XVII

Showing 337–360 of 399 results

Rembrandt (1606-1669), Basan, 1771

30,00 

Rembrandt (1606-1669), Basan, 1771 It is an engraving of great historical value, part of the Cabinet of the Duke of Choiseul.
This work is a collection of prints realizzato da Pierre-François Basan nel 1771, che raccoglie incisioni tratte dai dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Rembrandt Harmenszoon van Rijn, uno dei più grandi maestri della pittura e incisione olandese, è noto per la sua abilità nel catturare la luce e l’ombra.
Pierre-François Basan, incisore francese, ha contribuito alla diffusione delle opere di Rembrandt attraverso le sue incisioni.

Robert Nanteuil, Ritratto di P.de Maridat, 1650, XIX secolo

30,00 

Ritratto di P.de Maridat It is an engraving made by Robert Nanteuil nel 1650, un’opera che rappresenta un esempio significativo della sua arte.
Nanteuil, nato a Reims nel 1623 e morto a Parigi nel 1678, è noto per i suoi ritratti incisori e per il suo stile raffinato.
Questa incisione è stata realizzata da Amand Durand (1831-1905) e fa parte di un’importante tradizione di incisione francese.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 14×10 approx.
  • Support: Laid paper with partial watermark
  • Condition: Excellent

S.Della Bella, Diversi Imbarcamenti

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
Questa opera è una copia in controparte della serie Various Boardings (DeVesme/Massar, 802-809), firmata in basso a sinistra S.D.Bella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

S.Della Bella, Diversi Imbarcamenti

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
Questa opera è una copia in controparte della serie Various Boardings (DeVesme/Massar, 802-809), firmata in basso a sinistra S.D.Bella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Salvator Rosa Ceres and Phytalos 1662

250,00 

Ceres and Phytalo It is an engraving made by Salvator Rosa (Arenella 1615 – Rome 1673) in 1662.
This work, which represents a significant moment in mythology, is performed in etching and drypoint, signed on the lower plate with the words 'Salvator Rosa Inu.Scul.'.

  • Sheet size: cm. 50×37 approx.
  • Engraving size: cm. 35×23 approx.
  • Support: Thick laid paper with watermark
  • Condition: Excellent state of preservation

The engraving was made between 1662 and 1663, but it is assumed that the impression is from the 18th century.
This work is documented in several publications, including:

  • G. BOZZOLATO, The engravings of Salvator Rosa, 1973
  • O. THEODOLI, Salvator Rosa 1615-1673, Etchings, Bergamo, 1992
  • Salamon S., Salvator Rosa. The Graphic Work. Catalogue Raisonné, Turin, 1993

Salvator Rosa Three soldiers pointing

80,00 

Tre soldati che indicano è un’incisione attribuita a Salvator Rosa, realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, di dimensioni cm. 22×28 circa alla battuta, è stampata su carta vergellata senza filigrana, con un foglio di cm. 34×43 (margini incollati).

  • Condition: Excellent condition
  • Contrasto: Buon contrasto
  • Rarity: Raro foglio attribuibile a Salvator Rosa

St. Daniel, 1650

30,00 

Saint Daniel It is an engraving made in 1650, using the technique ofetching and of the colored burin.
This work, dating back to the mid-seventeenth century, is printed on laid paper without watermark and features a prayer in Latin on the back.

  • Sheet size: cm. 6×11 approx.
  • Engraving size: cm. 5×6,5 approx.
  • Support: Light paper
  • Condition: Excellent condition

Saint Theodotus Innkeeper 17th century

40,00 

Saint Theodotus the Host It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, with a size of cm. 14×21 at the edge of the image and has a caption in Latin.

  • Sheet size: cm. 14×21 approx.
  • Technique: Etching
  • Condition: Fair condition (not visible crease on the back)
  • Support: Laid paper

St. Thomas of Villanova 17th century

40,00 

St. Thomas of Villanova It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, featuring a caption in Latin.

  • Sheet size: cm. 14×21 approx.
  • Technique: Etching
  • Condition: Fair condition
  • Support: Laid paper

Saint Macrina, 1711

20,00 

Saint Macrina It is an engraving made in 1711 by Mariette, a well-known engraver of the time.
This work is performed with the technique ofetching and burin, presenting a measure of the engraving of cm. 6×11 on a sheet of paper cm. 10×16.

