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Vignola, Columbus, Tasso, Galileo, 1835

20,00 

Vignola, Columbus, Tasso, Galileo It is an engraving made with the technique of Burin in 1835.
This work features a joke of cm. 13×9 and is printed on lightweight paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Vilho Askola exlibris

10,00 

Vilho Askola Exlibris è un’incisione realizzata nel 1978, caratterizzata da un soggetto di natura erotica.
Questa xilografia, di dimensioni contenute, è un esempio affascinante dell’arte di Askola, noto per il suo stile distintivo.

  • Sheet size: cm. 6×10 approx.
  • Support: Light paper
  • Condition: Excellent

Villa Borghese in Rome.

11,00 

Villa Borghese in Rome It is a woodcut made in 1866, which captures the beauty of one of the most famous parks in the Italian capital.
This work is taken from the Picturesque Store from 1866 and features an enchanting scene in which animals graze inside the villa.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 18×15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Villa Comunale a Napoli, 1875

20,00 

Villa Comunale a Napoli è un’incisione del 1875 che rappresenta una fontana nella Villa Reale a Napoli.
Made in woodcut, questa opera è stata disegnata da Ludwig Dill and engraved by Adolf Closs.

  • Engraving size: cm. 13×19 approx.
  • Support: Paper
  • Condition: Excellent state of preservation
  • Taken from: Italia Viaggio Pittorico dall’Alpi all’Etna di G.Stieler, E.Paulus, W.Kaden, Milano, Fratelli Treves, Editori, 1885

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Villafranca, 1835

25,00 

Villafranca, 1835 è un’incisione al bulino su acciaio realizzata da Grundmann.
Questa opera, con dimensioni di mm. 150×110, è parte del volume “Italy, Sicily, the Aeolian Islands, Elba, Sardinia, Malta, Calypso Island, etc.” by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 150×110 più margini
  • Support: Medium paper
  • Condition: Perfect condition

Questa incisione offre una bella veduta all’ingresso del paese, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Villafranca, Castello, 1883

20,00 

Villafranca, Castello è un’incisione xilografica realizzata nel 1883, che rappresenta una graziosa veduta del Chateau de Villafranca.
This work is taken from the volume Picturesque Italy by J. Gourdault, published in Paris in 1883.

  • Sheet size: mm. 184×130 circa
  • Support: Paper
  • Condition: Excellent condition
  • Notes: Piccoli margini e scritte sul retro

Villafranca, Verona, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 10×14 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Vincenzo Catalani, 1844

15,00 

Vincenzo Catalani, 1844 è una litografia realizzata nel 1844, tratta dal Picturesque Polyorama of Naples.
Questa opera rappresenta un’importante testimonianza storica e artistica, dedicata a Vincenzo Catalani, un eminente magistrato e avvocato nato a Fiumara nel 1769.

  • Sheet size: cm. 11×13 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Back: Printed

Vincenzo Dandolo, 1840

15,00 

Vincenzo Dandolo It is a lithograph made in 1840, taken from Picturesque Polyorama, published in Naples.
This small print measures approximately cm. 12×13 e presenta un testo al verso.

  • Sheet size: Small
  • Technique: Lithography
  • Condition: Excellent
  • Support: Light paper

La litografia rappresenta Vincenzo Dandolo, un noto scienziato, politico e agronomo italiano, nato a Venezia nel 1758 e deceduto a Varese nel 1819.

Vincenzo Gioberti, 1848

15,00 

Vincenzo Gioberti, 1848 è una litografia realizzata nel 1848, proveniente dal Picturesque Polyorama of Naples.
Questa stampa, con dimensioni di cm. 14×18, presenta margini più piccoli e include scritte al retro.

  • Sheet size: Small
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Vincenzo Gioberti (Torino, 5 aprile 1801 – Parigi, 26 ottobre 1852) è stato un importante presbitero, politico e filosofo italiano, nonché il primo Presidente della Camera dei deputati del Regno di Sardegna. È considerato una delle figure principali del Risorgimento italiano.
La litografia viene spedita con la pagina intera contenente la stampa.

Vinicio Verzieri exlibris

20,00 

Vinicio Verzieri Exlibris è un’incisione realizzata nel 1988 dall’artista Vinicio Verzieri.
This exlibris, commissioned by BNEL, is an example of refined engraving technique in etching.

  • Sheet size: mm. 130×180
  • Support: Medium thickness paper
  • Condition: Excellent

Viola, A.H.Payne, 1840-50

20,00 

Viola It is an engraving made by A.H. Payne between 1840 and 1850.
This work, performed in etching, misura cm. 8×10 ed è stampata su un foglio di cm. 19×27, with white back.
Published in Payne's Universe da A.H. Payne e W. French, a Dresda, Lipsia e Londra, l’incisione si presenta in excellent condition.

