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Showing 5641–5664 of 5987 results

Inn Valley, Austria, 1832

25,00 

Valle di Inn, Austria è un’incisione realizzata da Klumm nel 1832, utilizzando la tecnica dell’acquaforte e bulino.
This work was printed by C. Stanfield and published in the volume Picturesque Annual, based on a drawing by Clarkson Stanfield.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Ossola Valley, 1846

20,00 

Ossola Valley It is a lithograph made in 1846, which offers a splendid view of the Ossola Valley from the Simplon Pass.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Sheet size: mm. 155×120 approx.
  • Support: Paper
  • Condition: Excellent, with almost no margins and writing on the back

The print represents a beautiful, uncommon view that captures the essence of the Ossola landscape.

Vallombrosa, 1833, Convent

25,00 

Vallombrosa, 1833 It is a steel engraving made by James Duffield Harding, a well-known English landscape painter.
Questa suggestiva veduta del Convento di Vallombrosa è tratta da The Landscape Annual, pubblicato a Londra nel 1833. L’opera si distingue per la sua nitidezza e il contrasto ben definito, rendendo l’immagine vivace e animata.

  • Sheet size: mm. 140×95 approx.
  • Support: Light paper
  • Condition: Excellent

Vallombrosa, 1837

20,00 

Vallombrosa, 1837 è un’incisione in xilografia che offre una bella veduta decorativa.
La stampa, tratta da Pictorial Cosmorama, Anno terzo, 1837, presenta dimensioni della parte stampata di cm. 15×12, con margini quasi assenti.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper
  • Price: €20,00

La stampa è stata ritagliata dal libro e presenta scritte al retro in parte visibili; viene spedita completa di passepartout.
Pictorial Cosmorama fu una rivista fondata a Milano da Giovanni Francesco Zini, che ha avuto un ruolo significativo nell’illustrazione artistica dell’epoca.

Valmontone, 1877

20,00 

Valmontone, 1877 it's a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and lithographer of the French school.
This work is taken from the volume Italian di Kaden e presenta una beautiful panoramic view della città di Valmontone.

  • Sheet size: mm. 150×100
  • Condition: Buona, con margini quasi assenti e scritte sul retro
  • Support: Carta leggera, ritagliata dal libro

Valstagna (Vicenza), 1876

15,00 

Valstagna (Vicenza), 1876 it's an engraving xylographic on head wood made by Adolf Closs.
This work, taken from the volume Italian by K.Stiele and W.Kaden, published in Stuttgart in 1876, presents a decorative view of the location.

  • Sheet size: mm. 186×130
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent condition

Valtellina 1866

25,00 

Valtellina 1866 it's a woodcut taken from the work From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore nel 1866.
Questa stampa rappresenta un’importante testimonianza artistica dell’epoca e misura circa:

  • Sheet size: cm. 25×17
  • Print Size: cm. 19×13
  • Support: White backed paper
  • Condition: Excellent condition

Valtellina, 1866

25,00 

Valtellina è una xilografia realizzata nel 1866, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.
Questa stampa presenta un formato di cm. 19×13 circa su un foglio di cm. 25×17, con retro bianco.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Vaprio, 1834-1838

20,00 

Vaprio It is an engraving made with the technique of burin su acciaio, datata tra il 1834 e il 1838.
This work represents the Ponte di Vaprio and it is taken from Italy, Sicily, the Aeolian Islands, etc., the first Italian edition by Audot père, published in Turin by Giuseppe Pomba in 1834.

  • Size of the joke: mm. 115×80
  • Margins: almost absent
  • Back: white
  • Condition: ottime

Varenna, 1834-1838 Gallery

20,00 

Varenna, 1834-1838 It is an engraving made with the technique of burin on steel, which represents the Varenna Gallery.
This work is taken from Italy, Sicily, the Aeolian Islands, etc., the first Italian edition by Audot père, published in Turin by Giuseppe Pomba in 1834.

