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XIX
Russian Chapel Russian Church Paris.
11,00 €Russian Chapels in Paris It is an 1862 woodcut depicting the Russian Orthodox Church located in the French capital.
This work, taken from the Picturesque Store, captures a lively moment with a large group of worshipers entering the church.
- Sheet size: cm. 30 x 21 approx.
- Engraving size: cm. 15 x 13 approx.
- Support: Light paper
- Condition: Excellent
Charles Grey, 1842
15,00 €Charles Grey, 1842 è un’incisione in rame che ritrae il noto politico britannico Charles Grey, Conte Grey.
Questa opera è stata estratta dal volume Picturesque Omnibus, published in Naples in 1842.
- Sheet size: cm. 10×12 approx.
- Support: Paper
- Condition: Excellent
- Notes: La stampa presenta scritte al retro e viene spedita con la pagina intera contenente l’incisione.
Charles Pierre François Augereau, 1839
15,00 €Charles Pierre François Augereau It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa stampa, che presenta margini quasi assenti, è contenuta nella pagina del libro e presenta scritte al verso.
- Sheet size: cm. 13×11 approx.
- Support: Paper
- Condition: Excellent
Chartres, France, 1836
20,00 €Chartres, France, 1836 è una litografia affascinante, tratta dal volume Universal Pictorial Warehouse del 1836, pubblicato a Genova.
Questa opera rappresenta una veduta storica della città di Chartres, evidenziando la sua architettura e il suo paesaggio.
- Sheet size: cm. 21×28 approx.
- Lithograph dimensions: cm. 15×20 approx.
- Support: Lightweight paper with white backing
- Condition: Excellent condition
Chateaubriand, 1838
20,00 €Chateaubriand è un’incisione realizzata da Gnaccarini nel 1838, stampata su rame.
Questo mezzobusto è tratto da The Picturesque Omnibus, pubblicato a Napoli nel 1839.
L’opera presenta scritte sul retro e si distingue per i suoi dettagli raffinati.
- Sheet size: mm. 110×140 circa
- Technique: Burin
- Condition: Excellent
- Support: Paper
Chatillon, New Bridge, 1890
20,00 €Chatillon, New Bridge It is a woodcut print made in 1890, which represents a view of the Ponte Nuovo from the Ponte Vecchio.
This work is taken from a late nineteenth-century Italian text and features text around and on the back of the sheet.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 8×8 approx.
- Support: Paper
- Condition: Excellent state of preservation
Clairvaux, 1865
15,00 €Clairvaux, 1865 It is a woodcut which represents an important illustration of the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work, published in Milan by Vallardi Editore in 1865, is decorated with approximately 1000 coloured municipal coats of arms.
- Sheet size: mm. 130×140
- Technique: Woodcut
- Condition: Good
- Support: Paper
The print was cut from the book and has writing on the back.
Chiavenna and the Campodolcino Bridge, 1837
20,00 €Chiavenna e il Ponte di Campodolcino è un’incisione in xilografia realizzata nel 1837, rappresentante una bella veduta decorativa.
This work is taken from Pictorial Cosmorama, una rivista fondata a Milano da Giovanni Francesco Zini, che ha avuto un ruolo significativo nella diffusione delle illustrazioni artistiche.
- Sheet size: cm. 16×13 approx.
- Support: Paper
- Condition: Excellent
La stampa è stata ritagliata dal libro e presenta scritte al retro in parte visibili. Viene spedita completa di passepartout.
Chiavenna, 1890
20,00 €Chiavenna, 1890 it's a woodblock print di fine Ottocento, che rappresenta un’importante testimonianza della cultura visiva italiana dell’epoca.
This work presents a large-sized image cm. 10×12 circa, circondata da testo, mentre il verso del foglio contiene ulteriori informazioni. Il foglio completo misura cm. 30×20.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Church of the Madeleine in Paris, 1838
20,00 €Church of the Magdalene in Paris it is a lithograph from 1838, taken from the work Picturesque Polyorama, an important publication that aimed to spread useful knowledge across all social classes.
This print, measuring 12x8 cm and with almost no margins, was cut from a book and features writing on the back. The full page containing the print will be sent, thus offering a broader context of the work.
- Era: XIX
- Technique: Lithography
- Condition: Good
- Dimensions: Small
- Support: Paper
Chiesa di S. Nicolò di Bari, 1890
20,00 €Chiesa di S. Nicolò di Bari It is a woodcut print made in 1890 by the engraver Barberis.
Questa opera proviene da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 12×9 circa, con testo attorno e al verso del foglio.
- Sheet size: cm. 26×18 approx.
- Image size: cm. 12×9 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
The entire sheet containing the print will be shipped.
Chiesa di S.Agostino a Roma, 1856
35,00 €Chiesa di S.Agostino a Roma è un’incisione finissima realizzata al burin su acciaio, datata 1856.
