XIX

Showing 145–168 of 1614 results

Battle of Lissa, 1866

25,00 

Battle of Lissa, 1866 It is a woodcut engraving taken from Picturesque Emporium, published by Sonzogno in Milan in 1866.
This work represents one of the crucial moments of the third Italian war of independence, which took place on 20 July 1866 in the Adriatic Sea.

  • Size of the joke: cm. 23×32
  • Sheet size: cm. 30×40
  • Support: Light paper
  • Condition: Excellent, with almost no margins and writing on the back, partially visible

The print has been extracted from the book and the full page containing the engraving will be shipped.

Battle of Solferino, 1859

40,00 

Battle of Solferino è una xilografia realizzata nel 1859, che rappresenta uno dei momenti cruciali delle guerre d’Italia.
Questa stampa è estratta dal volume Wars of Italy e presenta scritte al verso.

  • Sheet size: cm. 22×32 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Battle of Solferino, 1859

30,00 

Battle of Solferino è una xilografia realizzata nel 1859, che rappresenta uno dei momenti cruciali delle guerre d’Italia.
This print is taken from the volume Wars of Italy and features writing on the verso, making it an interesting piece for collectors and history buffs.

  • Sheet size: cm. 22×32 approx.
  • Support: Paper
  • Condition: Excellent

Baveno, 1887, Queen Victoria on Lake Maggiore

20,00 

Queen Victoria on Lake Maggiore it is a woodblock woodcut made in 1887, which offers a suggestive view of Baveno.
This work is taken from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 310×225
  • Support: Paper
  • Condition: Good condition, with writing on the back

Blessed are those who do not see and yet believe, 1850

25,00 

Beati quelli che non vedono e credono It is a lithograph made in 1850, taken from the work Literary and Artistic Register by Vittoria Colonna, published in Naples.
Questa stampa rappresenta un tema di fede e convinzione, esprimendo un messaggio profondo attraverso l’arte.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Buone condizioni, presenta qualche macchia e il foglio è un po’ sciupato.

Woodcock, Vanellus, Bustard, 1890

15,00 

Beccaccia, Vanellus, Otarda It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Condition: Fair condition, with slight yellowing of the sheet
  • Support: Paper
  • Notes: The sheet has a central fold because it was originally inserted folded into the volume from which it was taken.

Beccaria Cesare, 1857

30,00 

Beccaria Cesare it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera ritrae Cesare Bonesana, marchese di Beccaria, una figura di spicco dell’Illuminismo italiano.

  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.

Begonia, Chromolithograph, 1883

30,00 

Begonia Martianus gracilis it's a chromolithography made in 1883, taken from the prestigious Horticultural Review of Paris.
This work, signed by Godard and lithographed by G. Severeyns, presents a lively and decorative representation of the plant, making it a charming addition to any botanical collection.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

Begonia, Chromolithograph, 1887

30,00 

Begonia it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
This splendid print, characterised by a white back and a sheet size of 25x16 cm, is very decorative and comes in excellent condition.

  • Sheet size: cm. 25×16
  • Support: Thick paper
  • Condition: Excellent

Bellagio, Lake Como, The shore of Lenno, 1884

30,00 

Bellagio, Lake Como, Lenno shore it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents a fascinating glimpse of Lake Como, capturing the beauty of the Italian landscape of the time.

  • Sheet size: cm. 25×35
  • Condition: Excellent
  • Support: Paper
  • Notes: The sheet will be shipped whole, containing the print with writing on the back.

Belluno, Panorama, 1890

30,00 

Belluno, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 17x24 cm, surrounded by text, with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Benedetto Marzolla, Map of Naples, 1845

120,00 

Naples Map It is a lithograph made by Benedict Marzolla in 1845.
This detailed outline map of Naples was constructed using the most recent and accurate materials of the time, highlighting all postal, rolling stock and railway roads.

