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Cream, Torrazzo, 1890
20,00 €Cream, Torrazzo it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 14x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 14×12 approx.
- Support: Paper
- Condition: Excellent
Cuneo, Pesio Charterhouse, 1890
20,00 €Cuneo, Certosa di Pesio it's a woodblock print realizzata nel 1890, che rappresenta il porticato della Certosa di Pesio.
Questa opera è tratta da un testo italiano di fine Ottocento, ed è stata incisa da Barberis.
- Sheet size: cm. 26×18 approx.
- Image size: cm. 14×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
The entire sheet containing the print will be shipped.
Cuneo, Vittorio Emanuele II Square, 1890
20,00 €Cuneo, Vittorio Emanuele II Square it's a woodblock print built in 1890, which represents an important visual testimony of the late nineteenth century.
This work is characterized by a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Deposition, Annibale Carracci, 1884
25,00 €Deposition It is a woodcut engraving made by an anonymous author in 1884.
This work represents Der Leichnam Christi im Schoosse der Maria and it is taken from the volume Naples and its surroundings by Rudolf Kleinpaul, published in Leipzig.
- Sheet size: mm. 360×270
- Engraving size: mm. 240×160
- Support: Lightweight paper, white back
- Condition: Excellent condition
This engraving is a beautiful view, interesting and decorative.
Dietrich, The Violin Player, 1863
20,00 €Dietrich, The Violin Player It is a woodcut made in 1863, coming from a French book of the mid-nineteenth century.
This print, measuring 20x17 cm, is contained within a page of the book and features writing around and on the back.
- Sheet size: cm. 29×19 approx.
- Margins: Almost absent
- Condition: Excellent
The entire page containing the print is sent.
Domenichino, Saint Cecilia, 1847
20,00 €Domenichino, Saint Cecilia It is a woodcut made in 1847, coming from a French book of the mid-nineteenth century.
This work presents a measurement of the printed part of cm. 12×16 on a sheet of paper cm. 29×19, with almost no margins.
The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.
- Sheet size: cm. 29×19 approx.
- Print Size: cm. 12×16 approx.
- Support: Paper
- Condition: Excellent
Church of the Trinity in Paris. Paris 1869
11,00 €Eglise de la Trinitè a Paris è un’incisione realizzata nel 1869, che rappresenta la celebre chiesa parigina.
This work is taken from the Picturesque Store del 1869 ed è stato disegnato da H Clerget.
- Sheet size: cm. 30×21 approx.
- Engraving size: cm. 22×15 approx.
- Support: Light paper
- Condition: Excellent
Emissary of the Fucino in Avezzano, 1890
20,00 €Emissario del Fucino ad Avezzano it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Empoli, Florence, 1885
30,00 €Empoli, Florence, 1885 It is an engraving that represents the Collegiate Church and Square, made by Antoine Valerie Bertrand, a French wood engraver.
This woodcut measures cm. 19×25 and is found on a light sheet of cm. 27×37, with white back. The work is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.
- Sheet size: cm. 27×37 approx.
- Engraving size: cm. 19×25 approx.
- Support: Light paper
- Condition: Excellent state of preservation
Entry of Charles V into Antwerp, H. Makart, 1887
30,00 €Entry of Charles V into Antwerp It is an engraving made by H. Makart in 1887.
This woodcut represents an important historical scene and comes from the Italian illustration, published by the Treves Brothers of Milan.
- Sheet size: cm. 46×27 approx.
- Technique: Woodcut
- Condition: Good
- Support: Paper
The print was cut from the book and has writing on the back.
Farnese Hercules, 1884
30,00 €Farnese Hercules It is a woodcut engraving made in 1884, which represents one of the most famous works of classical sculpture.
This engraving is taken from the volume Naples and its surroundings by Rudolf Kleinpaul.
- Sheet size: cm. 27×36 approx.
- Engraving size: cm. 16×24 approx.
- Support: Paper with wide margins and white back
- Condition: Excellent
Fabio Glissenti, Il Mendicantee la Morte, 1596
35,00 €Il Mendicante e la Morte It is a woodcut made by Fabio Glissenti In the 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa fa parte di un ciclo iconografico che esplora il tema della morte con un approccio a volte ironico e provocatorio.
- Sheet size: cm. 21×15 approx.
- Image size: cm. 10×6,5 circa
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un occhio critico e disincantato, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro composto da cinque dialoghi e trenta novelle, che riflette il pensiero colto della fine del ‘500.
Questa rara stampa rappresenta un’importante testimonianza del pensiero di Glissenti e della sua audace visione della vita e della morte.
Fabio Glissenti, Il Neonato e la Morte, 1596
35,00 €Il Neonato e la Morte It is an engraving made by Fabio Glissenti in 1596, part of the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent state of preservation
L’opera di Glissenti affronta il tema della morte con un approccio a volte ironico e irriverente, riflettendo il pensiero colto del tardo Cinquecento.
