Medium

Showing 1873–1896 of 2233 results

Sadeler, Syriac Gold, 1850

40,00 

Sadeler, Syriac Gold It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, an important collection representing the life of hermits.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Technique: Etching
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Saint Lundi, xilografia dell’800

25,00 

Saint Lundi è una xilografia dell’800 che rappresenta il Lunedì Santo.
Questa opera è tratta da un testo della fine del XIX secolo e presenta un testo attorno e al verso.
La xilografia misura circa cm. 16×11 and it is found on a sheet of cm. 27×18.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Salerno, Antica Chiesa, 1781-1786

60,00 

Salerno, Antica Chiesa It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This etching offre una vista affascinante di una storica chiesa di Salerno, parte del volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily.

  • Sheet size: mm. 230×165 approx.
  • Condition: Perfect state of preservation
  • Support: Paper

Salzburg, Austria, AHPayne, 1840-50

20,00 

Salzburg, Austria It is an engraving made by A.H. Payne between 1840 and 1850.
This work, entitled Das Nonnbergthor u Hohen Salzburg, is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Sheet size: cm. 21×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Salomon Gessner, Satyr and nymphs, 18th century

90,00 

Satyr and Nymphs It is an engraving made by Solomon Gessner in the 18th century, which represents a moment of play between a satyr and some nymphs in the forest.
This work is an example of his mastery in engraving and is part of a series of classical landscapes.

  • Sheet size: cm. 32×22
  • Engraving size: mm. 210×190
  • Technique: Etching
  • Support: Heavy laid paper with watermark
  • Condition: Excellent
  • Impression: Excellent with great inking
  • Signed: S.Gessner inv. et f.
  • Table: n.8 of a series of classical landscapes

Salomon van Ruysdael, Bashan, 1771

30,00 

Solomon van Ruysdael It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This collection of prints It is dedicated to the works of the famous Dutch painter, known for his landscapes.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Salomon van Ruysdael, Bashan, 1771

30,00 

Salomon van Ruysdael, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the famous collector.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Salomon van Ruysdael, a well-known Dutch landscape painter, created works that capture the beauty of natural landscapes, making him one of the most appreciated artists of his time.

Salomon van Ruysdael, Bashan, 1771

30,00 

Salomon van Ruysdael, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Salomon van Ruysdael, a well-known Dutch landscape painter, created works that capture the beauty of natural landscapes.

Saluzzo, Casa Cavazza, 1890

20,00 

Saluzzo, Casa Cavazza it's a woodblock print realizzata nel 1890, che rappresenta il cortile della Casa Cavazza a Saluzzo, Cuneo.
This work is taken from a late nineteenth-century Italian text, with an engraving by Barberis.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Panorama, 1890

30,00 

Saluzzo, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera offre una vista panoramica della città di Saluzzo, con dettagli architettonici e paesaggistici che catturano l’essenza del periodo.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Salvator Rosa Three soldiers pointing

80,00 

Tre soldati che indicano è un’incisione attribuita a Salvator Rosa, realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, di dimensioni cm. 22×28 circa alla battuta, è stampata su carta vergellata senza filigrana, con un foglio di cm. 34×43 (margini incollati).

  • Condition: Excellent condition
  • Contrasto: Buon contrasto
  • Rarity: Raro foglio attribuibile a Salvator Rosa

Salvator Rosa, A.H.Payne, 1840-50

20,00 

Salvator Rosa It is an etching made by AH Payne between 1840 and 1850.
Questa stampa è parte della Royal Dresden Gallery, pubblicata da A.H. Payne e W. French a Dresda, Lipsia e Londra.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

Albert Henry Payne, incisore, disegnatore ed editore inglese, nacque a Londra nel 1812 e morì a Lipsia nel 1902.
Payne operò a Lipsia dal 1838, dove fondò l’Istituto d’Arte Inglese.

