Small

Showing 721–744 of 1661 results

The Butcher, 19th century woodcut

25,00 

The Butcher è un’incisione in xilografia dell’800, ispirata a una stampa antica del XVII secolo realizzata da Mitelli.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

The Butcher, 19th century woodcut

25,00 

The Butcher It is a 19th century woodcut, inspired by an ancient 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
The print will be shipped as a full page, extracted from the book.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

Il Macellaio, xilografia dell’800

25,00 

The Butcher It is a 19th century woodcut, made by Jost Amman.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 8×6 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The full page, containing the print, extracted from the book will be sent.

Il Maniscalco, xilografia dell’800

25,00 

Il Maniscalco è un’incisione in xilografia risalente all’800, proveniente da una stampa antica.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 11×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

The Perfect Minister, Allegory, 1866

20,00 

Il Ministro perfetto è un’allegoria realizzata da Le Sueur nel 1866.
Questa xilografia è tratta dal famoso Picturesque Store di Parigi e presenta un retro stampato con testo intorno.

  • Sheet size: cm. 29×19 approx.
  • Print Size: cm. 19×15 approx.
  • Support: Paper
  • Condition: Excellent

The entire page containing the print will be sent.

Il molo di Napoli, 1875

20,00 

Il molo di Napoli It is a woodcut made in 1875, coming from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1885.
Questa incisione, con dimensioni di cm. 18×12, è stata ritagliata dalla pagina del libro e presenta un retro stampato.

  • Engraving size: cm. 18×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

La stampa verrà spedita completa di passepartout, pronta per essere incorniciata.

Mount Erice, Trapani, 1889

20,00 

Il monte Erice, Trapani it's a woodblock print realizzata nel 1889, che rappresenta il famoso monte Eryx.
This work is taken from the volume Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.

  • Sheet size: cm. 10×8 approx.
  • Margins: almost absent
  • Support: Carta, ritagliata dalla pagina del libro
  • Condition: Ottima, con retro scritto

Il Mosè di Michelangelo, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 20×15 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

The Miller, 19th century woodcut

25,00 

Il Mugnaio it's a woodcut dell’800, ispirata a una stampa satirica antica del XVII secolo.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

The Miller, 19th century woodcut

25,00 

Il Mugnaio it's a woodcut from the 19th century, inspired by an old 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Miller, 19th century woodcut

25,00 

Il Mugnaio it's a woodcut dell’800, proveniente da una stampa satirica e umoristica antica.
This work is taken from a text from the late 19th century and features text around and on the back.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Mill of Dissent, 19th century woodcut

25,00 

Il Mulino del Dissenso it's a woodcut dell’800, ispirata a una stampa satirica del XVII secolo contro gli Ugonotti.
Questa incisione è tratta da un testo della fine dell’800 e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Il muratore e la lavandaia

25,00 

Il Muratore e la Lavandaia è una xilografia dell’800, proveniente da un’antica stampa.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 12×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Il Paniere, Costumi napoletani, 1884

25,00 

Il Paniere, Costumi napoletani It is a woodcut engraving made in 1884 by Rudolf Kleinpaul.
This work is part of the volume Naples and its surroundings e presenta una scena vivace della vita napoletana.

  • Sheet size: cm. 16×6 circa
  • Support: Paper
  • Condition: Excellent

The hairdresser, 19th century woodcut

25,00 

Il Parrucchiere è una xilografia dell’800, proveniente da una stampa antica del XIX secolo.
Questa incisione è tratta da un testo della fine dell’800 e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 12×11 approx.
  • Support: Paper
  • Condition: Excellent

The page will be shipped in its entirety, containing the print extracted from the book.

The hairdresser, 19th century woodcut

25,00 

Il Parrucchiere è una xilografia dell’800, proveniente da una stampa antica.
Questa incisione, tratta da un testo della fine dell’800, presenta un testo attorno e al verso.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Pastry Chef, 19th century woodcut

25,00 

The Pastry Chef it's a woodcut from the 19th century, inspired by an old 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
The print will be shipped as a full page, extracted from the book.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Pastry Chef, 19th century woodcut

25,00 

The Pastry Chef it's a woodcut from the 19th century, inspired by an old 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The Original Sin, Michelangelo, 1877

15,00 

The original sin it is a woodcut made by Michelangelo in 1877.
This work is taken from the volume L'Italy illustrée de 450 engravures sur wood, edited by Gourdault Jules and published in Paris by Hachette.

  • Sheet size: mm. 130×65
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

The Devil's Bridge, on the Gotthard, 1875

20,00 

The Devil's Bridge on the Gotthard It is an engraving made in 1875, part of the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden.
This woodcut has a format of cm. 20×11 and includes smaller margins, with printed back.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Il Ponte di Carignano a Genova, 1837

20,00 

Il Ponte di Carignano a Genova è un’incisione in xilografia realizzata nel 1837.
This work is taken from Pictorial Cosmorama, una rivista che ha avuto un ruolo significativo nella diffusione delle illustrazioni artistiche nel XIX secolo.

  • Sheet size: cm. 20×14 approx.
  • Support: Paper
  • Condition: Buone condizioni, con scritte al retro in parte visibili

La stampa, ritagliata dal libro, viene spedita completa di passepartout e rappresenta una bella veduta decorativa di Genova.

Il Ponte di Cassano sull’Adda, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 12×16 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

The Port of Palermo Woodcut 1847

15,00 

The Port of Palermo It is a woodcut made in 1847, which offers a suggestive view of the port of the city of Palermo.
This piece is taken from the Picturesque Store of 1847, an important publication of the time.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Light paper
  • Condition: Excellent

Il sarto ambulante, xilografia dell’800

25,00 

Il Sarto Ambulante è una xilografia dell’800, proveniente da una stampa antica.
Questa opera è tratta da un testo della fine del XIX secolo e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 11×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.