  • Size of the joke: mm. 115×80
  • Margins: almost absent
  • Back: white
  • Condition: excellent condition

Varenna, Lago di Como, 1890

20,00 

Varenna, Lago di Como It is a woodcut made in 1890, coming from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, cattura l’essenza del suggestivo paesaggio lacustre.

  • Sheet size: cm. 11×13 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Vari tipi di Soldati di Cavalleria, 1840

30,00 

Vari tipi di Soldati di Cavalleria è una litografia realizzata nel 1840, che rappresenta diverse tipologie di soldati di cavalleria.
This work, from the period 19th century, è incollata su cartoncino e presenta un’ottima condizione di conservazione.

  • Sheet size: cm. 24×14 approx.
  • Technique: Lithography
  • Support: Cardboard
  • Condition: Excellent

Old man with glasses 19th century

70,00 

Vecchio con occhialini è un’incisione realizzata nel XIX secolo, firmata in basso a destra da I. Klug.
Questo disegno a matita, databile alla metà dell’Ottocento, presenta un soggetto affascinante e dettagliato.

  • Sheet size: cm. 18×22 approx.
  • Support: Cartone spesso
  • Condition: Excellent condition

Vedana, Belluno, 1835

25,00 

Die Piave bei Vedana è un’incisione in rame realizzata nel 1835, che rappresenta un affascinante paesaggio della zona di Vedana, Belluno.
This work is taken from C. Strahlheim – Die Wundermappe oder sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs, published in Frankfurt am Main.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View from Posillipo, Naples, 1884

30,00 

View from Posillipo, Naples It is a woodcut engraving made in 1884, which offers a splendid panoramic view of the city of Naples from the famous viewpoint of Posillipo.
This work is taken from the volume Naples and its surroundings by Rudolf Kleinpaul and features writing on the reverse.

  • Sheet size: cm. 16×20 approx.
  • Support: Paper
  • Condition: Excellent

Veduta del Battistero di S.Giovanni di Firenze, 1826

20,00 

Veduta del Battistero di S.Giovanni di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

View of Lake Scanno, 1956

30,00 

Veduta del lago di Scanno è una litografia del 1956 che rappresenta il suggestivo lago di Scanno e il Santuario della Vergine Annunziata situato sulle sue sponde.
This work is taken from Picturesque Polyorama, una pubblicazione periodica volta a diffondere utili conoscenze tra le diverse classi sociali.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 22×15 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.

Veduta del Palazzo Pitti, Firenze, 1826

20,00 

Veduta del Palazzo Pitti, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Poggio Imperiale, Firenze, 1826

20,00 

Veduta del Poggio Imperiale, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Ponte alle Grazie di Firenze, 1826

20,00 

Veduta del Ponte alle Grazie di Firenze è un’acquaforte su rame realizzata da A. Verico nel 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta dell’Arcispedale di S.M.Nuova, Firenze, 1826

20,00 

Veduta dell’Arcispedale di S.M.Nuova, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

View of the island of Ischia, 1837

25,00 

Veduta dell’isola di Ischia it's a lithographic printing realizzata nel 1837, che offre una splendida rappresentazione dell’isola di Ischia.
This work is taken from the volume Picturesque Polyorama, un periodico dedicato alla diffusione di conoscenze utili in vari ambiti, pubblicato a Napoli dalla tipografia e litografia del Poliorama Pittoresco, sotto la direzione di Filippo Cirelli.

  • Sheet size: cm. 16×10 approx.
  • Condition: Excellent
  • Support: Paper

La stampa presenta margini quasi assenti ed è stata ritagliata dal libro, con scritte intorno e al verso, rendendola una bella veduta decorativa.

Veduta della Basilica della SS. Annunziata, Firenze, 1826

20,00 

Veduta della Basilica della SS. Annunziata it is an etching on copper made by Antonio Verico in 1826.
This work is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View of the Cathedral of Prato, 1826

30,00 

View of the Cathedral of Prato it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

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