  • Support: Laid paper with partial watermark
  • Condition: Good condition

Scena Agreste, XVII sec.

320,00 

Scena Agreste è un’acquarello su delineato a matita che rappresenta un affascinante paesaggio del XVII secolo.
L’opera ritrae una scena di vita rurale, con una cascata e personaggi intenti al lavoro nei campi, mostrando una notevole attenzione ai dettagli e una qualità artistica di ottima fattura.

  • Sheet size: cm. 26×18 approx.
  • Support: Carta vergellata incollata su cartone spesso
  • Condition: Excellent state of preservation

Scena di caccia, anonimo monogrammista del XVII secolo

30,00 

Scena di caccia è un’incisione realizzata da un anonimo monogrammista del XVII secolo.
Questa xilografia su carta vergellata rappresenta una vivace scena di caccia, con nobili cavalieri e cavalli in azione.

  • Sheet size: mm. 175×45
  • Support: Carta vergellata con retro stampato
  • Monogram: PCVA (?), inciso in lastra
  • Origine: Tratto da un testo francese del XVII secolo

Sebastien Leclerc, (1637–1714) Testa di vecchia

40,00 

Old woman's head It is an engraving made by Sébastien Leclerc (1637–1714), un noto pittore e incisore francese.
Questa opera, firmata in lastra con ‘le Clerc del.’, è un esempio pregevole della sua arte.

  • Engraving size: mm. 85×120 circa
  • Support: Laid paper with partial watermark
  • Condition: Excellent condition

Spain. Cellarius – 1701

80,00 

Spain – Hispania Antiqua It is a copperplate map made by Christophorus Cellarius in 1701.
This work is taken from the volume Notitia Orbis Antiqui sive Geographia Plenior and presents historical and geographical details of Spain.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Support: Laid paper
  • Condition: Good condition

17th century biblical prints cm.11×9

0,00 

17th Century Biblical Prints they are precious woodcuts made by Christoffel of Shechem, a well-known Dutch engraver.
These works, taken from the volume Bibels tresoor, ofte Der zielen lvsthof, published in 1646, represent significant scenes from the life of Jesus and other biblical episodes.

  • Sheet size: cm. 19×14 approx.
  • Engraving size: cm. 10/11×8/9 approx.
  • Technique: Woodcut
  • Support: Laid paper
  • Condition: Excellent

Each print is monogrammed in CVS plate and comes with a certificate of originality and legitimate provenance.
200 copies available. Contact for a quote.

17th century religious prints cm.11×7

0,00 

17th century religious prints They are woodcuts on laid paper with partial watermark, measuring approximately 11x7.5 cm, with smaller margins and printed back.
These works are monogrammed in CVS plate (Christoffel van Sichem) and come from the volume Bibels tresoor, ofte Der zielen lvsthof, published by Pieter Jacobsz, Paets, in Amsterdam in 1646.

  • They represent: Scenes and episodes from the life of Jesus and biblical episodes.
  • Availability: 180 specimens.
  • Certificate: Each print will be accompanied by a certificate of originality and legitimate origin.

About Christoffel van Sichem: Dutch engraver born in Basel in 1581 and died in Amsterdam in 1658, he created numerous woodcuts inspired by works by artists such as Durer, Abraham Bloemaert, Hendrick Goltzius and Maarten van Heemskerck.

Stefano Della Bella – Hunts of Different Animals, 1654

80,00 

Different Animal Hunts It is an engraving made by Stephen Of The Beautiful in 1654, part of the series dedicated to hunting.
This work, which represents the Deer Hunting, is a fine example of etching, signed lower left with 'S.D.Bella F.' and lower right with 'S.Bella Cum Privilegi Regis'.

  • Sheet size: mm. 226×149 at the copper edge plus 5 mm of regular margin
  • Support: Unlaid paper, brown colored sheet
  • Condition: Exceptional state of preservation
  • Notes: Glued to the upper right and left margins on non-contemporary cardboard
  • Reference: De Vesme Massar 734

Stefano Della Bella – Dalla serie Diversi Animali

50,00 

Dalla serie Diversi Animali It is an engraving made by Stephen Of The Beautiful intorno al 1644.
This work, performed in etching (in controparte), presenta la firma dell’artista in basso a destra: La Bella fecit.

