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XVIII
Gerard Dou, La vecchia alla lampada, 1786
50,00 €La Vecchia alla Lampada It is an engraving made by Gerard Dou In the 1786.
Questa opera è un’acquaforte su carta vergellata, senza filigrana, che misura cm. 24×37 (compresa la cornice editoriale) e presenta buoni margini irregolari.
Fa parte della pubblicazione Gallery of the Palais Royal, che raccoglie opere delle diverse scuole artistiche, con un’analisi della vita dei pittori e delle descrizioni storiche di ciascun dipinto, a cura dell’abbé de Fontenai.
- Sheet size: Great
- Technique: Etching
- Condition: Excellent
- Support: Laid paper
Giacomo Robusti, Deposition from the Cross, 1786
70,00 €Deposizione dalla Croce It is an engraving made by Giacomo Robusti In the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta una delle opere più significative dell’autore.
- Sheet size: cm. 24×37 approx.
- Support: Laid paper
- Condition: Excellent condition, nice proof with good contrast
Giovanni Bellini, The Circumcision, 1786
70,00 €The Circumcision It is an engraving made by Giovanni Bellini, known as Il Giambellino, in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
The engraving is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.
Giuseppe Ribera, Gesù tra i Dottori, 1786
70,00 €Gesù tra i Dottori è un’incisione realizzata da Giuseppe Ribera, noto come Lo Spagnoletto, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Support: Laid paper
- Condition: Excellent condition, nice proof with good contrast
Giuseppe Ribera, The Philosopher Democritus, 1786
60,00 €Il Filosofo Democrito It is an engraving made by Giuseppe Ribera, noto come Lo Spagnoletto, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta un’importante testimonianza dell’arte del XVIII secolo.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
Guido Reni, The Virgin and Child Jesus, 1786
70,00 €The Virgin and the Child Jesus it is an engraving made by Guido Reni in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, and represents one of the most significant works of the period.
- Sheet size: cm. 24×37 approx.
- Support: Laid paper
- Condition: Excellent condition, nice proof with good contrast
HOGARTH WILLIAM (London 1697-1764), The Cockpit 1822
70,00 €The Cockpit It is an etching made by William Hogarth in 1822.
This work represents a cockfight, with the crowd in the centre Lord Albemarle Bertie († 1765), set in Royal Cockpit in Birdcage Walk, St James's Park. Hogarth captures a moment of chaos, with a crowd gathered to watch two birds fight.
The shadow of a debtor suspended in a basket is cast across the pit, while a
HOGARTH WILLIAM, France 1822
70,00 €HOGARTH WILLIAM (Londra 1697-1764) è un’incisione all’acquaforte realizzata in Francia nel 1822.
This work, which measures cm. 30×37 per l’immagine e cm. 48×64 per il foglio, è stampata su carta spessa senza filigrana.
- Technique: Acquaforte originale
- Condition: Excellent condition
- Dimensions: Great
- Support: Paper
Le tavole complementari Inghilterra e Francia, pubblicate per la prima volta nel 1756 e ripubblicate nel 1759, riflettono l’atteggiamento xenofobo delle relazioni anglo-francesi nel XVIII secolo, culminato durante la Guerra dei Sette Anni.
L’incisione rappresenta i preparativi sulla costa francese per un’invasione, con soldati riluttanti e donne che simboleggiano la miseria e la fame causate dall’invasione.
HOGARTH WILLIAM, London, 1822
70,00 €Hogarth William è un’incisione all’acquaforte realizzata nel 1822, che riflette l’atteggiamento xenofobo nelle relazioni anglo-francesi durante il XVIII secolo.
Questa opera è una delle tavole complementari pubblicate per la prima volta nel 1756 e ripubblicate nel 1759, in risposta agli eventi della Guerra dei Sette Anni.
- Sheet size: cm. 48×64 circa
- Engraving size: cm. 30×37 circa
- Support: Thick paper without watermark
- Condition: Excellent condition
La scena rappresenta le truppe britanniche, con un granatiere che dipinge una caricatura del re di Francia, suggerendo un morale alto e una preparazione adeguata per affrontare qualsiasi invasione.
HOGARTH WILLIAM, South Sea, 1822
50,00 €South Sea è un’incisione emblematica realizzata da William Hogarth nel 1822, ma originariamente creata nel 1721.
Questa opera è una critica alla speculazione finanziaria, alla corruzione e alla credulità che hanno portato alla bolla del Mare del Sud in Inghilterra tra il 1720 e il 1721.
- Sheet size: cm. 32×48 circa
- Image size: cm. 22×31 approx.
- Support: Thick paper without watermark
- Condition: Excellent condition
J. Houbraken, Sir Walter Ralegh, 1734
60,00 €Sir Walter Ralegh It is an engraving made by J. Houbraken In the 1734, part of the series Heads of Illustrious Persons of Great Britain di Thomas Birch.
Questa opera, eseguita con etching and burin, misura cm. 22,5×34 alla battuta del rame e presenta margini assenti.
- Artist: Jacobus Houbraken, incisore olandese noto per i suoi ritratti.
- Condition: Excellent
- Support: Carta spessa vergellata
- Era: XVIII
- Dimensions: Great
Sir Walter Ralegh, figura emblematica del Rinascimento, è stato poeta, esploratore e cortigiano, noto per le sue spedizioni in Nord America e per le sue opere letterarie, tra cui la Storia del Mondo.