Questa opera è stata prodotta dai Rouargue freres e fa parte del volume Picturesque voyage in southern Italy, scritto da M.Paul De Musset e pubblicato a Parigi da Morizot editeur.
- Sheet size: cm. 17×26 approx.
- Engraving size: cm. 12×17 approx.
- Support: Heavy paper
- Condition: Perfect state of preservation
Church of San Michele in Lucca, 1866
25,00 €Church of San Michele in Lucca It is a woodcut engraving made in 1866, taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.
This print represents an important artistic testimony of the time and measures cm. 19×13 about on a sheet of cm. 25×17 with white back.
- Sheet size: cm. 25×17 approx.
- Engraving size: cm. 19×13 approx.
- Support: Paper
- Condition: Excellent condition
Church of San Vittore in Pollenzo, 1890
20,00 €Chiesa di San Vittore in Pollenzo it is a woodcut made in 1890 by the engraver Barberis.
Questa opera rappresenta la chiesa parrocchiale di San Vittore a Brà, Cuneo, ed è tratta da un testo italiano di fine Ottocento.
- Sheet size: cm. 26×18 approx.
- Image size: cm. 14×12 approx.
- Support: Paper
- Condition: Excellent
Chiesa di Santa Chiara, Napoli, 1838
20,00 €Chiesa di Santa Chiara, Napoli it's a lithographic printing made in 1838.
This work comes from Picturesque Polyorama, an important publication that aimed to spread useful knowledge across all social classes.
- Sheet size: cm. 12×16 approx.
- Condition: Excellent
- Support: Paper
- Notes: Margini quasi assenti, ritagliata dal libro con scritte al verso; viene spedita la pagina intera contenente la stampa.
Church of Zannone, Ponza, 1856
20,00 €Church of Zannone, Ponza it is a lithograph from 1856 which represents the remains of the Church of Zannone.
This work is taken from Picturesque Polyorama, a publication dedicated to the dissemination of useful knowledge.
- Sheet size: cm. 30×20 approx.
- Print Size: cm. 13×15 approx.
- Technique: Lithography
- Condition: Excellent
- Support: Paper
The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.
Chiesa, Canivet, 1870-90
15,00 €Chiesa è un’opera realizzata tra il 1870 e il 1890, rappresentante un soggetto sacro.
Questa stampa è una chromolithography con un elegante bordo traforato a punzone, tipica della produzione artistica francese dell’epoca.
- Sheet size: cm. 7×11
- Condition: Buone, con strappo restaurato nell’angolo inferiore destro
- Support: Paper
Chieti, 1838
20,00 €Chieti, 1838 è una litografia anonima che rappresenta il Tempio detto del Trivalle in Chieti.
Questa stampa antica è tratta dal volume Picturesque Polyorama, pubblicato a Napoli nel 1838.
- Sheet size: mm. 157×100
- Support: Paper
- Condition: Excellent
- Notes: Margini quasi assenti; l’incisione presenta scritte al retro.
La veduta è bella, animata e decorativa, rendendola un pezzo affascinante per collezionisti e appassionati di arte.
Chieti, Ancient Temple of Diana, 1890
20,00 €Chieti, Antico Tempio di Diana it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera presenta un’immagine di dimensioni cm. 10×14 circa, circondata da testo e con ulteriori informazioni al verso del foglio, che misura cm. 30×20.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×14 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Chieti, Church of San Paolo, 1890
20,00 €Chieti, Church of San Paolo it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional writing on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Chieti, Exterior of Santa Maria Arabona, 1890
20,00 €Chieti, Exterior of Santa Maria Arabona it is a valuable one woodblock print built in 1890, which represents a fascinating glimpse of the historic church of Santa Maria Arabona.
This work is taken from an Italian text from the late nineteenth century and presents an image measuring approximately 10x12 cm, surrounded by descriptive text.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
The entire sheet containing the print will be shipped.
Chieti, Coat of Arms, 1871
15,00 €Chieti, Coat of Arms It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
This print, which measures 8x9 cm in the engraved part, has small margins and was extracted from a book.
- Sheet size: Small
- Condition: Faded
- Support: Light sheet
- Written on the back: Present
Chiffchaff, 1853
15,00 €Chiffchaff It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un uccello decorativo, perfetto per gli amanti della natura e dell’arte ornitologica.
- Sheet size: mm. 135×100
- Condition: Excellent
- Support: Medium paper with white back
Kiosk, Chromolithograph, 1887
30,00 €Chiosco it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
Questa opera, firmata da Godard e litografata da G. Severeyns, presenta un design splendido e decorativo, perfetto per gli amanti della botanica e dell’arte.
- Sheet size: cm. 25×16 approx.
- Condition: Excellent state of preservation
- Support: Thick paper with white backing
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