  • Sheet size: Not specified
  • Support: Laid paper without watermark
  • Condition: Exceptional state of preservation
  • Reference: De Vesme-Massar 702

Stephen Of The Beautiful (Firenze 1610-1664), noto anche come Stefanino or Labelle, fu un incisore al servizio della corte medicea.
Soggiornò a Roma, Parigi e Amsterdam, e il suo lavoro è caratterizzato da un linguaggio originale, influenzato da maestri come il Cantagallina e Callot.
Della Bella ha lasciato un’importante eredità artistica con oltre mille incisioni, ricche di arguzia e movimento.

Stefano Della Bella, Cavalieri negri…, 1651

150,00 

Cavalieri negri… It is an engraving made by Stephen Of The Beautiful nel 1651, che ritrae un Cavaliere Ungherese di schiena.
Questa opera è un esempio pregiato della sua arte, firmata in lastra con la sigla S. D. Bella f. ed è parte della serie Cavalieri negri, polacchi e ungheresi.

  • Sheet size: mm. 175×175
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Stefano Della Bella, Cavalieri negri…, 1651

120,00 

Cavalieri negri… It is an engraving made by Stephen Of The Beautiful nel 1651, rappresentante due cavalieri polacchi.
Questa opera è un’acquaforte di dimensioni mm. 175×175 and it is printed on laid paper, databile alla prima metà del XVII secolo.

  • Stato di conservazione: Buono, con prova un po’ pallida
  • Serie: Cavalieri negri, polacchi e ungheresi
  • Reference: De Vesme-Massar 280

Stefano Della Bella, Cavalieri negri…, 1651

150,00 

Cavalieri negri… It is an engraving made by Stephen Of The Beautiful nel 1651 circa.
Quest’opera rappresenta un Cavaliere Ungherese che si dirige verso sinistra ed è parte della serie Cavalieri negri, polacchi e ungheresi.

  • Sheet size: mm. 175×175
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Datazione: First half of the 17th century

L’incisione è firmata in lastra con la sigla S. D. Bella f. ed è una splendida prova nell’unico stato, come indicato nel catalogo De Vesme-Massar 278.

Stefano Della Bella, Horse and Peasant, 17th century

25,00 

Horse and farmer It is an engraving made by Stephen Of The Beautiful In the 17th century.
This work, performed in etching, represents a fascinating scene of rural life.

  • Sheet size: mm. 84×66
  • Condition: Good, with pale print and creases
  • Support: Laid paper
  • Rarity: Quite rare specimen

Stefano Della Bella, Cavallo scuoiato, 1645

60,00 

Cavallo scuoiato è un’incisione originale realizzata da Stephen Of The Beautiful nel 1645, parte della serie Vari Esercizi di Cavalleria.
L’opera rappresenta due uomini intenti a scuoiarne uno morto, eseguita con maestria all’acquaforte e bulino su matrice di rame.

  • Sheet size: mm. 87×70 circa
  • Support: Laid paper without watermark
  • Condition: Excellent
  • Bibliography: De Vesme-Massar n. 245

Stefano Della Bella, Various Animals, 1641

50,00 

Various Animals It is an engraving made by Stephen Of The Beautiful in 1641, part of his famous series dedicated to fauna.
This etching è impressa su laid paper senza filigrana e presenta alcune tracce di colla ai margini superiori, oltre a una leggera spellatura al margine inferiore.

  • Sheet size: Not specified
  • Condition: Good state of preservation
  • Support: Laid paper
  • Reference: De Vesme-Massar 690

Stephen Of The Beautiful, noto anche come Stefanino, è stato un incisore fiorentino attivo tra il 1610 e il 1664. Al servizio della corte medicea, ha soggiornato in diverse città europee, tra cui Roma e Parigi, e ha lasciato un’importante eredità artistica con oltre mille incisioni caratterizzate da un linguaggio originale e vivace.

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