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Agrigento, 1829

30,00 

Agrigento, 1829 It is a copper engraving by Carl Frommel, depicting a suggestive view of the historic city of Agrigento, also known as Girgenti.
This work, measuring 107x75 mm, is printed on a sheet of 260x210 mm, made of medium paper with a white back.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper
  • Condition: Excellent condition

Agrigento, 1834

30,00 

Agrigento, 1834 It is a burin engraving that offers a splendid view of the city.
Made in 1834, this work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins, C. Nodiers and others, published in Paris.

  • Sheet size: mm. 183×115, plus margins
  • Support: Lightweight paper, white back
  • Condition: Good condition

This engraving is a decorative piece of great charm.

Agrigento, 1840

20,00 

Agrigento, 1840 it is a lithograph that represents The tomb of Theron in Girgenti.
Made by S. Puglia, this work is taken from the volume Picturesque Polyorama published in Naples in 1840.

  • Engraving size: mm. 152×145
  • Margins: almost absent
  • Support: Light sheet
  • Condition: Excellent condition

The print was cut from the book and has writing on the back, but offers a beautiful decorative view.

Agrigento, 1840

20,00 

Agrigento, 1840 It is a lithograph representing the remains of the temple of Hercules in Girgenti.
Made by S. Puglia, this work is taken from the volume Picturesque Polyorama, published in Naples in 1840.

  • Sheet size: mm. 152×180
  • Margins: almost absent
  • Support: Light sheet
  • Condition: Excellent condition

The print has been cut from the book and features writing on the back, making it a lovely decorative view.
Price: €20.00

Agrigento, 1860

15,00 

Agrigento, 1860 It is a woodcut engraving that offers a fascinating view of the city of Girgenti.
This work is taken from The Illustrious Belt and was cut out of the book, with writing on the back.

  • Sheet size: mm. 155×115
  • Condition: Excellent
  • Margins: Almost absent

A beautiful decorative view representing a piece of history.

Agrigento, 1868

20,00 

Agrigento, 1868 It is a woodblock engraving made by Emile Theodore Therond, a well-known French designer and engraver.
This work, which measures mm. 152×211, has almost no margins and was cut from a German text.

  • Condition: Excellent condition
  • Support: Light sheet
  • Price: € 20,00

The print offers a beautiful decorative view, making it a charming addition for collectors and art enthusiasts.

Agrigento, 4 Views, 1835

40,00 

Agrigento, 4 Views It is a series of four burin engravings made in 1835, depicting important Sicilian monuments: the Temple of the Giants, Segesta, Temple of Concordia And Selimonte.
Each engraving measures 90x60 mm and is part of a 270x160 mm sheet.
These works are printed on medium paper with white backing and are found in perfect condition.
They are taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 270×160
  • Engraving dimensions: mm. 90×60 each
  • Support: Medium paper
  • Condition: Perfect

Agrigento, Girgenti, Coat of Arms, 1871

15,00 

Agrigento, Girgenti, Coat of Arms it's a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
This print has an engraved part size of 8x9 cm, with small margins, and was extracted from a book, showing writing on the verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Light paper

Agrigento, Ruins of the Temple of Hercules, 1889

15,00 

Agrigento, Ruins of the Temple of Hercules it's a woodblock print built in 1889.
This work is taken from the volume Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.

  • Sheet size: cm. 12×10 approx.
  • Support: Paper
  • Condition: Excellent

The print was cut from the book and features a printed back.

Agrigento, Ruins of the Temple of Zeus, 1835

20,00 

Agrigento, Ruins of the Temple of Zeus It is an engraving made with the technique of burin on steel in 1835.
This work represents the ruins of the Temple of Olympian Zeus and comes from the volume L'Univers, histoire et description de tous les peuples by M. Le Chevalier Artaud.

  • Size of the joke: mm. 90×132
  • Support: Medium paper with white back
  • Condition: Excellent

Agrigento, Times, 1835

20,00 

Agrigento, Times It is an engraving made with the technique of burin on steel in 1835.
This work is part of the volume L'Univers, histoire et description de tous les peuples by M. Le Chevalier Artaud.