  • Era: XIX
  • Dimensions: Small
  • Support: Strong paper
  • Technique: Burin
  • Condition: Excellent

Violette, Cromolitografia, 1887

30,00 

Violette it's a chromolithography realizzata nel 1887, tratta dalla Horticultural Review of Paris.
Questa opera, firmata da Godard e litografata da G. Severeyns, presenta un design splendido e decorativo, perfetto per gli amanti della botanica.

  • Sheet size: cm. 25×16 approx.
  • Condition: Excellent state of preservation
  • Support: Thick paper with white backing

Visconte di Turenna, 1841

15,00 

Visconte di Turenna è una litografia realizzata nel 1841, che ritrae Henri de La Tour d’Auvergne, noto come Grand Turenne.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Printed part dimensions: cm. 10×8
  • Margins: almost absent
  • Support: Carta, pagina ritagliata dal libro
  • Condition: Excellent

La litografia è stampata dalla tipografia e litografia del Poliorama Pittoresco, sotto la direzione di Filippo Cirelli, a Napoli.
La stampa presenta scritte sul retro e al verso, e verrà spedita con l’intera pagina contenente l’immagine.

Viterbo, 1840

30,00 

Viterbo, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The engraving has small margins and is in excellent overall condition.
Lindemann-Frommel, born in 1819 and died in Rome in 1891, studied in Karlsruhe and Munich, moving to Rome in 1856, where he became a professor at the Accademia di Santa Lucia. His works are preserved in several German museums.

Viterbo, 1890

20,00 

Viterbo, 1890 it's a woodblock print representing the city of Viterbo, created in 1890.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.
The print has been extracted from the book and will be shipped with the full page, thus maintaining the original context of the work.

  • Sheet size: cm. 12×9 approx.
  • Support: Light paper
  • Condition: Excellent

Viterbo, Balcony of Casa Porcia, 1886

30,00 

Viterbo, Balcony of Casa Porcia It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work offers a fascinating view of the balcony of Casa Porcia, enriched by decorative writings around the image and annotations on the back of the sheet.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Viterbo, Cloister of Santa Maria della Quercia, 1886

30,00 

Viterbo, Chiostro di Santa Maria della Quercia It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni cm. 10×16, con scritte decorative intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

​Viterbo, Gothic brick window, 1886

30,00 

Viterbo, Finestra gotica in mattoni è un’incisione del 1886, tratta da The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un esempio affascinante di architettura gotica, con dettagli accurati e un’atmosfera storica.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Viterbo, The Fountain, 1877

20,00 

Viterbo, The Fountain It is a woodcut engraving made by Gustave Bauernfeind in 1877.
This work represents the Big Fountain in Viterbo and is taken from the volume Italy from the Alps to Etna by Kaden.

  • Sheet size: cm. 18×22 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

The print has been cut from the book and features lettering on the back, making it a beautiful decorative display for collectors and art enthusiasts.

Viterbo, Alessandrini Palace, 1890

20,00 

Viterbo, Alessandrini Palace it's a woodblock print dating back to 1890, which represents an important view of Viterbo, in particular of Piazza San Pellegrino.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Condition: Excellent
  • Support: Paper

Viterbo, Papal Palace, 1844

20,00 

Viterbo, Papal Palace it is a lithograph made by G. Mariani in 1844, which represents a front and a staircase of the Papal Palace, currently the bishop's palace, located in the historic city of Viterbo.
This work is taken from the volume Picturesque Polyorama, published in Naples in 1844.

  • Sheet size: mm. 160×120
  • Margins: almost absent
  • Condition: Excellent
  • Support: Paper

The print features writing on the back and is a beautiful, uncommon view that offers a glimpse into the architectural history of Viterbo.

Viterbo, Poscia Palace, 1877

15,00 

Viterbo, Poscia Palace It is a woodcut engraving made by Gustave Bauernfeind in 1877.
This work represents a beautiful decorative view of the famous and historic Palazzo Poscia, located in Via Saffi in Viterbo.

  • Sheet size: mm. 100×138
  • Support: Paper
  • Condition: Excellent condition
  • Taken from: “L'Italie” by J. Gourdault
  • Notes: The print was cut from the book and has writing on the back.

​Viterbo, Pulpit of San Francesco, 1886

30,00 

Viterbo, Pulpit of St. Francis It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work features a small-sized image, with decorative writing around it and annotations on the back of the sheet.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

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