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Aulitzky Erich (Germany)

7,00 

Aulitzky Erich It is an engraving made in 1989 by the German artist Aulitzky Erich.
Questa opera, monogrammata, è stata commissionata da Rhebergen e presenta un soggetto intrigante.

  • Sheet size: mm. 100×90
  • Support: Light paper
  • Condition: Excellent
  • Technique: Burin

Aulitzky Erich (Germany)

7,00 

Owl by Aulitzky Erich è un’incisione su plastica realizzata nel 1990 dall’artista tedesco Aulitzky Erich.
Questa opera, monogrammata, rappresenta una civetta ed è stata commissionata da Karl-Heinz Morner.

  • Sheet size: mm. 90×100
  • Support: Light paper
  • Condition: Good

Aurelio Craffonara, Cavalry, watercolor

450,00 

Cavalry It is a watercolor made by Aurelio Craffonara, representing heavy cavalry in reconnaissance.
This valuable work is signed lower left in pencil and measures 23x16 cm.

  • Artist: Aurelio Craffonara (Gallarate, 1875 – Genoa, 1945)
  • Era: 20th century
  • Support: Heavy paper
  • Condition: Excellent

Craffonara was an Italian painter and illustrator known for his watercolour works.
From 1915, he was a professor of merit at the Ligurian Academy of Fine Arts in Genoa and participated in numerous national and international exhibitions.

Auto da Fé, Inquisition, 1850

30,00 

Auto da Fé, Inquisition It is an engraving made in 1850 that represents a significant moment in the history of the Spanish Inquisition.
This work, entitled Car from Fe der Inquisition (In Cordoba), is an etching that measures cm. 15,5×10,5 with small irregular margins.

  • Sheet size: Small
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

The auto-da-fé was a public ceremony in which the penance or sentence decreed by the Inquisition was carried out, an act of faith that profoundly marked history.

Autograph by Beniamino Cesi, 1895

120,00 

Autografo di Beniamino Cesi è un raro documento datato 24 giugno 1895, proveniente da Napoli.
Questo autografo include uno spartito musicale, ma non è chiaro se le note siano inedite o parte di melodie già conosciute.

  • Sheet size: cm. 19×12
  • Condition: Ottimo stato
  • Support: Thick cardboard

Beniamino Cesi (1845-1907) è stato un rinomato pianista e compositore italiano, noto per il suo contributo alla musica del suo tempo.

Remains of the Nuraghi, 1890

20,00 

Remains of the Nuraghi it's a woodblock print created in 1890, based on a late nineteenth-century Italian text.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with further text on the back of the sheet, which measures cm. 30×20.
The entire sheet containing the print will be shipped, thus offering a complete experience of the work.

​Ave Maria gratia plena, painting by Angelo Dall'Oca Bianca, 1886

30,00 

Hail Mary full of grace It is an engraving made by White Goose Angel In the 1886.
This work is taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.

  • Sheet size: cm. 21×9 approx.
  • Support: Paper
  • Condition: Excellent

Hail Mary, 1856

35,00 

Hail Mary it is a very fine burin engraving made in 1856, the work of the Rouargue brothers.
This engraving is watercolour and measures 12x17 cm on a 17x26 cm sheet.

  • Sheet size: cm. 17×26
  • Engraving size: cm. 12×17
  • Support: Heavy paper
  • Condition: Perfect state of preservation

The work is taken from the volume Picturesque voyage in southern Italy, written by M. Paul De Musset and published in Paris by Morizot editeur.

Ave Maria, AHPayne, 1840-50

20,00 

Hail Mary It is an engraving made by AH Payne between 1840 and 1850.
Questa opera è una pregevole incisione al burin su rame, tratta da Payne's Universe.

  • Sheet size: mm. 152×115, più margini
  • Support: Rame con retro bianco
  • Condition: Excellent

Avellino, 1835

35,00 

Avellino, 1835 è un’incisione al bulino su acciaio acquarellata, realizzata nel 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Avellino, 1871

20,00 

Avellino, 1871 it's a woodcut taken from the work The Hundred Cities of Italy, created for Ariodante Manfredi in Milazzo in 1871.
Questa stampa rappresenta un’importante testimonianza della città di Avellino nel XIX secolo.

