XVIII

Showing 505–528 of 926 results

Napoli, Sepolcro di Virgilio, 1712

25,00 

Napoli, Sepolcro di Virgilio è un’incisione realizzata nel 1712, che rappresenta un’importante testimonianza artistica del periodo.
Questa acquaforte su rame, tratta da The delights of Italy di De Rogissart, edizione tedesca, Berlino, 1712, offre un affascinante sguardo sulla cultura e la storia di Napoli.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Tabernacolo dei Santi Apostoli, 1712

25,00 

Napoli, Tabernacolo dei Santi Apostoli it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from the volume The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Naples, Temple of Neptune, Amphitheatre of Pozzuoli, 1712

25,00 

Napoli, Tempio di Nettuno, Anfiteatro di Pozzuoli è un’incisione realizzata nel 1712, che rappresenta due dei luoghi più emblematici di Napoli.
This work is taken from The delights of Italy, edizione tedesca di De Rogissart, pubblicata a Berlino.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Napoli, Tomba di Sannazaro, 1712

25,00 

Napoli, Tomba di Sannazaro è un’incisione realizzata nel 1712, che rappresenta il monumento funebre del poeta Jacopo Sannazaro, situato nella chiesa di Santa Maria del Parto a Mergellina, Napoli.
This work is taken from The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Naples, Tomb of Sannazzaro, 1724

30,00 

Naples, Tomb of Sannazzaro it is an engraving made in 1724, which represents the church of Santa Maria del Parto in Mergellina.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson.

  • Sheet size: cm. 16×12 approx. plus irregular margins
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Naples, View with Vesuvius, 1724

120,00 

Naples, View with Vesuvius It is an etching made in 1724, which offers a splendid representation of Vesuvius and its surroundings, in particular Torre del Greco.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.

  • Sheet size: cm. 16×27 approximately, plus irregular margins
  • Engraving size: cm. 16×27 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Good

Napoli, Veduta da Posillipo, 1712

40,00 

Naples, View from Posillipo è un’incisione realizzata nel 1712, che offre una vista affascinante della città di Napoli dal punto panoramico di Posillipo.
Questa opera è un’acquaforte su rame acquarellata, tratta dal volume The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Narni, Augustus Bridge, 1798

40,00 

Narni, Ponte di Augusto It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta è caratterizzata da un’animazione vivace e un contrasto ben definito, con una spiegazione della stampa sul retro.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Nessenthaler, Barone Von Saddick, XVIII secolo

60,00 

Barone Von Saddick è un’incisione realizzata da Johann David Nessenthaler nel XVIII secolo.
Questa opera, che presenta sullo sfondo la città di Berlino, è un esempio di excellent workmanship e riflette l’abilità dell’artista.

  • Sheet size: cm. 17×26 alla battuta del rame più margini
  • Engraving size: cm. 17×26 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Nicola Vanni, Pittura di Ercolano, 1752

40,00 

Nicola Vanni, Pittura di Ercolano è un’incisione su rame realizzata nel 1752, che rappresenta una scena con putti e cavalli alati.
This work is part of the Raccolta di Pitture d’Ercolano, una serie di stampe pubblicata tra il 1752 e il 1762, che cattura l’essenza degli affreschi e dei manufatti rinvenuti ad Ercolano.

  • Sheet size: cm. 10×16 alla battuta del rame
  • Support: Copper
  • Condition: Excellent
  • Disegnatore e incisore: Nicola Vanni, dopo Fran. Lavega Ispan

Questa incisione è un esempio significativo della collaborazione di Vanni con la Scuola di incisori e disegnatori di Portici, istituita dal re Carlo III per la pubblicazione delle antichità ercolanesi, pompeiane e stabiane.

Nicolaes Berchem, Bashan, 1771

30,00 

Nicolaes Berchem, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe basate sui dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Nicolaes Berchem (1620-1683) è noto per le sue scene pastorali, che spesso includono figure mitologiche e bibliche, rendendolo uno dei pittori olandesi più apprezzati del suo tempo.

Nicolas Poussin, 1770

30,00 

Nicolas Poussin, acquaforte realizzata nel 1770, è un’opera su laid paper high quality.
Questa incisione presenta una dimensione del foglio di cm. 26×21 e un’immagine di cm. 9×7.

