)

Arquà, Petrarca's House, 1860

35,00 

Arquà, Casa di Petrarca è un’acquaforte realizzata nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo, con un’accurata rappresentazione della casa di Petrarca ad Arquà.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

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