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Showing 193–216 of 2233 results

Ariccia, 1877

25,00 

Ariccia, 1877 It is a woodcut made by Adolf Closs, a well-known 19th-century wood engraver.
This work offers a beautiful panoramic view from Ariccia, lively and very decorative, perfect for enriching any environment.

  • Sheet size: cm. 25×19 approx.
  • Engraving size: cm. 20×15 approx.
  • Support: Paper
  • Condition: Excellent

Armadillo, Sloth, 1890

15,00 

Armadillo, Sloth It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany since the second half of the 19th century by the Bibliographischen Instituts, with offices in Leipzig and Vienna.
This print features a white back and a light yellowing of the sheet, highlighting its state of conservation.

  • Sheet size: cm. 29×23
  • Condition: Discrete
  • Folding: The sheet has a central fold because it was originally inserted folded into the volume

Armed, Salvino of the Armed, 1857

30,00 

Armed, Salvino of the Armed it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper with white back.

  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
  • History: Salvino degli Armati is known as one of the alleged inventors of glasses, although he is probably a character who never existed, the result of a 17th century forgery.

Arnold von Winkelried, A.H.Payne, 1850

20,00 

Arnold von Winkelried It is an engraving made by AH Payne in 1850, using the technique of burin.
This work is published by Verlag d. Englischen Kunstastalt AH Payne, Leipzig & Dresden.

  • Sheet size: mm 210×270
  • Condition: Good state of preservation
  • Support: Medium engraving paper

It represents a mythical figure in Swiss history, a symbol of courage and sacrifice.

Arnolfo di Lapo, 1857

30,00 

Arnolfo di Lapo è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa opera rappresenta Arnolfo di Cambio, noto scultore e architetto italiano attivo a Roma e Firenze tra il Duecento e il Trecento.

  • Sheet size: cm. 23×32 approx.
  • Size of the joke: mm. 140×180 circa
  • Support: Strong paper
  • Condition: Ottima, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione

Arona, The Colossus of St. Charles Borromeo, 1860

35,00 

Arona, Il Colosso di S. Carlo Borromeo è un’incisione realizzata nel 1860, che rappresenta una delle opere più significative del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Arqua, Petrarca's House, 1840

40,00 

Arqua, Casa di Petrarca è un’incisione realizzata nel 1840, che rappresenta una bella e fine veduta animata della casa di Petrarca.
L’opera è stata disegnata da Samuel Prout and engraved by Heach utilizzando la tecnica del Burin con coloritura manuale all’acquarello.

  • Sheet size: mm. 100×140 alla battuta + piccoli margini
  • Support: Medium paper
  • Condition: Buone (lieve ingiallimento del foglio)

Arquà, Petrarca's House, 1860

35,00 

Arquà, Casa di Petrarca è un’acquaforte realizzata nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo, con un’accurata rappresentazione della casa di Petrarca ad Arquà.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Arrival of His Majesty the King in Genoa (Vittorio Emanuele II), 1886

30,00 

Arrivo di sua maestà il re a Genova It is an engraving made in 1886, published in the illustrious periodical Italian Illustration from the Treves Editors of Milan.
Questa opera celebra l’arrivo di Vittorio Emanuele II a Genova, un momento significativo della storia italiana.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art è un’opera realizzata tra la fine del XIX secolo e la prima metà del XX secolo.
Questa tempera colorata a mano è su pergamena preparata, rappresentando un esempio significativo dell’arte copta etiope.

  • Sheet size: cm. 35×23
  • Condition: Good condition, with some creasing due to the type of support
  • Support: Prepared parchment

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art it is a work made with hand-colored tempera on prepared parchment, dating back to the end of the 19th century or in the first half of the 20th century.
Questa affascinante opera rappresenta la tradizione artistica copta etiope, caratterizzata da colori vivaci e simbolismo religioso profondo.

  • Sheet size: cm. 35×23
  • Condition: Good condition, with some creasing due to the type of support
  • Support: Parchment

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art it is a work made with hand-colored tempera on prepared parchment, dating back to the end of the 19th century or in the first half of the 20th century.
Questa affascinante opera d’arte riflette la ricca tradizione dell’arte copta etiope, caratterizzata da colori vivaci e dettagli intricati.

  • Sheet size: cm. 35×23
  • Condition: Good condition, with some creasing due to the type of support
  • Support: Parchment

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art è un’opera realizzata a mano con tempera colorata su pergamena preparata, risalente alla fine del XIX secolo o alla prima metà del XX secolo.
Questa affascinante opera d’arte riflette la tradizione religiosa copta etiope, caratterizzata da colori vivaci e dettagli intricati.