  • Condition: Excellent condition
  • Back: White

Nicolas Poussin, noto in Italia anche come Niccolò Pussino, è stato un pittore francese di grande rilievo. La sua opera è caratterizzata da chiarezza, logica And ordine, elementi distintivi della sua impostazione classica.

Nicolas Poussin, Moses and the crown of Pharaoh, 1786

40,00 

Nicolas Poussin, Moses and the crown of Pharaoh It is an engraving made in 1786, which represents the famous moment in which Moses walks on the Pharaoh's crown.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, and has irregular edges.

  • Engraving size: cm. 20,5×14,5
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

Nicolò Dell'Abate, Rape of Proserpina, 1786

60,00 

Rape of Proserpina it is an engraving made by Nicolò Dell'Abate in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Good, with repaired tear on the back

The print features good rough edges and offers good contrast, making it a nice piece for collectors.

Ninon de Lenclos, 1770

30,00 

Ninon de Lenclos it is an etching made in 1770, on laid paper.
This work has a sheet size of 26x21 cm and an image of 9x7 cm.

  • Condition: Excellent condition
  • Support: Laid paper

Ninon de Lenclos was a French writer, courtesan and epistolary writer, known for her intelligence and charm.
She was the daughter of Henri de Lanclos, a libertine gentleman from Touraine, and Marie-Barbe de la Marche.

Otranto, Salmon Thomas, 1738-1768

40,00 

Otranto It is an engraving made by Thomas Salmon between 1738 and 1768.
This work represents the City of Otranto, located in the province of Terra di Otranto in the Kingdom of Naples.

  • Sheet size: cm. 15×10 approx.
  • Engraving size: cm. 15×10 plus irregular margins
  • Technique: Etching on copper
  • Support: Laid paper without watermark
  • Condition: Excellent

This engraving is taken from the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, Naples edition.

Padua, 1707

40,00 

La Maison de Ville a Padova è un’incisione al bulino su rame realizzata nel 1707.
Questa graziosa e decorativa opera settecentesca rappresenta la facciata principale del Palazzo della Ragione e della piazza, ed è tratta da Les délices de l’Italie di De Rogissart, pubblicato a Parigi nel 1707.

  • Sheet size: mm. 72×130
  • Condition: Perfect state of preservation
  • Support: Carta coeva, retro bianco
  • Margins: Assenti, rifilato ai margini e controincollato

Padua, Basilica of S. Giustina 1712

25,00 

Padua, Basilica of S. Giustina it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from The delights of Italy, German edition by De Rogissart, published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Padua, Chapel of St. Anthony, 1712

25,00 

Padua, Chapel of St. Anthony it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from The delights of Italy by De Rogissart, German edition, published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Padua, Monument to Titus Livius, 1724

30,00 

Padua, Monument to Titus Livius It is an engraving made in 1724, which offers a beautiful animated view of the monument dedicated to the famous Roman historian.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper, white back
  • Condition: Excellent

Palermo, Grotta di S.Rosalia, Saint-Non, 1781-86

40,00 

Palermo, Grotta di S.Rosalia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

L’opera offre una bella veduta animata della Grotta di S. Rosalia, un luogo di grande significato storico e culturale in Sicilia.
Jean-Claude Richard de Saint-Non, noto anche come Abate di Saint-Non, è stato un importante disegnatore e archeologo francese, la cui opera ha contribuito a documentare la bellezza dei regni di Napoli e Sicilia.

Palermo, Valle di Oreto, Saint-Non, 1781-86

40,00 

Palermo, Valle di Oreto It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

L’opera offre una bella veduta animata della Valle di Oreto, riflettendo il talento di Saint-Non, noto per il suo contributo alla documentazione dei paesaggi italiani.

Palm, 1799

15,00 

Palm It is a watercolour copper engraving made in 1799.
This work is taken from the volume Unterhaltungen aus der Naturgeschichte by Gottlieb Tobias Wilhelm (1758-1811).

  • Sheet size: cm. 9×15 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition, with some light creases

Palm, 1799

15,00 

Palm It is a watercolour copper engraving made in 1799.
This work is taken from Unterhaltungen aus der Naturgeschichte by Gottlieb Tobias Wilhelm (1758-1811).

  • Sheet size: cm. 9×15 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition, with some light creases

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