XIX

Showing 1129–1152 of 1594 results

Pinelli, Costumes of Cerbara, 1815

70,00 

Costumi di Cerbara It is an engraving made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent state of preservation

L’opera è firmata e datata in lastra con la dicitura ‘Pinelli fecit 1815 Roma’.
Bartolomeo Pinelli, noto per la sua vasta produzione di incisioni e disegni, ha illustrato i costumi dei popoli italiani e ha avuto un ruolo significativo nell’etnografia di Roma e dell’Italia.

Pinelli, Costumes of Rome, 1815

60,00 

Costumi di Roma It is an engraving made by Bartholomew Pinelli In the 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent state of preservation

L’incisione è datata e firmata in lastra con la dicitura ‘Pinelli fecit 1815 Roma’.
Bartolomeo Pinelli, known for his vast artistic production, illustrated the costumes of the Italian peoples and played a significant role in the ethnographic documentation of Rome and Italy.

Pinelli, Costumes of Tivoli, 1815

60,00 

Tivoli Costumes It is an engraving made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, un progetto che illustra i costumi dei popoli italiani.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

L’incisione è firmata e datata in lastra con la dicitura ‘Pinelli fecit 1815 Roma’.
Bartolomeo Pinelli, noto per la sua vasta produzione artistica, ha catturato l’essenza della vita romana e dei suoi costumi, rendendo quest’opera un importante documento etnografico.

Pinelli, Woman of Frascati, 1815

60,00 

Woman from Frascati It is an engraving made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, a series of engravings illustrating the costumes of the Italian peoples.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent state of preservation

Pinelli, Woman of Pietra Ferrazzana, 1815

60,00 

Donna di Pietra Ferrazzana è un’incisione realizzata da Bartolomeo Pinelli nel 1815, che ritrae una donna del paese di Pietra Ferrazzana e il Giancotaro.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The work is dated and signed on the plate with the words 'Pinelli codicit 1815 Roma'.
Bartolomeo Pinelli (1781-1835) è stato un incisore e pittore italiano noto per la sua vasta produzione artistica, che include circa quattromila incisioni. Le sue opere illustrano i costumi italiani e i grandi capolavori della letteratura, contribuendo in modo significativo alla documentazione etnografica di Roma e dell’Italia.

Pinelli, The daughter praying to the Madonna, 1815

50,00 

La figlia che prega la Madonna It is an engraving made by Bartholomew Pinelli nel 1815, che rappresenta un momento toccante di devozione.
This work is taken from the New Collection of Fifty Picturesque Costumes, una serie di incisioni che celebrano i costumi e le tradizioni italiane.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Pinelli, The Piferari in Rome, 1815

70,00 

The Piferari in Rome It is an engraving made by Bartholomew Pinelli in 1815, part of the series New Collection of Fifty Picturesque Costumes.
This work depicts a lively scene with bagpipers, capturing the essence of the customs of the Kingdom of Naples.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Paper

Pinelli, Sailors on the dock of Naples, 1815

80,00 

Marinari sul molo di Napoli it is an engraving made by Bartolomeo Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent state of preservation

Pinelli, Sailors on the Naples Pier, 1815

70,00 

Sailors on the Naples Pier It is an engraving made by Bartholomew Pinelli in 1815, which portrays sailors intent on listening to the Istoria di Rinaldo.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent state of preservation

Piombino, 1865

20,00 

Piombino, 1865 è un’incisione xilografica su legno di testa che rappresenta una graziosa veduta del marina presso Piombino.
This work is taken from Picturesque Emporium, published by Sonzogno in Milan in 1865.

  • Size of the joke: mm. 230×160
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

Pipistrelli, 1890

30,00 

Pipistrelli It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, un’enciclopedia edita in Germania a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.
Questa stampa fa parte di una vasta serie di illustrazioni concepite per arricchire questa celebre enciclopedia.

  • Sheet size: cm. 29×23
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Pisa, 1840

25,00 

Pisa, 1840 It is a burin engraving that offers an uncommon view of the city, animated by vivid details.
Made around 1840, this work is based on a German book and features a joke. mm. 95×150 on a sheet of paper mm. 262×180.

