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XVIII
Giovanni Bellini, The Circumcision, 1786
70,00 €The Circumcision It is an engraving made by Giovanni Bellini, known as Il Giambellino, in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
The engraving is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.
Giuseppe Cunego, Paesaggio, 1784
80,00 €Landscape It is an engraving made by Giuseppe Cunego nel 1784, che rappresenta un pescatore che torna dalla pesca, ispirato a un’opera di Francesco da Capo.
Questa acquaforte è firmata in lastra con la dicitura Joseph Cunego sculp. Romae anno 1784 e presenta anche la nota Franciscus de Capo inv. et del. Romae a sinistra.
- Sheet size: cm. 17×31 circa
- Engraving size: mm. 145×282 alla battuta del rame
- Support: Laid paper
- Condition: Excellent state of preservation
Giuseppe Ribera, Gesù tra i Dottori, 1786
70,00 €Gesù tra i Dottori è un’incisione realizzata da Giuseppe Ribera, noto come Lo Spagnoletto, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Support: Laid paper
- Condition: Excellent condition, nice proof with good contrast
Giuseppe Ribera, The Philosopher Democritus, 1786
60,00 €Il Filosofo Democrito It is an engraving made by Giuseppe Ribera, noto come Lo Spagnoletto, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta un’importante testimonianza dell’arte del XVIII secolo.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
Gnyp, Basan, 1771
30,00 €Gnyp è un’incisione realizzata da Pierre-François Basan nel 1771, parte del volume Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie opere incise da dipinti del cabinet di Monseigneur le Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Venetian Gondolier, 1724
30,00 €Venetian Gondolier It is an engraving made in 1724, which offers a lively representation of a gondolier in Venice.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.
- Sheet size: cm. 16×12 approximately, plus irregular margins
- Engraving size: cm. 16×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Good state of preservation
Grotta del Cane, Campi Flegrei, 1707
40,00 €Grotta del Cane, Campi Flegrei è un’incisione realizzata nel 1707, che offre una veduta animata di uno dei più celebri siti dei Campi Flegrei.
This work is taken from The delights of Italy by De Rogissart, published in Paris.
- Sheet size: cm. 18×20 approx.
- Engraving size: cm. 13×17 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Gufo, Pettirosso, Leclerc de Buffon, 1770
25,00 €Gufo e Pettirosso è un’incisione realizzata da Leclerc de Buffon nel 1770, tratta dall’opera Histoire Naturelle des Oiseaux.
Questa acquaforte acquarellata d’epoca presenta un design affascinante e dettagliato, perfetto per gli amanti della natura e della storia dell’arte.
- Sheet size: cm. 20×13 approx.
- Engraving size: cm. 13×9 approx.
- Support: Paper
- Condition: Excellent condition
Guido Reni, The Virgin and Child Jesus, 1786
70,00 €The Virgin and the Child Jesus it is an engraving made by Guido Reni in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, and represents one of the most significant works of the period.
- Sheet size: cm. 24×37 approx.
- Support: Laid paper
- Condition: Excellent condition, nice proof with good contrast
Hertel, Göz, Ingenuity and Audacity, 1740-55
80,00 €Ingegno e Audacia è un’acquaforte realizzata da Johann Georg Hertel e Gottfried Bernhard Göz tra il 1740 e il 1755.
Questo straordinario lavoro fa parte di una suite che rappresenta personaggi leggendari e storici, disposti in coppie antitetiche, evidenziando le caratteristiche contrastanti di virtù e vizi.
- Sheet size: cm. 32×22 approx.
- Technique: Etching
- Support: Thick laid paper
- Condition: Excellent
Hogarth William (1697-1764), A Rake's Progress, 1813
150,00 €A Rake's Progress It is a series of 7 etchings made by William Hogarth in 1813.
These works measure approximately cm. 14×17 each and are printed on a sheet of cm. 22×30.
The paper used is of medium thickness and features Hogarth's signature at the bottom, together with that of T. Cook.
- Sheet size: cm. 22×30 approx.
- Engraving dimensions: cm. 14×17 approx.
- Support: Paper
- Condition: Excellent
A Rake's Progress tells the story of Tom Rakewell, a young spendthrift who, after arriving in London, squanders his fortune in a life of excess, prostitution and gambling.
The series charts his tragic decline, culminating in his imprisonment and admission to Bethlem Hospital (Bedlam).
Hogarth William (1697-1764), For the Benefit of Spiller, 1808
30,00 €For the Benefit of Spiller It is an engraving made by William Hogarth in 1808.
This work is a significant example of his art and is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Technique: Etching
- Support: Medium thickness paper
- Condition: Excellent condition
Hogarth William (1697-1764), Frontespiece to the terrae Filius, 1808
30,00 €Frontespiece to the terrae Filius It is an engraving made by William Hogarth in 1808.
This work is an example of etching and has an engraving size of approximately 14x17 cm on a sheet of 22x30 cm.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
The work is signed at the bottom with “Hogarth pinx” and “T.Cook sculp” and is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.
