XVII

Showing 97–120 of 399 results

Bricchi builder, Caspar and Jan Luyken, 1694

15,00 

Costruttore di Bricchi è un’incisione realizzata da Caspar e Jan Luyken nel 1694.
This woodcut is taken from the work Spiegel van het Menselyk Bedryf (Mirror of Human Activities) e presenta un’illustrazione dettagliata del mestiere del costruttore di bricchi.

  • Sheet size: mm. 75×120
  • Engraving size: mm. 60×64
  • Technique: Woodcut
  • Support: Laid paper without watermark
  • Condition: Excellent

In addition to the image, the sheet includes explanatory notes in Dutch and also features a print on the back.

Crispijn van den Queborn Rape of the Vineyard, 1636

25,00 

Rape of the Vineyard It is an engraving made by Crispijn van den Queborn in 1636, which represents a significant biblical episode concerning the rape of the vineyard and the Benjaminites.
Benjamin, Rachel's second son, is at the center of this narrative.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn (1604-1652), Episodio biblico, 1636

25,00 

Episodio biblico It is an engraving made by Crispijn van den Queborn nel 1636.
Questa opera è un esempio significativo dell’arte olandese del XVII secolo, caratterizzata da un’accurata rappresentazione dei temi religiosi.

  • Sheet size: cm. 20×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Crispijn van den Queborn (1604-1652), Resurrection 1636

30,00 

The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn, Massacre of the Innocents, 1636

30,00 

Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

D.van den Bremden, A.van de Venne, 1636

25,00 

Kaleb and the Philistines è un’incisione realizzata da D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta un momento significativo della storia, illustrato con maestria attraverso la tecnica dell’acquaforte.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper with partial watermark
  • Condition: Excellent

D.van den Bremden, A.van de Venne 1636

25,00 

Jacob and Rachel It is an engraving made by D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta Giacobbe che si lamenta con Laban per aver ricevuto Lea invece di Rachele come moglie.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Danker Dankerts, Berchem, Landscape

80,00 

Paesaggio con Contadini e Animali It is an engraving made by Danker Dankerts, inspired by the works of Nicolaes Berchem, risalente al 17th century.
This work represents a paesaggio con buoi ed è firmata al centro della scena con la dicitura Berchem inventor Danker Dankerts fecit.

  • Sheet size: cm. 18×24 alla battuta del rame più margini
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Danker Dankerts, Berchem, Landscape

80,00 

Paesaggio con Contadini e Animali It is an engraving made by Danker Dankerts nel XVII secolo, ispirata ai paesaggi rurali.
Questa opera, che rappresenta un paesaggio con buoi, è firmata in lastra da Berchem e realizzata con la tecnica dell’Etching.

  • Sheet size: cm. 18×24 approx.
  • Support: Laid paper
  • Condition: Excellent

Danker Dankerts, Berchem, Landscape

80,00 

Paesaggio con Contadini e Animali It is an engraving made by Danker Dankerts (1634-1666), ispirata ai paesaggi di Nicolaes Berchem (1620-1683).
Questa opera, datata al 17th century, rappresenta un affascinante paesaggio con buoi, eseguita in etching on laid paper.

  • Sheet size: cm. 18×24 alla battuta del rame più margini
  • Condition: Excellent
  • Firmata in lastra: Berchem inventor Danker Dankerts fecit

Danker Dankerts, Berchem, Paesaggio montano

140,00 

Mountain landscape It is an engraving made by Danker Dankerts (1634-1666) su disegno di Nicolaes Berchem (1620-1683), risalente al 17th century.
This work represents a paesaggio con asini e contadino, eseguita in etching on laid paper.

  • Sheet size: cm. 18×24 alla battuta del rame più margini
  • Condition: Excellent
  • Signed: in basso Berchem inventor Danker Dankerts fecit

By Fer Nicolas, Naples, 1706

220,00 

By Fer Nicolas, Naples, 1706 It is a copper engraving that offers a perspective view of the city of Naples, enriched by 31 references located in the lower part.
This copy is made on slightly yellowed paper, giving a touch of historical authenticity to the work.

  • Sheet size: cm. 22.7×33.8 approx.
  • Engraving size: cm. 22.7×33.8 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Maria Anna Christienne Victoire de Baviere è un’acquaforte acquarellato realizzata da Nicolas de Larmessin nel 1680.
This work, signed De L’Armessin, sculpsit, è un esempio pregevole dell’arte del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Buone, con strappo di 10 cm riparato al verso con carta

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Luigi D’Auphin è un’acquaforte acquarellata realizzata da Nicolas de Larmessin nel 1680.
Questa opera ritrae il figlio di Luigi il Grande e di Maria Teresa d’Austria, ed è firmata De L’Armessin, sculpsit.

  • Sheet size: cm. 25×18 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Francois de Harlay Chanvallon It is an engraving made by Nicolas de Larmessin nel 1680.
Questa opera rappresenta l’arcivescovo di Parigi ed è un esempio di watercolor etching di grande valore storico.

  • Sheet size: cm. 25×18 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Laid paper

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Mara Anna, figlia del re Luigi XIV è un’incisione realizzata da Nicolas de Larmessin nel 1680.
This watercolor etching d’epoca è un esempio pregiato dell’arte incisoria del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Landscapes of Rome

70,00 

Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was produced in the 19th century and represents a significant example of his art.

  • Sheet size: cm. 37×32 approx.
  • Engraving size: mm. 133×133 at the copper edge
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The engraving is signed lower left with the wording Stef.Della Bella invented fecit.
The plates of these copies belong to the Calcografia of Rome, as attested by the dry mark visible in the lower left corner of the title page (Lugt 2144).

Della Bella, Landscapes of Rome

70,00 

Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, is an etching on thick ivory-colored unlaid paper.

  • Sheet size: cm. 37×32
  • Engraving size: mm. 133×133 at the copper edge
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The work is signed on the lower left with the wording Stef.Della Bella invented fecit and features the dry mark of the Calcografia of Rome, visible in the lower left corner of the title page (Lugt 2144).
This engraving is described by De Vesme and Massar on page 128, and is a reverse copy of the series mentioned.

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