  • Sheet size: cm. 46×23 approx.
  • Support: Lightweight paper with white backing
  • Condition: Good condition, with editorial creases and some sporadic stains

Benelux, Otto Petri, 1853

50,00 

Benelux è una mappa incisa a mano da Eight Petri In the 1853, che rappresenta i paesi del Benelux: Olanda, Lussemburgo e Belgio.
Questa incisione colorata è parte del School Atlas Alle Deelen Der Aarde, published by J. Van Den Bosch in Rotterdam.

  • Sheet size: cm. 26×34 approx.
  • Map dimensions: cm. 22×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Benevento, 1839

40,00 

Benevento, 1839 è un’incisione in acciaio realizzata da W.L. Leitch e J. Redaway nel 1839, pubblicata da Fischer e Son a Londra e Parigi.
This work represents a nice animated scene che cattura l’essenza della vita a Benevento nel XIX secolo.

  • Sheet size: mm. 265×200
  • Engraving size: mm. 190×130
  • Support: Thick paper
  • Condition: Excellent condition

Berchem, A Landscape, 1830

70,00 

A Landscape It is a coloured aquatint made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a splendid execution based on one of the paintings in the gallery, and stands out for its rarity and decorativeness.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent
  • Origin: DULWICH GALLERY by R. Cockburn, 1830
  • Stamping: Haverhill Public Library stamp on the back

Bergamo, Upper Town Gate, 1860

35,00 

Bergamo, Porta di Città Alta è un’incisione realizzata nel 1860, rappresentante una vista iconica della città di Bergamo.
This work is taken from theAlbum of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Berlin, AHPayne, 1840-50

20,00 

Berlin It is an engraving made by A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

Berlino, Germania, Palazzo della Borsa a Berlino, 1865

25,00 

Incisione xilografica su legno di testa che rappresenta una veduta della città.
This work is taken from Picturesque Emporium, edito da Sonzogno a Milano nel XIX secolo.

  • Dimensioni della immagine: cm. 21×16 approx.
  • Margins: presenti
  • Support: Carta leggera con scritto al verso in parte visibile.
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

Berlin, The Royal Mills, AHPayne, 1840-50

20,00 

Berlin, The Royal Mills It is an engraving made by A.H. Payne between 1840 and 1850.
This work, an etching on medium-thickness paper, depicts the famous royal mills of Berlin.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition
  • Publication: Print published in Payne's Universum und Buch der Kunst, Leipzig and Dresden
  • Signature: AHPayne sc. bottom right

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

Berlin, The Royal Palace, AHPayne, 1840-50

20,00 

Berlin, The Royal Palace It is an engraving made by A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
This engraving represents an important artistic testimony of the 19th century.

Berlin, Monument to Frederick the Great, AHPayne, 1840-50

20,00 

Berlin, Monument to Frederick the Great It is an engraving made by AH Payne between 1840 and 1850.
This work represents the famous monument dedicated to Frederick the Great, executed in etching on medium thickness paper.

  • Sheet size: cm. 21×27
  • Support: Paper
  • Condition: Excellent

The press was published in Payne's Universum und Buch der Kunst, in Leipzig and Dresden.
AH Payne, English engraver and designer, worked in Leipzig from 1838, founding the English Art Institute.

Cattle, H.Roos, 1840-50

20,00 

Livestock It is an engraving made by H. Roos between 1840 and 1850.
This work, an etching on strong paper, represents a livestock subject and was published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig.
From 1838, Payne founded a publishing house, the English Art Institute, contributing significantly to the artistic landscape of the time.

Livestock, Van der Velde, 1840-50

20,00 

Livestock It is an engraving made by Van der Velde between 1840 and 1850.
This work, an etching on strong paper, measures 21x27 cm and has a white back.
Published in Payne's Royal Dresden Gallery from AH Payne and W. French in Dresden, Leipzig and London, the engraving is in excellent condition.

  • Sheet size: cm. 21×27
  • Technique: Etching
  • Support: Strong paper

Boa, Turtle, 1890

15,00 

Boa, Tartaruga It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Condition: Discrete condizioni con leggero ingiallimento
  • Support: Paper
  • Note: The sheet has a central fold because it was originally inserted folded into the volume from which it was taken.

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