  • Sheet size: mm. 132×90
  • Support: Medium paper with white back
  • Condition: Excellent

Agrigento, Temple of Concord, 1835

20,00 

Agrigento, Temple of Concordia It is an engraving made with the technique of Burin in 1835.
This work is taken from L'Univers, history and description of all people by M. Le Chevalier Artaud.

  • Sheet size: mm. 132×90
  • Support: Medium paper with white back
  • Condition: Excellent

At the gaming table, 1850

30,00 

Al tavolo da gioco It is a hand-colored lithograph with watercolor, made in 1850.
This work, measuring 20x15 cm, is taken from Les Français croqués par eux-mêmes, una serie che esplora l’umorismo e la satira della società francese.

  • Era: 19th century
  • Technique: Lithography
  • Condition: Excellent
  • Dimensions: Small
  • Support: Thick paper, glued to another paper support

Alassio, Savona, 1890

20,00 

Alassio, Savona, 1890 it's a woodblock print from the late nineteenth century, which offers a fascinating view of the Ligurian town.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Alatri, Frosinone, 1843

20,00 

Alatri, Frosinone, 1843 it is a copper engraving representing the ancient city of Alatri.
This work comes from Picturesque Omnibus, an artistic and literary encyclopedia edited by Vincenzo Torelli, published in Naples in 1843.
The engraving, cut from the book, features writing on the back and offers a beautiful decorative view of the city.

  • Sheet size: cm. 16×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation
  • Era: 19th century
  • Technique: Burin
  • Dimensions: Small

Alba Fucese, Avezzano, 1876

15,00 

Alba Fucese, Avezzano, 1876 It is a woodblock engraving made by Theodore Weber, a well-known marine and landscape painter.
This work, monogrammed TW, measures mm. 187×130 and it is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart in 1876.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has almost no margins and has been cut from the book, with writing on the back. It is a decorative and animated work, perfect for lovers of art and history.

Alba Longa, 1829

30,00 

Alba Longa è un’incisione realizzata da Carl Frommel nel 1829, che offre una suggestiva veduta della storica città.
This work is performed in burin su rame, con dettagli raffinati che catturano l’attenzione.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper with white back
  • Condition: Excellent condition

Alba Pompea, Cuneo, 1871

15,00 

Alba Pompea, Cuneo It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa presenta una dimensione della parte incisa di cm. 6×10, con piccoli margini, ed è stata estratta dal libro, mostrando scritte al verso.

  • Sheet size: Small
  • Engraving size: cm. 6×10
  • Support: Light paper
  • Condition: Excellent

Dawn, 1876

20,00 

Sunrise It is a woodcut engraving made by Adolf Closs in 1876.
This work is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 190×145
  • Margins: almost absent
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book with writing on the back

The print is decorative and represents a significant example of the work of Closs, known for his illustrations.

Alba, Cuneo, Cathedral, 1890

20,00 

Alba, Cuneo, Cattedrale it's a woodblock print made in 1890 by the engraver Barberis.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 14×12 circa, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent
  • Support: Paper

Dawn, Tower Square, 1890

20,00 

Alba, Piazza delle Torri it's a woodblock print realizzata nel 1890, che rappresenta la storica piazza di Alba, in provincia di Cuneo.
Questa opera è un esempio significativo di incisione italiana di fine Ottocento, realizzata dall’incisore Barberis.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

Pale-chested Harrier, 1875

25,00 

Pale-chested Harrier It is a vintage watercolour lithograph, made in 1875.
This work is taken from A History of Birds of Europe by Charles Robert Bree, published in London.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Albano, Albunea, 1829

30,00 

Albano, Albunea è un’incisione realizzata da Carl Frommel nel 1829, che rappresenta una suggestiva veduta del lago d’acqua dolce Albunea.
This work is made with the technique of burin su rame, offrendo un’eccellente qualità dei dettagli.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper with white back
  • Condition: Excellent condition

Albano, Tomb of Pompey, 1834-1837

25,00 

Albano, Tomb of Pompey It is a double steel engraving made between 1834 and 1837.
This work, from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, Paris, presents animated and decorative views of great charm.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

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