La sua pubblicazione, avvenuta a Venezia presso Domenico Farri, fu oggetto di censura e controversie, ma ciò non ha impedito a Glissenti di mantenere la sua visione critica e profonda sulla vita e la morte.
Fabio Glissenti, La Morte e l’Angelo, 1596
35,00 €La Morte e l’Angelo It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10, su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent state of preservation
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente. La sua opera, sottoposta a censura, ha subito un processo che ha portato a una multa, ma ha mantenuto la sua visione critica e profonda. Le stampe, parte del ciclo della ‘Danza Macabra’, offrono uno spaccato del pensiero colto del tardo Cinquecento.
Fabio Glissenti, Death and the Emperor, 1596
35,00 €Death and the Emperor It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This unsigned woodcut features images measuring approximately 6.5 x 5 cm on a sheet measuring approximately 21 x 15 cm.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6.5x5 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Glissenti, a physician and philosopher, addresses the theme of death with an ironic and disenchanted approach, reflecting the cultured thought of the late sixteenth century. His work, subjected to censorship, is an important testimony to the culture of the time and the challenges faced by the author.
Fabio Glissenti, La Morte in guerra, 1596
35,00 €La Morte in guerra It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×5 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6.5x5 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente. La sua opera, sottoposta a censura, è un’importante testimonianza del pensiero colto del tardo Cinquecento.
Le stampe, parte del ciclo della ‘Danza Macabra’, sono rare e rappresentano una parte significativa della cultura e della filosofia di quel periodo.
Fabio Glissenti, La Morte in una cassa, 1596
35,00 €La Morte in una cassa It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent state of preservation
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora il dispiacere della morte attraverso dialoghi e novelle, rendendo questa incisione un’importante testimonianza del pensiero colto del tardo Cinquecento.
Fabio Glissenti, La Prudenza e la Morte, 1596
35,00 €La Prudenza e la Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, riflettendo il pensiero colto del tardo Cinquecento. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che include cinque dialoghi e trenta novelle, affrontando la censura e le controversie del suo tempo. Queste rare stampe rappresentano un’importante testimonianza della cultura e della filosofia dell’epoca.
Fabio Glissenti, Venezia e la Morte, 1596
35,00 €Venezia e la Morte It is an engraving made by Fabio Glissenti in 1596, part of the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, nonostante le censure e le controversie legali che ha dovuto affrontare. Le sue opere, tra cui l’Athanatophilia, offrono uno sguardo penetrante sul pensiero colto del tardo Cinquecento, rendendo questa incisione un’importante testimonianza storica.
Firenze, Coro di Santa Maria Novella, 1877
40,00 €Firenze, Coro di Santa Maria Novella è un’incisione xilografica del 1877, acquarellata a mano.
This work, taken from Italy di J. Gourdault, rappresenta l’interno della chiesa con i monaci intenti a cantare, un soggetto di grande bellezza.
- Size of the joke: mm. 244×182
- Margins: Wide
- Support: Medium paper with white back
- Condition: Excellent
Firenze, Duomo, 1885
30,00 €Firenze, Duomo, 1885 è una xilografia che rappresenta la nuova facciata del Duomo di Firenze.
Questa incisione è stata realizzata da Eduardo Ximenes and it is part of the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.
- Sheet size: cm. 27×37 approx.
- Engraving size: cm. 19×25 approx.
- Support: Light paper
- Condition: Excellent state of preservation
Firenze, Giardino di Boboli, 1876
25,00 €Florence, Boboli Gardens It is a woodcut engraving made by Adolphe Francois Pannemaker in 1876.
This work is taken from the volume Promenades in Italy di Rolland, pubblicato a Tours nello stesso anno.
- Sheet size: mm. 190×290
- Engraving size: mm. 142×220
- Support: Light paper
- Condition: Excellent condition
La stampa presenta una bella veduta decorativa del Giardino di Boboli, un luogo emblematico di Firenze, noto per la sua bellezza e storia.
Florence, Or San Michele, 1877
30,00 €Firenze, Or San Michele è un’incisione xilografica realizzata da A. Closs e F. Bauer nel 1877, tratta dall’opera Italy by J. Gourdault.
Questa animata veduta offre un’immagine nitida e contrastata della celebre piazza fiorentina.
- Sheet size: mm. 190×260 circa
- Support: Medium paper
- Condition: Excellent state of preservation
Firenze, Palazzo Vecchio, 1877
35,00 €Florence, Palazzo Vecchio It is a woodcut engraving made in 1877 da A. Closs e F. Bauer, tratta dall’opera Italy di J. Gourdauld.
Questa incisione rappresenta l’interno del Palazzo Vecchio, affollato da vari visitatori, offrendo uno spaccato della vita culturale dell’epoca.
- Sheet size: mm. 190×260 circa
- Support: Medium paper with white back
- Condition: Excellent
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