XIX

Showing 97–120 of 1638 results

Bartolomeo Pinelli, Washing machines, 1810

40,00 

Washing machines It is an engraving made by Bartholomew Pinelli in 1810, which represents a picturesque scene of the washing machines of Tivoli.
This work is taken from the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

Bartolomeo Pinelli, The Sweeper, 1810

40,00 

Lo scoparo It is an engraving made by Bartholomew Pinelli nel 1810, parte della sua celebre serie New Collection of fifty Picturesque Motifs and Costumes of Rome.
This work is an example of etching colorata all’acquerello, firmata in basso a sinistra con la dicitura Pinelli inv e incise.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

Bartolomeo Pinelli, Sailors on the dock of Naples, 1809

380,00 

Sailors on the dock of Naples It is a preparatory watercolor made by Bartholomew Pinelli in 1809.
This work represents sailors intent on listening to the story of Rinaldo, and it is probably a sketch for engraving no. 47 of the Collection of fifty picturesque costumes, etched by Pinelli himself.

  • Watercolor dimensions: cm. 26×18,5
  • Condition: Excellent condition
  • Support: Paper

Bartolomeo Pinelli, New collection of 50 costumes…, 1815

4.300,00 

Nuova Raccolta di 50 Costumi Pittoreschi è un’opera di Bartolomeo Pinelli, realizzata nel 1815.
Questa raccolta, pubblicata a Roma presso Nicola De Antoni e Ignazio Pavon, è composta da 50 tavole incise all’acquaforte, tutte sapientemente acquarellate in un’epoca successiva.

  • Sheet size: cm. 28×41 circa
  • Support: Cartonato
  • Condition: Excellent

La raccolta è particolarmente ricercata per la rappresentazione dei costumi pittoreschi dell’agro romano.
Ogni incisione è numerata, firmata e datata 1815, con il titolo della scena. L’ultima tavola rappresenta il riposo dell’autore tra le rovine, con il motto scolpito sulla lapide: “Tutto finisce”.
Le incisioni sono in ottima tiratura e molto fresche, senza macchie o foxing, sebbene al retro si possano notare alcune macchie di colore.

Bartolomeo Pinelli, Orlando Furioso, 1829

40,00 

Orlando Furious It is an engraving made by Bartholomew Pinelli in 1829, a work that reflects the artist's mastery in illustrating the great masterpieces of literature.
This engraving, made in etching on copper, features a full flap immersed in a murky wave, demonstrating his technical skill and distinctive style.

  • Sheet size: mm. 180×220 at the edge, plus margins
  • Support: Light paper
  • Condition: Good condition, with a small restored hole on the top left

Bartolomeo Pinelli, born in Rome in 1781, was an engraver, painter and ceramist of great importance, known for his vast artistic production which includes around four thousand engravings.
His works illustrate the customs of the Italian peoples and the masterpieces of literature, with a particular focus on Rome and its history.

Bartolomeo Pinelli, Shepherd and Peasant, 1834

90,00 

Pastore e Contadina It is an engraving made by Bartholomew Pinelli nel 1834, che rappresenta un affascinante soggetto della Campagna di Roma.
This work is part of the series Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, published in Rome in the same year.

  • Sheet size: cm. 30×22 approx.
  • Engraving size: cm. 30×22 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Bartholomew Pinelli (1781-1835) è stato un incisore, pittore e ceramista italiano, noto per la sua vasta produzione artistica.
He illustrated the customs of the Italian peoples and the great masterpieces of literature, with a particular focus on Rome and its history.

Bartolomeo Pinelli, Brawl, 1834

90,00 

Rissa – Costumi di Roma

  • Artist: Bartholomew Pinelli
  • Anno: 1834
  • Technique: Watercolor etching
  • Serie: Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself
  • Place of publication: Roma, 1834

Dimensions:

  • Foglio: 32 x 22 cm circa
  • Incisione: 21 x 16 cm circa
  • Support: Medium thickness paper

Description:
Questa affascinante incisione all’acquaforte acquarellata raffigura una scena di rissa tipica dei costumi romani dell’epoca, con una composizione dinamica e coinvolgente. Al centro dell’opera, un giovane stringe un sasso in mano, pronto a scagliarlo, mentre una donna cerca di trattenerlo, nel tentativo di impedirgli di scatenare la lite.

La scena è resa ancora più vibrante dalla colorazione manuale, con toni caldi e accesi tipici della tavolozza di Pinelli, che donano profondità ed espressività ai protagonisti.

Interesse collezionistico:
Un esempio magnifico del talento di Bartholomew Pinelli, noto per le sue rappresentazioni dettagliate e vivaci della vita popolare romana. Quest’opera, in perfetto stato di conservazione, è una testimonianza iconografica preziosa dei costumi del tempo, ideale per collezionisti di arte popolare italiana, amanti delle incisioni acquarellate e studiosi dell’opera di Pinelli.

Bartolomeo Pinelli, Sonninesi at rest, 1834

90,00 

Sonninesi at rest It is an engraving made by Bartholomew Pinelli in 1834.
This work, signed on the plate, is part of the series Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, published in Rome in 1834.

  • Sheet size: cm. 32×22 approx.
  • Engraving size: cm. 21×16 approx.
  • Technique: Watercolor etching
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Bartolomeo Pinelli, known for his prolific artistic production, illustrated the costumes of the Italian people and great masterpieces of literature, paying homage to the history and culture of Rome.