Salvator Rosa, Landscape, 1830

70,00 

Salvator Rosa, Paesaggio è un’acquatinta colorata realizzata nel 1830 da Ralph Cockburn, un noto pittore ed incisore.
Questa opera è tratta dalla Dulwich Picture Gallery e presenta una splendida esecuzione, ispirata a uno dei quadri esposti nella galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Salvator Rosa, Soldiers Playing, 1830

70,00 

Soldati che giocano è un’acquatinta colorata realizzata da Ralph Cockburn nel 1830.
Questa opera è tratta dalla Dulwich Gallery e rappresenta una splendida esecuzione ispirata a uno dei quadri presenti nella galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent state of preservation

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Salvator Rosa, A Landscape 1830

70,00 

Salvator Rosa, Un Paesaggio è un’acquatinta colorata realizzata nel 1830.
This work measures cm. 17×24 ed è montata su un supporto in cartoncino spesso in size cm. 26×32 about.
Taken from Dulwich Gallery di R. Cockburn, presenta al verso il timbro della Haverhill Public Library.
Si tratta di una splendida esecuzione ispirata a uno dei quadri presenti nella Dulwich Picture Gallery, realizzata da Ralph Cockburn, pittore ed incisore nonché primo custode della galleria.
Questa è una rara e decorativa opera.

Sampierdarena, Veduta dal faro di Genova, 1890

30,00 

Sampierdarena, Veduta dal faro di Genova è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva di Sampierdarena dal faro di Genova.
This work is based on a late nineteenth-century Italian text and features text around the image, as well as text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Saint Benedict, 1854

20,00 

Saint Benedict it's a lithography from 1854 which represents the saint exorcising a possessed man.
This work is taken from the volume Picturesque Polyorama, a periodical publication that aimed to spread useful knowledge throughout all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

San Gimignano, 1885

30,00 

San Gimignano, 1885 è un’incisione che rappresenta la Torre del Palazzo Ardighelli, situata a San Gimignano.
This woodcut, taken from the work Italy Pictorial Journey from the Alps to Etna di G. Stieler, E. Paulus e W. Kaden, è stata pubblicata a Milano dai Fratelli Treves nel 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

San Marino, The Three Rocks, 1890

20,00 

San Marino, Le tre Rocche it is a woodcut print made in 1890, representative of the Italian text of the late nineteenth century.
Questa opera presenta un’immagine di dimensioni cm. 13×12 circa, circondata da testo e con ulteriore testo al verso del foglio, che misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 13×12 circa
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Saint Pius V, 1854

20,00 

Saint Pius V it's a lithographic printing made in 1854, taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print, measuring approximately 16x16 cm on a 30x20 cm sheet, was cut from the book and features writing on the back. The entire page containing the print is sent, thus offering a piece of history of the culture of the Kingdom of the Two Sicilies.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 16×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Sanremo, 1877

35,00 

Sanremo, 1877 It is a woodcut engraving made in 1877, taken from the work Italy by J. Gourdault.
This engraving offers a beautiful and contrasting view of the city, seen from afar, allowing you to appreciate its architectural and landscape beauty.

  • Sheet size: mm. 260×175
  • Support: Medium paper
  • Condition: Excellent
  • Margins: Wide

St. Augustine and St. Monica, 1870

20,00 

Saint Augustine and Saint Monica It is a woodcut made in 1870, coming from a German book of the mid-nineteenth century.
This print depicts a significant scene with almost no margins and includes writing around and on the verso.
The entire page containing the print is sent, providing unique historical and cultural context.

  • Sheet size: cm. 24×14 approx.
  • Printed part dimensions: cm. 16×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Saint Catherine, 1850

40,00 

Saint Catherine It is an engraving made in 1850, inspired by the work of Domenichino, preserved in the Royal Collection.
This etching on thick paper depicts Saint Catherine of Alexandria, a figure venerated by the Catholic and Orthodox Church.

  • Sheet size: cm. 32×23 approx.
  • Engraving size: cm. 25×21 approx.
  • Support: Thick paper
  • Condition: Excellent condition

Saint Cecilia, C. Dolce, 1840-50

20,00 

Saint Cecilia è un’incisione realizzata da C. Dolce tra il 1840 e il 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by A. H. Payne and W. French, at Dresden and Leipzig, and at London.

  • Sheet size: cm. 21×27
  • Back: White
  • Condition: Excellent condition

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