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Showing 1753–1776 of 2232 results

Portrait of C.Huijgens, A. Van Dyck, 1845

20,00 

Ritratto di C.Huijgens è una litografia realizzata da A. Van Dyck nel 1845, che ritrae il noto poeta e i suoi cinque figli.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Portrait of Paulus Potter, Van der Helst, 1845

20,00 

Portrait of Paulus Potter It is a lithograph made by Van der Helst in 1845.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Portrait, A.Van Dyk, 1840-50

20,00 

Ritratto di A. Van Dyk è un’incisione realizzata tra il 1840 e il 1850, pubblicata nel volume Payne's Royal Dresden Gallery by AH Payne and W. French.
Questa opera, un’acquaforte su carta forte, presenta un retro bianco e si distingue per la sua qualità artistica e storica.

  • Sheet size: cm. 21×27
  • Technique: Etching
  • Condition: Excellent
  • Support: Strong paper

Rocca di Papa, 1877

20,00 

Rocca di Papa It is an engraving made by Adolf Closs In the 1877.
Questa xilografia offre una beautiful panoramic view di Rocca di Papa, risultando molto decorativa e adatta per arricchire qualsiasi ambiente.

  • Sheet size: cm. 25×19 circa (inclusi margini)
  • Engraving size: cm. 25×19 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Rodents, 1890

15,00 

Rodents It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work features a representation of various rodents, including the beaver, the hamster and the porcupine.

  • Sheet size: cm. 29×23
  • Condition: Fair condition, with light yellowing and central crease
  • Support: Paper

The sheet has a blank back and has a central fold because it was originally inserted folded into the volume from which it was taken.

Roma, Acqua Claudia, Villa Panfili, 1834

30,00 

Roma, Acqua Claudia, Villa Panfili è un’incisione al bulino realizzata nel 1834, che offre una splendida veduta della città eterna.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: cm. 26×18 approx.
  • Engraving size: cm. 22×13 approx.
  • Support: Light paper
  • Condition: Good condition

Questa incisione si distingue per la sua nitidezza e il contrasto decorativo, rendendola un pezzo affascinante per collezionisti e appassionati d’arte.

Roma, Antico edificio, 1798

40,00 

Roma, Antico edificio è un’incisione realizzata nel 1798, che offre una splendida veduta di un antico edificio romano.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Roma, Arco di Costantino, 1771

30,00 

Roma, Arco di Costantino It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

L’incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, published in Switzerland.
Questa edizione, meno influenzata dal pensiero francese e più neutra in ambito religioso, è conosciuta come enciclopedia protestante e ha avuto una notevole diffusione nel Nord Europa.

Roma, Arco di Costantino, 1796

40,00 

Roma, Arco di Costantino è un’incisione realizzata nel 1796, che offre una vista affascinante di uno dei monumenti più iconici di Roma.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La stampa presenta una bella veduta, animata e ben contrastata, con spiegazioni dettagliate al retro.

Rome, Arch of Dolabella and Silano, 1798

40,00 

Rome, Arch of Dolabella and Silano It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view It features well-defined animation and contrast, making it a fascinating work for art and history lovers. A detailed explanation is provided on the back of the print.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Rome, Arch of Pantani, 1797

40,00 

Rome, Pantani Arch It is an engraving made in 1797, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Rome, Arch of San Lazzaro, 1796

40,00 

Roma, Arco di San Lazzaro It is an engraving made in 1796, taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.
Questa bella veduta è caratterizzata da un’animazione e un contrasto ben definiti, e sul retro è presente una spiegazione della stampa.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Rome, Arch of Septimius Severus, 1771

30,00 

Rome, Arch of Septimius Severus It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the edition of Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

The engraving is notable for its less French and less anti-religious approach than the original, which has earned it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Roma, Arco di Settimio Severo, 1796

40,00 

Rome, Arch of Septimius Severus è un’incisione realizzata nel 1796, che offre una splendida veduta di uno dei monumenti più iconici di Roma.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent state of preservation

Al retro della stampa è presente una spiegazione dettagliata dell’opera.

Rome, Arch of Septimius Severus, Roman rings, 1771

30,00 

Rome, Arch of Septimius Severus, Roman rings It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 20×15 approx.
  • Technique: Burin
  • Support: Medium thickness laid paper
  • Condition: Excellent

This engraving is particularly interesting because it comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Yverdon Encyclopedia, published in Switzerland.
The difference in approach from the original earned it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Roma, Arco di Settimo Severo, Tempio di Antonino e Faustina, 1834

30,00 

Roma, Arco di Settimo Severo e Tempio di Antonino e Faustina It is a double steel engraving made between 1834 and 1837.
This work is part of the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

Rome, Arch of Titus, 1796

40,00 

Rome, Arch of Titus It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view features remarkable animation and contrast, with detailed explanations on the back of the print.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Condition: Excellent
  • Support: Paper

Rome, Aventine, 1877

25,00 

Rome, Aventine, 1877 it is a woodcut representing a view of the Aventine Hill, made in 1877.
This work is taken from L'Italy illustrée de 450 engravures sur wood, published by Gourdault Jules in Paris, Hachette.

  • Sheet size: mm. 250×180 approx.
  • Engraving size: mm. 250×180 plus margins
  • Support: Light paper
  • Condition: Excellent

Rome, Aventine, F.Keller, 1885

30,00 

Rome, Aventine It is an engraving made by F. Keller In the 1885, which represents a view from the garden of the Convent of Santa Sabina on the Aventine Hill.
This woodcut is part of the volume Italy Pictorial Journey from the Alps to Etna, published by the Treves Brothers.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Roma, Basilica di Costantino e Arco di Tito, 1834

20,00 

Roma, Basilica di Costantino e Arco di Tito It is a double steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

Roma, Basilica di S.Giovanni in Laterano, 1843

70,00 

Roma, Basilica di S.Giovanni in Laterano It is an engraving made by Gaetano Cottafavi nel 1843.
This work is part of the Collection of the Principal Views of Rome and its Surroundings, dove ogni veduta è disegnata dal vero e incisa dall’autore stesso.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation
  • Notes: Ottima prova con buon contrasto, retro bianco, veduta animata e decorativa.

This engraving will be shipped in a hard tube for protection.

Rome, Basilica of Saint Agnes, 1798

40,00 

Rome, Basilica of Saint Agnes it is an engraving made in 1798, which represents a suggestive view of the Basilica of Sant'Agnese fuori le mura and the Mausoleum of Santa Costanza.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The print features a beautiful view, animated and well contrasted, with an explanation on the back.

Roma, Castel S.Angelo, Museo Vaticano, 1834-1837

30,00 

Roma, Castel S.Angelo, Museo Vaticano It is a double steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

Le vedute presentano dettagli animate e decorative, rendendo questa opera un pezzo affascinante per collezionisti e appassionati di arte.

Roma, Chiesa di S. Andrea, 1798

40,00 

Roma, Chiesa di S. Andrea It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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