Bartolomeo Pinelli, The Wind Blows, 1815

60,00 

Tira Vento It is an etching made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, un’importante collezione di incisioni che documentano i costumi e la vita quotidiana dell’epoca.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

L’incisione è datata e firmata in lastra con la dicitura ‘Pinelli fecit 1815 Roma’.
Bartolomeo Pinelli, noto per la sua vasta produzione artistica, ha saputo catturare l’essenza di Roma e dei suoi abitanti attraverso le sue opere.

Bartolomeo Pinelli, Travelling Tivoli, 1834

90,00 

Tivolesi in Viaggio è un’incisione all’acquaforte acquarellata realizzata da Bartholomew Pinelli in 1834.
This work is part of the volume Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, pubblicato a Roma nello stesso anno.

  • Sheet size: cm. 32×22 approx.
  • Engraving size: cm. 21×16 approx.
  • Support: Heavy paper
  • Condition: Perfect state of preservation

Bartolomeo Pinelli (1781-1835) è un noto incisore, pittore e ceramista italiano, celebre per la sua capacità di catturare i costumi e le tradizioni dei popoli italiani.
La sua opera include circa quattromila incisioni e diecimila disegni, illustrando temi che spaziano dalla letteratura ai monumenti storici di Roma.

Bartolomeo Pinelli, Vagabonds playing cards, 1834

90,00 

Vagabondi che giocano alle carte It is an engraving made by Bartholomew Pinelli nel 1834, un’opera che cattura un momento di convivialità tra i vagabondi.
Questa incisione all’acquaforte è acquarellata e proviene dal volume Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, published in Rome in 1834.

  • Sheet size: cm. 32×22 approx.
  • Engraving size: cm. 21×16 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Bartolomeo Pinelli, noto per la sua prolificità, ha illustrato i costumi dei popoli italiani e i grandi capolavori della letteratura, rendendo omaggio alla storia e alla cultura di Roma.

Bartolomeo Pinelli, Bagpipers, 1834

120,00 

Bagpipers è un’incisione all’acquaforte acquarellata realizzata da Bartholomew Pinelli in 1834.
This work is part of the volume Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, pubblicato a Roma nello stesso anno.

  • Sheet size: cm. 32×22 approx.
  • Engraving size: cm. 21×16 approx.
  • Support: Heavy paper
  • Condition: Perfect state of preservation

L’opera rappresenta un bel soggetto che illustra i costumi dei popoli italiani, un tema ricorrente nelle opere di Pinelli.

Ambrosian Basilica of San Lorenzo in Florence, 1826

20,00 

Ambrosian Basilica of San Lorenzo in Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Bastia, Corsica, 1850

25,00 

Bastia, Corsica, 1850 è un’incisione realizzata con la tecnica dell’acquaforte, che offre una splendida veduta della città di Bastia.
Questa opera è tratta da un libro della metà del XIX secolo e si presenta in excellent condition.

  • Image size: cm. 12×19 approx.
  • Technique: Etching
  • Support: Light paper

Batalha, India, 1850

25,00 

Batalha, India è un’incisione realizzata nel 1850, eseguita con la tecnica dell’Acquaforte.
Questa opera presenta una misura dell’immagine di cm. 10×15, esclusi i margini, ed è stampata su carta di medio spessore con retro bianco.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Beccaria Cesare, 1857

30,00 

Beccaria Cesare it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera ritrae Cesare Bonesana, marchese di Beccaria, una figura di spicco dell’Illuminismo italiano.

  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.

Bellagio, Como, 1834

30,00 

Bellagio, Como è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata da W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Questa veduta animata di Bellagio è un esempio significativo dell’arte del XIX secolo, riflettendo l’influenza di Byron e la bellezza dei paesaggi italiani.

Benevento, C. Frommel, 1829

40,00 

Beneventum è un’acquaforte acquarellata realizzata da C. Frommel In the 1829.
Questa suggestiva veduta, molto decorativa, è tratta da Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Medium paper with white back
  • Condition: Excellent condition

Berchem, A Landscape, 1830

70,00 

A Landscape It is a coloured aquatint made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a splendid execution based on one of the paintings in the gallery, and stands out for its rarity and decorativeness.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent
  • Origin: DULWICH GALLERY by R. Cockburn, 1830
  • Stamping: Haverhill Public Library stamp on the back

Bergamo, Upper Town Gate, 1860

35,00 

Bergamo, Porta di Città Alta è un’incisione realizzata nel 1860, rappresentante una vista iconica della città di Bergamo.
This work is taken from theAlbum of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Berlin, 1850

20,00 

Berlin, 1850 It is an engraving made in etching in the 19th century.
This work, of small dimensions, measures approximately cm. 9×14 and it is glued onto another piece of cardboard.
Presents a small lack top right, but retains its historical charm.

  • Era: 19th century
  • Technique: Etching
  • Condition: Good
  • Dimensions: Small
  • Support: Cardboard

Berlin, AHPayne, 1840-50

20,00 

Berlin It is an engraving made by A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

Berlin, The Royal Mills, AHPayne, 1840-50

20,00 

Berlin, The Royal Mills It is an engraving made by A.H. Payne between 1840 and 1850.
This work, an etching on medium-thickness paper, depicts the famous royal mills of Berlin.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition
  • Publication: Print published in Payne's Universum und Buch der Kunst, Leipzig and Dresden
  • Signature: AHPayne sc. bottom right

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

Berlin, The Royal Palace, AHPayne, 1840-50

20,00 

Berlin, The Royal Palace It is an engraving made by A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
This engraving represents an important artistic testimony of the 19th century.

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