XIX

Showing 913–936 of 4681 results

Garda Lake, 1890

20,00 

Colà del Garda è una xilografia realizzata nel 1890, disegnata da E. Bondier and engraved by C. Petit.
Questa stampa proviene da un libro francese di fine ‘800 e presenta una scena animata, tipica delle vedute italiane dell’epoca.

  • Sheet size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Cola di Rienzo, 1837

20,00 

Cola di Rienzo è una litografia realizzata nel 1837, tratta dal Universal Pictorial Warehouse of Genoa.
Questa opera rappresenta Nicola di Lorenzo Gabrini, noto come Cola di Rienzo, un tribuno e studioso italiano del XIV secolo.
Cola di Rienzo tentò di restaurare il comune di Roma durante un periodo di conflitti tra papi e baroni, autodefinendosi “l’ultimo dei tribuni del popolo”. La sua figura ha ispirato anche l’opera lirica Rienzi, l’ultimo dei tribuni di Richard Wagner.

  • Sheet size: cm. 21×28
  • Engraving size: cm. 12×17
  • Support: Light paper
  • Condition: Excellent

The Expeditioner's Breakfast, 1850

20,00 

Colazione dello spedizioniere è una litografia realizzata nel 1850, che cattura un momento di vita quotidiana.
This work, of small dimensions, is printed on thick paper and glued onto another paper support.

  • Sheet size: cm. 19×11 circa
  • Era: 19th century
  • Technique: Lithography
  • Condition: Excellent
  • Support: Thick paper

Colibri, 1890

20,00 

Colibri It is a lithograph from 1890, taken from the publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa celebre enciclopedia, pubblicata a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Cologne, Germany, 1842

15,00 

Cologne, Germany, 1842 it's a lithographic printing che rappresenta la maestosa cattedrale di Colonia.
This work is taken from Picturesque Polyorama, a periodical publication dedicated to the dissemination of useful knowledge for all social classes.

  • Printed part dimensions: cm. 10×14
  • Margins: almost absent
  • Typography: Picturesque Polyorama, Naples
  • Director: Philip Cirelli
  • Year of publication: 1842

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Comacchio, Three Bridges, 1890

20,00 

Comacchio, Treponti è una stampa xilografica del 1890 che rappresenta una veduta della località vista dal mare.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9 x 12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Comacchio, Caldirolo Valley, 1890

20,00 

Comacchio, Valle Caldirolo è una stampa xilografica realizzata nel 1890, che rappresenta la stazione di pesca di Valle Caldirolo.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Comacchio, Office Street, 1890

20,00 

Comacchio, Via degli Uffici it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 9x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Commodoro Matteo Perry, 1854

20,00 

Commodoro Matteo Perry, 1854 è una litografia che ritrae il celebre commodoro americano, realizzata nel 1854.
This print is taken from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 14×12 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
The Picturesque Polyorama è stato un’importante pubblicazione che ha diffuso conoscenze utili in vari campi, contribuendo alla cultura del Regno delle Due Sicilie dal 1836 al 1860.

Como de Medici, Farnese… 1835

20,00 

As the Medici, Farnese… It is an engraving made with the technique of burin on steel in 1835.
This work depicts significant historical figures such as Alessandro Farnese and Leonardo da Vinci, reflecting the art and architecture of the period.

  • Size of the joke: cm. 13×9
  • Support: Lightweight paper with white backing
  • Condition: Excellent

As in 1859 Gravedona

30,00 

Gravedona sul Lago di Como è un’incisione anonima del 1859, che rappresenta due vedute del Duomo di Como.
This woodcut is taken from the work Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Support: Light paper
  • Condition: Excellent

Como, 1859, Panorama of the Lake

30,00 

Panorama del Lago di Como It is an anonymous engraving made in 1859, che offre una vista suggestiva del Lago di Como presa da Bellagio, con la Villa Carlotta, già Clerici e Sommariva.
This work is taken from the volume Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

Como, Fall of the Latte River at Varenna, 1860

35,00 

Como, Caduta del fiume Latte a Varenna è un’acquaforte realizzata nel 1860, che cattura la bellezza naturale della regione.
Questo pezzo è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Como, Porta Vittoria, 1890

20,00 

How, Victory Gate it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Como, Coat of Arms, 1871

15,00 

Como, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta lo stemma della città di Como ed è caratterizzata da una parte incisa di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper
  • Notes: The print was removed from the book and has writing on the verso.

