XVIII

Showing 697–720 of 848 results

Roma, Insegne romane, amuleti, 1771

30,00 

Roma, Insegne romane, amuleti It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent condition, with white back

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
A differenza dell’edizione originale, meno francese e meno antireligiosa, questa versione ha guadagnato il soprannome di enciclopedia protestante, contribuendo alla sua diffusione nel Nord Europa.

Roma, Insegne romane, amuleti, 1771 *33570

30,00 

Roma, Insegne romane, amuleti It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent condition, with white back

This engraving is particularly interesting because it comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Encyclopédie d’Yverdon, published in Switzerland.
A differenza della versione originale, meno francese e meno antireligiosa, questa edizione è stata definita enciclopedia protestante, il che ha contribuito alla sua diffusione nel Nord Europa.

Roma, Nove Chiese per Indulgenza, 1707

40,00 

Roma, Nove Chiese per Indulgenza è un’incisione in rame realizzata nel 1707, che rappresenta un bell’insieme delle nove chiese importanti di Roma.
This work is taken from The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: mm. 165×122
  • Support: Light paper
  • Condition: Buone, con piccoli margini irregolari e due pieghe editoriali

Roma, Obelisco Lateranense, 1724

30,00 

Roma, Obelisco Lateranense è un’incisione realizzata nel 1724, tratta dal volume Nieu We Reize van Misson naen door Italy by François Misson.
This work offers a beautiful animated view dell’Obelisco Lateranense, un simbolo iconico della città eterna.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper, white back
  • Condition: Excellent

Roma, Palazzo Farnese, 1724

40,00 

Roma, Palazzo Farnese è un’incisione realizzata nel 1724, che offre una vista affascinante del celebre palazzo romano.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Size of the joke: cm. 16×27 approx.
  • Support: Medium paper with white back
  • Condition: Good, it has two editorial folds

Roma, Piramide di Caio Cestio, 1796

40,00 

Roma, Piramide di Caio Cestio è un’incisione realizzata nel 1796, che offre una vista affascinante di uno dei monumenti più iconici di Roma.
Questa acquaforte è tratta dal volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print features a beautiful view, lively and well contrasted, with an explanation on the back that enriches the work.

Roma, Piramide di Cestius, 1724

40,00 

Roma, Piramide di Cestius è un’incisione realizzata nel 1724, tratta dal volume Nieu We Reize van Misson naen door Italy by François Misson.
This work offers a beautiful animated view della famosa piramide, un monumento emblematico della città eterna.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper, white back
  • Condition: Excellent

Rome, Nomentano Bridge, 1798

40,00 

Rome, Nomentano Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view features lively animation and sharp contrast, making it a fascinating work for art and history lovers. A detailed explanation is provided on the back of the print.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Roma, Ponte S.Angelo, 1798

40,00 

Roma, Ponte S.Angelo It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta offre una rappresentazione animata e ben contrastata del celebre ponte romano. Al retro della stampa è presente una spiegazione dettagliata dell’opera.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Rome, St. John Lateran, 1724

30,00 

Rome, St. John Lateran It is an engraving from 1724 representing the famous basilica, known for housing the Holy Stairs.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by Francois Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approx. plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

This beautiful animated view offers a fascinating look at the basilica's history and architecture.

Roma, Santa Maria del Popolo, 1724

30,00 

Roma, Santa Maria del Popolo è un’incisione realizzata nel 1724, che rappresenta la famosa basilica di Santa Maria del Popolo.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Rome, Statue of Marforio, 1724

40,00 

Rome, Statue of Marforio It is an engraving made in 1724, which offers a beautiful animated view of the famous statue located in Rome.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Rome, Statue of Pasquino, 1724

40,00 

Rome, Statue of Pasquino It is an engraving made in 1724, which offers a beautiful animated view of the famous statue.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Rome, Temple of the God Redicolo, 1796

40,00 

Rome, Temple of the God Redicolo it is an engraving from 1796 representing the tomb of Annia Regilla.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Support: Paper
  • Condition: Excellent

This beautiful view is animated and well contrasted, with an explanation of the print on the back.

Roma, Tempio della Concordia, 1796

40,00 

Roma, Tempio della Concordia It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta offre una rappresentazione animata e ben contrastata del Tempio della Concordia, con spiegazioni dettagliate sul retro della stampa.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Rome, Temple of Antoninus and Faustina, 1798

40,00 

Rome, Temple of Antoninus and Faustina It is an engraving made in 1798, which offers a splendid view of the famous Roman temple.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent

The print features lively animation and sharp contrast, with a detailed explanation on the back.

Roma, Tempio di Fortuna Virile (Portuno), 1798

40,00 

Roma, Tempio di Fortuna Virile (Portuno) è un’incisione realizzata nel 1798, che offre una splendida veduta del famoso tempio romano.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The print features lively animation and sharp contrast, with a detailed explanation on the back.

Roma, Tempio di Giove, Tomba di Adriano, 1771

30,00 

Roma, Tempio di Giove, Tomba di Adriano It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edizione curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×30
  • Engraving size: cm. not specified
  • Technique: Burin
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent

Questa incisione si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert, guadagnandosi il soprannome di enciclopedia protestante e contribuendo alla sua diffusione nel Nord Europa.

Rome, Temple of Romulus and Remus, 1796

40,00 

Rome, Temple of Romulus and Remus It is an engraving made in 1796, which offers a suggestive view of the famous temple.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print features a beautiful view, lively and well contrasted, with an explanation on the back that enriches the work.

Rome, Temple of Vesta, 1798

40,00 

Rome, Temple of Vesta It is an engraving made in 1798, which offers a splendid view of the famous Roman temple.
This work is taken from the volume Tour Through Italy by REv. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

The print features lively animation and sharp contrast, with a detailed explanation on the back.

Roma, Trofeo di Mario, 1798

40,00 

Roma, Trofeo di Mario It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is animated and well contrasted, with an explanation of the print on the back.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Support: Paper
  • Condition: Excellent

Roma, Villa Borghese, 1724

40,00 

Roma, Villa Borghese It is an engraving made in 1724, which offers a beautiful animated view del celebre parco romano.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.

  • Size of the joke: cm. 16×12 approx.
  • Margins: Irregular
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Ruccellai Patrizio, Della Rosmunda Tragedia, 1737

40,00 

Della Rosmunda Tragedia è un’opera di Giovanni Ruccellai, pubblicata nel 1737. Questa nuova edizione è dedicata all’Eccellenza di Madama Maria Cavendish, contessa di Westmorland.
Stampata a Londra per Carlo Bennet, l’opera si presenta in un elegante formato in-24 (cm. 8×13) con una legatura coeva in piena pelle, caratterizzata da un dorso decorato con titolo e ornamenti dorati.

  • Dimensions: Small
  • Condition: Buone (intervento di restauro sulla legatura)
  • Support: Paper
  • Characteristics: pp. IV-64, capilettere e testatine all’inizio di ciascuno dei 5 atti della tragedia
  • Rarity: Esemplare raro

St. Abraham Solitary, 1797

25,00 

St. Abraham the Lonely It is a copper engraving made in 1797.
This work is taken from the volume Lives of the Saints for each day of the Year with copper portraits, published in Florence.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

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