Hogarth William (1697-1764), Frontispieces, 1809
30,00 €Title pages by William Hogarth it is an engraving made in 1809, which has two frontispieces: Frontespiece to the Happy Ascetic (1724) and Frontespiece to Leveridge's song (1727).
This work is an example of etching, with engraving dimensions of approximately 14x17 cm on a 22x30 cm sheet.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Hogarth William (1697-1764), Gulliver Presented to the Queen of Babilary, 1808
30,00 €Gulliver Presented to the Queen of Babilary It is an engraving made by William Hogarth in 1808.
This work is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Hogarth William (1697-1764), Humors of Oxford, 1729
30,00 €Oxford Humours It is an engraving made by William Hogarth in 1729.
This work, performed in etching, presents an engraving size of approximately 14x17 cm on a sheet of 22x30 cm.
The paper used is of medium thickness and bears the signature at the bottom Hogarth pinx And T.Cook sculpture.
The work is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Hogarth William (1697-1764), Marriage à la Mode, 1813
150,00 €Marriage à la Mode It is a series of six engravings made by William Hogarth in 1813, taken from The Genuine Graphic Works of William Hogarth.
These works, originally painted between 1743 and 1745, offer a satire of 18th-century English society, highlighting the disastrous consequences of a marriage of convenience.
- Sheet size: cm. 22×30 approx.
- Engraving dimensions: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Hogarth William (1697-1764), Musick Introducid to Apollo by Minerva, 1727
30,00 €Musick Introducid to Apollo by Minerva è un’incisione realizzata da William Hogarth nel 1727.
Questa opera è parte delle sue celebri incisioni e presenta un’illustrazione ricca di significato, dove la musica viene introdotta ad Apollo da Minerva.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
L’incisione è firmata in basso con “Hogarth pinx” e “T.Cook sculp” ed è tratta da The Genuine Graphic Works of William Hogarth, published in London in 1813.
Hogarth William (1697-1764), Polling at the Husting, 1813
30,00 €Polling at the Husting It is an engraving made by William Hogarth in 1813.
This work is a significant example of his work, present in the volume The Genuine Graphic Works of William Hogarth, published in London in the same year.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Technique: Etching
- Support: Medium thickness paper
- Condition: Excellent
Hogarth William (1697-1764), Rich’s Triumphal Entry, 1809
30,00 €Rich’s Triumphal Entry è un’incisione realizzata da William Hogarth nel 1809.
Questa opera è un esempio significativo della sua maestria nell’arte dell’acquaforte.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
L’incisione presenta la firma di Hogarth in basso, con la dicitura ‘Hogarth pinx’ e ‘T.Cook sculp’.
This work is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.
Hogarth William (1697-1764), Specimens of beaver’s military punishments, 1725
30,00 €Specimens of beaver’s military punishments è un’incisione realizzata da William Hogarth nel 1725.
Questa opera è un esempio significativo della satira sociale dell’epoca, rappresentando le punizioni militari in modo incisivo e critico.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Technique: Etching
- Support: Medium thickness paper
- Condition: Excellent condition
L’incisione è firmata in basso con “Hogarth pinx” e “T.Cook sculp” ed è tratta da The Genuine Graphic Works of William Hogarth, published in London in 1813.
Hogarth William (1697-1764), The Beggars Opera, 1808
30,00 €The Beggars Opera è un’incisione realizzata da William Hogarth nel 1808, un’opera che riflette il suo stile distintivo e la sua abilità nell’illustrare la vita sociale del suo tempo.
This engraving is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
HOGARTH WILLIAM (London 1697-1764), The Cockpit 1822
70,00 €The Cockpit It is an etching made by William Hogarth in 1822.
This work represents a cockfight, with the crowd in the centre Lord Albemarle Bertie († 1765), set in Royal Cockpit in Birdcage Walk, St James's Park. Hogarth captures a moment of chaos, with a crowd gathered to watch two birds fight.
The shadow of a debtor suspended in a basket is cast across the pit, while a
HOGARTH WILLIAM, France 1822
70,00 €HOGARTH WILLIAM (Londra 1697-1764) è un’incisione all’acquaforte realizzata in Francia nel 1822.
This work, which measures cm. 30×37 per l’immagine e cm. 48×64 per il foglio, è stampata su carta spessa senza filigrana.
- Technique: Acquaforte originale
- Condition: Excellent condition
- Dimensions: Great
- Support: Paper
Le tavole complementari Inghilterra e Francia, pubblicate per la prima volta nel 1756 e ripubblicate nel 1759, riflettono l’atteggiamento xenofobo delle relazioni anglo-francesi nel XVIII secolo, culminato durante la Guerra dei Sette Anni.
L’incisione rappresenta i preparativi sulla costa francese per un’invasione, con soldati riluttanti e donne che simboleggiano la miseria e la fame causate dall’invasione.
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