  • Sheet size: cm. 10×14 circa, più margini
  • Support: Light sheet
  • Condition: Excellent condition

Red-Backed Shrike, 1853

15,00 

Averla capirossa (Red-Backed Shrike) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un uccello affascinante e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Hooded Shrike, 1875

25,00 

Averla Incappucciata, conosciuta anche come Hooded Shrike, è una watercolor lithograph realizzata nel 1875.
This work is taken from A History of Birds of Europe by Charles Robert Bree, published in London in the same year.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Great Grey Shrike, 1853

15,00 

Averla maggiore (Great Grey Shrike) è una cromolitografia realizzata nel 1853, tratta dal volume Our Native Songsters di Anne Pratt, pubblicato a Londra.
Questa opera presenta un’immagine vivace e decorativa dell’uccello, perfetta per gli amanti della natura e della fauna avicola.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Greater Shrike, 1870

15,00 

Averla maggiore è una litografia acquarellata d’epoca, rappresentante il grande strillone.
This work is taken from A HISTORY OF BRITISH BIRDS del Rev. Francis Orpen Morris, B.A., pubblicata a Londra nel 1870.

  • Sheet size: cm. 12×18 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Red-Backed Shrike, 1853

15,00 

Averla piccola (Red-Backed Shrike) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
This print features a charming and decorative bird, perfect for nature and birdlife lovers.

  • Sheet size: mm. 135×100
  • Engraving size: mm. 120×90 circa
  • Support: Medium thickness paper, white back
  • Condition: Excellent condition

Avernus and Lake Fusaro, 1847

30,00 

Avernus and Fusaro Lake It is an engraving made in 1847, which offers a suggestive view of Lake Averno and Fusaro, located near Naples.
This work is made with the technique of burin on steel, and was hand-watercoloured, giving it a unique and artistic touch.

  • Sheet size: mm. 150×100 approx.
  • Support: Paper with wide margins and white back
  • Condition: Excellent

Avernus, Lake, Phlegraean Fields, 1830

30,00 

Avernus, Lake, Phlegraean Fields It is a copper engraving colored with watercolour made in 1830.
This decorative view of Lake Avernus features vivid detail and a charming composition.

  • Sheet size: mm. 190×126 plus margins
  • Engraving size: mm. 190×126
  • Support: Medium paper
  • Condition: Excellent condition

Avernus, Lake, Phlegraean Fields, 1835

20,00 

Avernus, Lake, Phlegraean Fields It is a burin engraving made in 1835, which captures the beauty of the Phlegraean landscape.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Good state of preservation

Aversa, Entrance to the city, 1845

20,00 

Aversa, Entrance to the city it's a lithographic printing made in 1845, which represents a suggestive view of the entrance to the city of Aversa, coming from the Naples side.
This work is taken from Picturesque Polyorama, an important publication of the Kingdom of the Two Sicilies, directed by Filippo Cirelli.

  • Sheet size: cm. 11×9 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; it is shipped complete with mat. A fascinating work for collectors and history buffs.

Aversa, Ingresso della S.Annunziata, 1844

20,00 

Aversa, Ingresso della S.Annunziata it's a lithographic printing realizzata nel 1844 da G. Mariani.
Questa opera rappresenta l’Arco di Trionfo all’Ingresso della S.Annunziata ed è tratta dal volume Picturesque Polyorama, un’importante pubblicazione dedicata alla diffusione della cultura nel Regno delle Due Sicilie.

  • Sheet size: cm. 15×18 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte al verso; viene fornita completa di passepartout. Una bella veduta che arricchisce ogni collezione.

Aversa, The Magdalene, 1845

20,00 

Aversa, La Maddalena it's a lithographic printing realizzata nel 1845, che rappresenta una bella veduta della casa pe’ folli in Aversa.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 15x9 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; it is shipped complete with mat.
The Picturesque Polyorama, published from 1836 to 1860 in the Kingdom of the Two Sicilies, dealt with science, technology, art and biographies, making family reading pleasant and profitable.

Aversa, Hospice of St. Lorenzo, 1845

20,00 

Aversa, Ospizio di S.Lorenzo it's a lithographic printing realizzata nel 1845, che offre una bella veduta dell’ospizio situato ad Aversa.
This work is taken from Picturesque Polyorama, un’importante pubblicazione periodica diretta a diffondere conoscenze utili in tutte le classi sociali.

  • Sheet size: cm. 15x9 approx.
  • Support: Paper
  • Condition: Excellent

La stampa presenta margini quasi assenti ed è stata ritagliata dal libro, con scritte al verso. Viene spedita completa di passepartout, rendendola un’ottima scelta per collezionisti e appassionati di arte.

Avignon, France, 1839

15,00 

Avignon, France, 1839 It is a copper engraving representing the historic city of Avignon, located on the banks of the Rhone.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.

  • Sheet size: cm. 8×13 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the print will be sent.
Avignon is famous for its imposing Palais des Papes, which was the seat of the Catholic Popes from 1309 to 1377, and remains an important symbol of the city's history.

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