Small

Showing 49–72 of 225 results

Crispijn van den Queborn (1604-1652), Resurrection 1636

30,00 

The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn, Massacre of the Innocents, 1636

30,00 

Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

D.van den Bremden, A.van de Venne, 1636

25,00 

Kaleb and the Philistines è un’incisione realizzata da D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta un momento significativo della storia, illustrato con maestria attraverso la tecnica dell’acquaforte.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper with partial watermark
  • Condition: Excellent

D.van den Bremden, A.van de Venne 1636

25,00 

Jacob and Rachel It is an engraving made by D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta Giacobbe che si lamenta con Laban per aver ricevuto Lea invece di Rachele come moglie.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Danker Dankerts, Berchem, Landscape

80,00 

Paesaggio con Contadini e Animali It is an engraving made by Danker Dankerts nel XVII secolo, ispirata ai paesaggi rurali.
Questa opera, che rappresenta un paesaggio con buoi, è firmata in lastra da Berchem e realizzata con la tecnica dell’Etching.

  • Sheet size: cm. 18×24 approx.
  • Support: Laid paper
  • Condition: Excellent

Danker Dankerts, Berchem, Paesaggio montano

140,00 

Mountain landscape It is an engraving made by Danker Dankerts (1634-1666) su disegno di Nicolaes Berchem (1620-1683), risalente al 17th century.
This work represents a paesaggio con asini e contadino, eseguita in etching on laid paper.

  • Sheet size: cm. 18×24 alla battuta del rame più margini
  • Condition: Excellent
  • Signed: in basso Berchem inventor Danker Dankerts fecit

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Maria Anna Christienne Victoire de Baviere è un’acquaforte acquarellato realizzata da Nicolas de Larmessin nel 1680.
This work, signed De L’Armessin, sculpsit, è un esempio pregevole dell’arte del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Buone, con strappo di 10 cm riparato al verso con carta

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Luigi D’Auphin è un’acquaforte acquarellata realizzata da Nicolas de Larmessin nel 1680.
Questa opera ritrae il figlio di Luigi il Grande e di Maria Teresa d’Austria, ed è firmata De L’Armessin, sculpsit.

  • Sheet size: cm. 25×18 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Falegname, interno di bottega

30,00 

Falegname, interno di bottega è una xilografia acquarellata risalente al XVII secolo.
Questa stampa è tratta da un testo della fine dell’800 e presenta un affascinante interno di bottega, con dettagli che catturano l’arte della falegnameria.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

La pagina intera, contenente la stampa, verrà spedita estratta dal libro, con testo attorno e al verso.

Frontespizio dell’Itinerario, Scoto, 1659

60,00 

Frontespizio dell’Itinerario è un’incisione realizzata da Francesco Scoto nel 1659.
Questo frontespizio è parte dell’opera Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×10 approx.
  • Engraving size: cm. 12×8 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Gabriel Perelle, Landscape with Peasants Playing, 1660

60,00 

Paesaggio con contadini che giocano It is an engraving made by Gabriel Perelle In the 1660.
Questa opera, firmata in basso a destra, è un esempio della maestria dell’artista nell’incisione e rappresenta un affascinante paesaggio con contadini intenti a giocare.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: trimmed to the marginal line
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

This engraving is probably taken from the Collection of views of Paris, the surrounding castles and Rome, un’opera che celebra la bellezza della regione parigina.

Gérard Audran, L’Aurora, 1670, XIX secolo

30,00 

L’Aurora è un’incisione realizzata da Gérard Audran nel 1670, un’opera che rappresenta la bellezza e la grazia dell’alba.
Questa incisione è stata eseguita in etching e misura cm. 16×13 alla battuta del rame, su un foglio di cm. 28×19.

  • Sheet size: cm. 28×19
  • Engraving size: cm. 16×13
  • Support: Laid paper without watermark
  • Condition: Excellent

Gérard Audran, originario di Lione, è stato un incisore francese di grande talento, attivo nel XVII secolo.
Questa opera è un esempio della sua maestria e della sua capacità di catturare la luce e il movimento.

Gerard de Lairesse, Allegory of Victory, 1674

70,00 

Allegory of Victory It is an engraving made by Gerard de Lairesse in 1674, celebrating the victory of the Republic of the Netherlands under the leadership of William III against England and France.
This allegorical representation illustrates the glorification of the victory of the United Netherlands, sanctioned in the Treaty of Westminster of 19 February 1674.

  • Sheet size: mm. 140×203
  • Engraving size: very small or no margins
  • Support: Laid paper
  • Condition: Worn, with some stains

The work features mythological figures such as Mercury and Jupiter pointing to the Dutch Virgin, a symbol of freedom, while the Dutch lion chases away the French rooster, accompanied by an English dog.

John Lanfranco, 1638

40,00 

Giovanni Lanfranco It is a copper engraving made in 1638 da Sisto Badalocchi e Giovanni Lanfranco.
This frontespizio è parte della History of the Old Testament, painted in Rome in the Vatican by Raphael of Urbino and carved in copper by Sisto Badalocchi and Giovanni Lanfranchi for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Support: Laid paper with watermark
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Dio crea il Sole e la Luna è un’incisione realizzata da Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of theHistory of the Old Testament, dipinta da Raffaello nel Vaticano e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

È interessante notare che, essendo pubblicata per un pubblico ebraico, questa stampa presenta un’alterazione della figura di Dio, cancellata e sostituita con una scritta in ebraico, in conformità a un divieto che negava la rappresentazione di Dio sotto forme umane.

John Lanfranco, 1638

40,00 

Noè nel Diluvio It is an engraving made by Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of the History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

The animals come out of the Ark it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of the History of the Old Testament, painted by Raphael in the Vatican and carved in copper by the two artists.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Noè offre un sacrificio al Signore it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is part of the frontispiece of History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranchi per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Copper engraving
  • Support: Laid paper
  • Condition: Good condition

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.