  • Sheet size: cm. 35×23
  • Condition: Buone, con qualche increspatura dovuta al tipo di supporto
  • Support: Parchment

Coptic Ethiopian Religious Art, 19th-20th Century

90,00 

Coptic Ethiopian Religious Art it is a work made with hand-colored tempera on prepared parchment, dating back to the end of the 19th century or in the first half of the 20th century.
This fascinating work reflects the Ethiopian Coptic artistic tradition, characterized by bright colors and religious symbolism.

  • Sheet size: cm. 35×23
  • Condition: Good condition, with some creasing due to the type of support
  • Support: Prepared parchment

Asia, Otto Petri, 1853

50,00 

Asia è una mappa incisa e colorata a mano realizzata da Otto Petri nel 1853.
This work comes from the School Atlas Alle Deelen Der Aarde, published by J. Van Den Bosch in Rotterdam.

  • Sheet size: cm. 26×34 approx.
  • Map dimensions: cm. 22×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation
  • Characteristics: White back, editorial fold

Assarotti Octavius, 1857

30,00 

Assarotti Octavius It is an original etching made in 1857, part of the Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
This work portrays Octavius John Baptist Assarotti, an important Italian religious man and theologian, known for being the founder of schools for the deaf and the inventor of the manual alphabet.

  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Good, with some light foxing on the edges, which does not affect the engraving

Astilbe, Chromolithograph, 1867

25,00 

Astilbe Rivularis it's a chromolithography made in 1867, from the volume Neerland's Plantentuin from Groningen.
Questa splendida stampa, caratterizzata da un retro bianco e una misura del foglio di cm. 26×17, è molto decorativa e si presenta in excellent condition.

  • Sheet size: cm. 26×17
  • Technique: Chromolithography
  • Condition: Excellent
  • Support: Thick paper

Astronomy, 1771, telescope telescope

25,00 

Astronomy It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. not specified
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

This engraving is particularly interesting because it comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, this edition is less influenced by French and anti-religious ideals, earning it the nickname of Protestant encyclopedia and contributing to its diffusion in Northern Europe.

Astronomy, 1771, telescope telescope

25,00 

Astronomy It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771, taken from the important work Encyclopedie ou Dictionnaire Universel Raisonné des connaissances.
This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18 approx.
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

This engraving, less influenced by French and anti-religious thought than the original, was defined as a Protestant encyclopedia and had a notable diffusion in Northern Europe.

Astronomy, 1771, telescope telescope

25,00 

Astronomy It is a burin engraving made by Fortunate Bartholomew De Felice in 1771, taken from the important work Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
This engraving is part of the edition known as Yverdon Encyclopedia, published in Switzerland, which stands out for its less French and less anti-religious approach than the original, thus earning it the nickname of Protestant encyclopedia and a notable diffusion in Northern Europe.

  • Sheet size: cm. 24×18
  • Engraving size: not specified
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

Astronomy, 1771, telescope telescope

25,00 

Astronomy It is a burin engraving made by Fortunate Bartholomew De Felice in 1771, taken from the important work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances.
This engraving is part of the edition edited by De Felice, known as Yverdon Encyclopedia, which stands out for its less French and less anti-religious approach than the original by Diderot and D'Alembert, thus earning it the nickname of the Protestant encyclopedia.

  • Sheet size: cm. 24×18
  • Engraving size: cm. not specified
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

Astronomy, 1771, telescope astrolabe planisphere

25,00 

Astronomy It is a burin engraving made by Fortunate Bartholomew De Felice in 1771, taken from the important work Encyclopedie ou Dictionnaire Universel Raisonné des connaissances.
This engraving is a fascinating study in astronomy, with details including a spyglass, a telescope, an astrolabe, and a planisphere.

  • Sheet size: cm. 24×18
  • Engraving size: cm. not specified
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland. Unlike the original version, this edition is less influenced by French and anti-religious ideas, earning it the nickname of Protestant encyclopedia and contributing to its diffusion in Northern Europe.

Astronomy, 1771, telescope armillary sphere

25,00 

Astronomy It is a burin engraving made by Fortunate Bartholomew De Felice in 1771, taken from the important work Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
This engraving depicts a telescope and an armillary sphere, symbols of the astronomical knowledge of the time.

  • Sheet size: cm. 24×18
  • Engraving size: unspecified
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

The work is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland. This edition, less influenced by French and anti-religious ideas, is known as the Protestant encyclopedia and had a notable diffusion in Northern Europe.

Astronomy, 1771, Phases of the Moon

25,00 

Astronomy, 1771, Phases of the Moon It is a burin engraving made by Fortunate Bartholomew De Felice, part of the work Encyclopedie ou Dictionnaire Universel Raisonné des connaissances.
This engraving, published in 1771, comes from the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, which was distinguished by its less French and more Protestant approach, contributing to its spread in Northern Europe.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18 approx.
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

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