XIX

Showing 1273–1296 of 1525 results

Ruth cleaning. Booz e Rut. Acquaforte 1830

25,00 

Ruth cleaning. Booz e Rut è un’incisione realizzata da H.W. Allis nel 1830, parte della Scripture Gallery of Engraving.
Questa opera, pubblicata da John Tallis & Company, London & New York, presenta una raffinata rappresentazione del soggetto biblico di Ruth.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

St. Anthony at Tivoli, C. Frommel, 1829

25,00 

St. Anthony in Tivoli It is an engraving made by C. Frommel In the 1829.
This work, part of the series Horazen's Works by Dr. Sickler, presents a suggestive animated view of St. Anthony in Tivoli.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 10×8 approx.
  • Technique: Etching and Burin
  • Support: Medium paper, white back
  • Condition: Excellent condition

St. Benedict, 1797

25,00 

St. Benedict It is a copper engraving made in 1797, taken from the volume Lives of the Saints for each day of the Year with copper portraits, published in Florence.
This work presents an accurate representation of the saint, highlighting the mastery of the engraver.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Saint-Cloud, Francia, 1839

15,00 

Saint-Cloud, Francia, 1839 è un’incisione in rame che rappresenta un’importante opera artistica del XIX secolo.
This engraving is taken from Omnibus Pittoresco, enciclopedia artistica e letteraria, diretta da Vincenzo Torelli, pubblicata a Napoli dalla tipografia dell’Omnibus nel 1839.

  • Sheet size: cm. 13×8 circa
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the print will be sent.

Salamandra, 1840

15,00 

Salamandra It is a copper engraving made in 1840, taken from the work Picturesque Omnibus, published in Naples.
Questa affascinante incisione presenta un retro scritto, che aggiunge un ulteriore livello di interesse storico e culturale.

  • Sheet size: cm. 13×10 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Salerno, 1835

25,00 

Salerno, 1835 It is a copper engraving that offers a splendid decorative view of the city.
This work is taken from Italy by Le Chevalier Artaud, published in Paris in 1835.

  • Sheet size: mm. 140×85 approx.
  • Support: Light paper
  • Condition: Excellent condition

Salerno, 1835

25,00 

Salerno, 1835 è un’incisione al bulino su rame che cattura la bellezza di questa storica città.
Realizzata nel 1835, l’opera fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 110×80 circa, con margini irregolari
  • Condition: Perfect condition
  • Support: Retro bianco

Salerno, 1835

25,00 

Salerno, 1835 è un’incisione al bulino su acciaio, realizzata nel 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Salerno, 1840

30,00 

Salerno, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, un noto paesaggista e litografo francese.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta piccoli margini e si trova in ottime condizioni generali.
Lindemann-Frommel, nato nel 1819 e morto a Roma nel 1891, ha studiato a Karlsruhe e Monaco, trasferendosi poi a Roma nel 1856, dove ha insegnato all’Accademia di Santa Lucia. Le sue opere sono conservate in diversi musei tedeschi, con vedute di Sorrento, Capri e La Spezia.

Salita al Vesuvio, Mattei, 1853

60,00 

Salita al Vesuvio è un’incisione realizzata da Pasquale Mattei nel 1853, caratterizzata da un bulino al delineato acquarellato d’epoca.
This work is taken from the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper, white back
  • Condition: Perfect state of preservation

Salvator Rosa, 1839

15,00 

Salvator Rosa It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.

  • Sheet size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent

La stampa verrà spedita nella pagina intera che la contiene.

Sampiero of Bastelica, 1839

15,00 

Sampiero of Bastelica It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, measuring 16x12 cm, has almost no margins and is contained within the book page, with writing on the back.

  • Sheet size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

Sampiero Corso, also known as Sampiero di Bastelica, was an important Italian mercenary and soldier, considered a patriot for his role in calling for the independence of Corsica from Genoa.

Saint Celsus, Julian, Marcionilla, Basilissa, 1800

25,00 

Saint Celsus, Julian, Marcionilla, Basilissa it is an engraving made in 1800 by Gio Petrini.
This work, performed with the technique ofburin etching, has a size of cm. 10×14 and it is printed on medium thickness paper without watermark.