  • Sheet size: mm. 262×180
  • Engraving size: mm. 95×150
  • Support: Medium paper
  • Condition: Excellent

Pisa, 1840

30,00 

Pisa, 1840 è un’incisione al bulino realizzata dall’incisore Rouargue, che offre una beautiful view of the city.
Questa opera è caratterizzata da un great contrast e da una vivace animazione, rendendola un pezzo affascinante per gli amanti dell’arte.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

Pisa, Baptistery, Cathedral, 1835

30,00 

Pisa, Battistero, Cattedrale It is an engraving made with the technique of burin on steel in 1835.
This work offers a beautiful view della famosa piazza di Pisa, con il Battistero, la Cattedrale, la Torre e il Cimitero, presentata in modo nitido e ben contrastato.

  • Sheet size: mm. 195×130 plus margins
  • Support: Light paper
  • Condition: Good condition

Pisa, Harding, 1834

30,00 

Pisa è un’incisione realizzata da E. Finden nel 1834, tratta dal volume Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata disegnata da H. Gasteneau e pubblicata da John Murray a Londra.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

La veduta animata di Pisa offre un’affascinante rappresentazione di questa storica città italiana, immortalata con grande maestria.

Pisa, Square of Miracles, 1850

40,00 

Pisa, Square of Miracles It is an engraving made in 1850, which offers a splendid view of the famous square.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

This engraving features a clear and lively depiction of the square, making it a must-see piece of art for history and culture lovers.

Pistoia, Church of S. Giovanni, 1871

20,00 

Pistoia, Church of S. Giovanni it is an engraving made in 1871, part of the volume The Hundred Cities of Italy for Ariodante Manfredi.
This woodcut represents an important artistic and cultural testimony of the time.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Excellent condition

Pistoia, Ceppo Hospital, 1885

30,00 

Pistoia, Ospedale del Ceppo è una xilografia realizzata da Hercule Catenacci nel 1885.
Questa opera rappresenta la facciata dell’Ospitale del Ceppo a Pistoia ed è tratta dal volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Pistoia, View of the Apennines, 1877

30,00 

Pistoia, Veduta dell’Appennino It is a woodcut made in 1877, che offre una rappresentazione animata e nitida del paesaggio appenninico.
Questa opera si distingue per il suo contrasto e la qualità dei dettagli, rendendola un pezzo affascinante per gli amanti dell’arte e della natura.

  • Sheet size: mm. 260×360
  • Engraving size: mm. 185×250
  • Support: Medium paper
  • Condition: Excellent state of preservation

Polcevera, 1889

25,00 

Polcevera, 1889 it is a woodcut representing the grape harvest in the Polcevera region.
This work is taken from the Italian illustration, published by the Treves Brothers in Milan in 1889.

  • Sheet size: mm. 210×310
  • Engraving size: almost no margins
  • Technique: Woodcut on end grain wood
  • Condition: Good, with writing on the back
  • Support: Paper

Polli attaccati da rapaci, M.Hondekoeter, 1840-50

20,00 

Polli attaccati da rapaci è un’incisione realizzata da M. Hondekoeter tra il 1840 e il 1850.
Questa opera, che rappresenta un drammatico incontro tra polli e rapaci, è stata pubblicata nella Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent state of preservation

Pollivendolo, Gabr. Metsu, 1840-50

20,00 

Pollivendolo è un’incisione realizzata da Gabr. Metsu tra il 1840 e il 1850.
Questa opera, conosciuta come The Poulterer, è un’acquaforte su carta forte, pubblicata in Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

Polonia, C.F. Delamarche, 1816

70,00 

Polonia, C.F. Delamarche, 1816 è una mappa dettagliata della Polonia, che illustra i suoi dipartimenti.
This copper engraving is colored around the outline and is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù e pubblicato a Parigi da Delamarche nel 1816.

  • Sheet size: cm. 21×27 approx.
  • Support: Paper
  • Condition: Good condition, with some peeling and a central editorial crease

Pompeii, Homeric House, 1835

20,00 

Pompeii, Homeric House It is an engraving made in 1835 by Durau, using the technique of burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16.5x26 approx.
  • Engraving size: cm. 10.5×13.6 approx.
  • Support: Medium paper
  • Condition: Excellent

This beautiful view of Pompeii is characterized by exceptional clarity.

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