Como, View of the Lake, 1877

20,00 

Como, Veduta del Lago è un’incisione xilografica realizzata nel 1877 da Rudolf Schick, un noto pittore di ritratti e paesaggista.
Questa suggestiva veduta del Lago di Como è tratta dal volume Italy by J. Gourdault, published in Paris.

  • Size of the joke: mm. 187×113
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa, ritagliata dal libro, presenta un retro scritto e offre un’immagine nitida e ben contrastata, animata da un’atmosfera vivace.

Comunione, La Meditazione, 1850-90

15,00 

La Meditazione è un’incisione realizzata tra il 1850 e il 1890, che rappresenta il soggetto della Comunione.
Published by the publishing house L.Turgis et fils edit. di Parigi, Francia, questa opera è un esempio di raffinata arte tipografica.

  • Sheet size: cm. 8×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

Condor, 1890

20,00 

Condor, 1890 è una litografia tratta dalla pubblicazione Meyers Conversations Lexicon, published in Germany from the second half of the 19th century.
This work is part of a large series of antique prints made to illustrate this famous encyclopedia.
La stampa è stata pubblicata nel 1890 e presenta le seguenti caratteristiche:

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Conegliano, Vittorio Emanuele Street, 1890

20,00 

Conegliano, Vittorio Emanuele Street, 1890 it's a woodblock print which represents a fascinating glimpse of Conegliano at the end of the 19th century.
This work is characterized by a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Conegliano, Treviso, 1890

20,00 

Conegliano, Treviso, 1890 it's a woodcut in size cm. 10×13, from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, was cut out of the book and has writing on the back.
The full page print will be shipped, ensuring a complete collecting experience.

  • Sheet size: Small
  • Support: Paper
  • Condition: Excellent

Consacrazione, Cresima, 1880

20,00 

Consacrazione, Cresima It is an engraving made in 1880, che rappresenta un importante momento religioso.
Published by the publishing house A. Frojo Ed.Succ. Leonardi Torino, questa opera è un esempio di arte tipografica italiana.

  • Sheet size: cm. 7×11 approx.
  • Technique: Etching with lace-cut edges
  • Condition: Perfect
  • Support: Paper

Consalvo Carelli, Casamicciola

140,00 

Consalvo Carelli, Casamicciola It is a work created by Consalvo Carelli, one of the main exponents of the Posillipo School.
This pencil on paper, dated between 1870 and 1880, measures 142 x 220 mm. Unsigned, the work bears the inscription 'Casamicciola' on the bottom left.

  • Sheet size: mm. 142×220
  • Support: Paper glued to another paper support
  • Condition: Excellent

Carelli, born in Naples in 1818, had an important artistic career, becoming a master of painting and academician of San Luca. His work is a significant example of the Neapolitan landscape tradition of the 19th century.

Consalvo Carelli, Cross of Pozzano

120,00 

Croce di Pozzano It is a work created by Consalvo Carelli between 1870 and 1880.
This drawing, done in pencil on paper, measures mm. 130×204 and is glued to another paper support.
Carelli, one of the main exponents of the Posillipo School, è noto per la sua abilità nel catturare la bellezza dei paesaggi napoletani.

  • Era: XIX
  • Technique: Pencil
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, Woman with Child

80,00 

Donna con bambino It is a work created by Consalvo Carelli between 1870 and 1880, using the pencil on paper technique.
Questo lavoro, non firmato, è incollato ad un altro supporto cartaceo e presenta dimensioni di mm. 100×128.

  • Era: XIX
  • Technique: Burin
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, one of the main exponents of the Posillipo School, nacque a Napoli nel 1818. Figlio del noto paesaggista Raffaele Carelli, iniziò la sua carriera artistica in giovane età, perfezionando le sue abilità sotto la guida di William Leicht.
Nel corso della sua vita, Carelli ricevette numerosi riconoscimenti, tra cui l’incarico di maestro di pittura della Regina Margherita e la nomina a professore presso l’Accademia di San Luca. Morì a Napoli nel 1900, lasciando un’importante eredità artistica.

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