  • Condition: Excellent condition
  • Back: White
  • Price: €25,00

Saint Cajetan, 1800

20,00 

Saint Cajetan It is an engraving made in 1800, which represents an important religious figure.
This work is made in Etching and Burin and measure 60×70 mm on a sheet of paper 200×140 mm.

  • Era: 19th century
  • Condition: Excellent condition
  • Support: Laid paper without watermark

San Giorgio, 1830

20,00 

San Giorgio è un’incisione realizzata nel 1830, che combina la tecnica dell’etching and of the burin.
Questa opera, firmata da Fontanelli per l’invenzione e il disegno, e da D. Marchetti per l’incisione, presenta un’elegante rappresentazione del celebre santo.

  • Sheet size: cm. 15×19 approx.
  • Engraving size: cm. 6,5×9,5 circa
  • Support: Paper
  • Condition: Good condition

St. John the Baptist, 1839

15,00 

Saint John the Baptist It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.
The full page containing the print is shipped, offering a piece of artistic history of great value.

  • Sheet size: cm. 8x9 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Saint Nicholas of Bari, 1800

20,00 

Saint Nicholas of Bari it is an engraving made in 1800, which represents the famous saint.
This work is made with the combination of etching and burin, showing remarkable attention to detail.

  • Sheet size: cm. 9×14 approx.
  • Engraving size: cm. 7×11 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Good condition

Saint Pius V, 1854

20,00 

Saint Pius V it's a lithographic printing made in 1854, taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print, measuring approximately 16x16 cm on a 30x20 cm sheet, was cut from the book and features writing on the back. The entire page containing the print is sent, thus offering a piece of history of the culture of the Kingdom of the Two Sicilies.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 16×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Sanluri, Cagliari, 1835

20,00 

Sanluri, Cagliari, 1835 è un’incisione in rame realizzata da E. Rouargue.
Questa opera rappresenta tipici contadini nei costumi locali, con la cittadina di Sanluri visibile in alto, rendendola molto decorativa.

  • Sheet size: cm. 11×8.5 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Saint Cecilia, 1850

15,00 

Saint Cecilia It is an engraving made in 1850, using the techniques of theetching and of the burin.
This work measures cm. 8,5×12 and is printed on medium-thickness paper, without watermark and with a white back.

  • Condition: Excellent condition
  • Price: €15,00

Saint Cecilia, 1850

15,00 

Saint Cecilia It is an engraving made in 1850, which represents the figure of Saint Cecilia, patron saint of music.
This work is made in burin etching and measure cm. 7×11.

  • Support: Medium thickness paper without watermark
  • Back: White
  • Condition: Excellent condition

Santa Croce, Canivet Bouasse-Lebel, 1870

15,00 

Holy Cross è un’incisione realizzata da Bouasse-Lebel nel 1870, rappresentante un soggetto sacro di grande significato.
Questa opera è stampata in Francia, a Parigi, e presenta una preghiera, rendendola un pezzo unico per i collezionisti e gli appassionati di arte religiosa.

  • Sheet size: cm. 7×10 approx.
  • Technique: Burin
  • Condition: Buone (presenta una macchia al bordo destro)
  • Support: Paper

Santa Croce, Canivet, 1870-80

15,00 

Santa Croce, Canivet è un’opera realizzata tra il 1870 e il 1880, rappresentante un soggetto sacro di grande significato.
Pubblicato dalla casa editrice Bestault a Parigi, Francia, questo canivet è caratterizzato da una tecnica tipografica di alta qualità, con un bordo traforato al punzone che ne esalta l’estetica.

  • Dimensions: cm. 6,5×9,5
  • Condition: Perfect
  • Support: Paper
  • Prayer: Yes
  • Serial number: PL.184

Santa Maria Czestochowskiey, 1830-50

10,00 

Santa Maria Czestochowskiey è un’incisione realizzata tra il 1830 e il 1850, raffigurante la Madonna.
Questa opera, di origine austriaca, è caratterizzata da una tecnica di siderografia su pizzo traforato, che conferisce un aspetto unico e delicato all’immagine sacra.

  • Sheet size: cm. 7,5×11,5 circa
  • Condition: Excellent condition
  • Support: Paper

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