Luca Giordano, The Pool, 1786
70,00 €Luca Giordano, The Pool It is an engraving made in 1786, which represents a work of great artistic value.
This etching is printed on laid paper without watermark and comes from the prestigious Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
The work is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.
M.Hofmann, Morte di Filippo II, XVIII secolo
30,00 €Morte di Filippo II è un’incisione realizzata da M. Hofmann nel XVIII secolo.
This work, performed in etching, rappresenta un momento drammatico della storia, raffigurando la morte di Filippo II di Savoia, noto come ‘senza terra’.
- Sheet size: cm. 12×88 circa
- Support: Unlaid paper
- Condition: Excellent
Malta, Plan of the City and Port, Saint-Non, 1781-86
120,00 €Malta, City and Port Map It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 33×50 approx.
- Engraving size: cm. 21x34 approximately at the copper edge
- Support: Paper
- Condition: Excellent condition
The work offers a beautiful animated view of the city and the port of Malta, highlighting the artistic skill of Saint-Non, known for his contribution to the representation of Italian landscapes.
Maximilian Misson, Nouveau voyage d'Italie, 1724
900,00 €Maximilian Misson, Nouveau voyage d’ltalie è un’opera pubblicata nel 1724, che rappresenta una delle più importanti guide di viaggio per l’Italia del suo tempo.
Questo volume, tradotto dall’originale francese, è arricchito da 49 incisioni in rame parzialmente pieghevoli e da immagini nel testo.
- Author: Francis Maximilian Misson (ca. 1650-1722)
- Place of publication: Utrecht
- Publisher: Willem van Water/Jacob van Poolsum
- Characteristics: Titoli in rosso e nero, due frontespizi allegorici di J. Goeree
- Condition: Excellent
Nicolò Dell'Abate, Rape of Proserpina, 1786
60,00 €Rape of Proserpina it is an engraving made by Nicolò Dell'Abate in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approx.
- Support: Laid paper
- Condition: Good, with repaired tear on the back
The print features good rough edges and offers good contrast, making it a nice piece for collectors.
Pazzi Antonio, Portrait of Martino Meytens, 1725
50,00 €Portrait of Martin Meytens It is an engraving made by Crazy Antonio in 1725, in collaboration with Domenico Campiglia.
This portrait depicts the well-known painter Martin Meytens, an important figure of the 18th century.
- Sheet size: cm. 38×28 approx.
- Engraving size: cm. 26×17 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Philippes Wouwermens, The Prey, 1786
70,00 €La Preda è un’incisione realizzata da Philippes Wouwermens nel 1786.
Questa opera è un’acquaforte su carta vergellata con filigrana, proveniente dalla Gallery of the Palais Royal, e rappresenta una bella prova con buon contrasto.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Support: Laid paper
- Condition: Excellent
Pier Francesco Mola, Hagar and Ishmael, 1786
70,00 €Hagar and Ishmael it is an engraving made by Pier Francesco Mola in 1786.
This work is an etching on laid paper with watermark, from the prestigious Gallery of the Palais Royal.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
The engraving is dedicated to SAS Monseigneur le Duc d'Orléans and was published by J. Couche in Paris in 1786.
Pierre Vander AA, Plan of the city of Nola, 1729
Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the Thesaurus antiquitatum et historiarum Italiae.
This detailed map represents the city of Nola, located in the province of Naples, and was created using the etching technique on laid paper.
- Sheet size: cm. 40×24 approx.
- Engraving size: cm. 18×24 approx.
- Support: Laid paper
- Condition: Excellent
Pieter van Laer called Bamboccio, The Servants, 1786
50,00 €Pieter van Laer called the Bamboccio, The Servants It is an engraving made in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
- Taken from: Galerie Du Palais Royal, with works from different schools
- Description: Includes an abbé of the painters' lives and a historical description of each painting, by Mr l'abbé de Fontenai
- Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
- Published by: J. Couche, Paris, 1786
- Condition: Excellent condition, nice proof with good contrast
Pozzuoli, Amphitheatre, 1707
20,00 €Pozzuoli, Amphitheatre It is an engraving made in 1707, which represents the remains of the Roman amphitheatre of Pozzuoli.
This work is taken from the volume The delights of Italy by De Rogissart, published in Paris.
- Sheet size: cm. 65×121 approx.
- Engraving size: cm. 65×121 approx.
- Support: Paper
- Condition: Excellent
Pozzuoli, Saint-Non, 1781-1786
40,00 €Pozzuoli, Saint-Non, 1781-1786 è un’incisione che rappresenta una vista di una delle principali carriere di pouzzolane.
Realizzata in acquaforte, questa opera misura circa mm. 230×165, con margini irregolari.
It is part of the volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, scritto e illustrato dall’Abate Jean-Claude Richard de Saint-Non.
- Sheet size: Great
- Technique: Etching
- Condition: Excellent
- Support: Paper
Questa bella veduta è animata e rappresenta un’importante testimonianza del paesaggio napoletano del XVIII secolo.
Rembrandt Van Rijn, Saint Francis, 1786
60,00 €Saint Francis It is an engraving made by Rembrandt Van Rijn in 1786.
This work is an etching on laid paper without watermark, coming from Gallery of the Palais Royal.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
The engraving is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.
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