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XVIII
Georg Hertel, Zuccarelli, Paesaggio montano, XVIII s
60,00 €Mountain landscape It is an engraving made by Georg Hertel And Francesco Zuccarelli in the 18th century.
This work is an example of etching su carta vergellata di medio spessore, che cattura la bellezza dei paesaggi montani.
- Sheet size: cm. 18×29 alla battuta del rame più margini
- Condition: Excellent condition
- Support: Laid paper
Gerard Dow, Basan, 1771
30,00 €Gerard Dow, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Gerrit (o Gerard) Dou, nato a Leida nel 1613, è stato un rinomato pittore olandese, noto per la sua abilità nel ritrarre scene di vita quotidiana con un’attenzione meticolosa ai dettagli.
Gerard ter Borch (Terborg), Basan, 1771
30,00 €Gerard ter Borch (Terborg) è un’incisione realizzata da Pierre-François Basan nel 1771, parte della collezione Cabinet of the Duke of Choiseul.
Questa opera è un’acquaforte su carta vergellata, che riproduce i dipinti del cabinet di Monseigneur le Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Condition: Excellent
- Support: Laid paper
Gerard ter Borch, nato a Zwolle nel dicembre 1617 e morto a Deventer nel dicembre 1681, è stato un rinomato pittore olandese, noto per le sue scene di genere e ritratti.
Gerard ter Borch, Terborg, Basan, 1771
30,00 €Gerard ter Borch, Terborg, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, a collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 13×15 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Gerard ter Borch (1617-1681) è un noto pittore olandese, famoso per le sue scene di genere e ritratti.
Gerard ter Borch, Terborg, Basan, 1771
30,00 €Gerard ter Borch, Terborg è un’incisione realizzata nel 1771, pubblicata nel Cabinet of the Duke of Choiseul.
Questa opera è parte di un’importante raccolta di stampe incise da opere del celebre pittore olandese Gerard ter Borch, noto per le sue scene di genere e ritratti.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 13×15 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Giuseppe Cunego, Paesaggio, 1784
80,00 €Landscape It is an engraving made by Giuseppe Cunego nel 1784, che rappresenta un pescatore che torna dalla pesca, ispirato a un’opera di Francesco da Capo.
Questa acquaforte è firmata in lastra con la dicitura Joseph Cunego sculp. Romae anno 1784 e presenta anche la nota Franciscus de Capo inv. et del. Romae a sinistra.
- Sheet size: cm. 17×31 circa
- Engraving size: mm. 145×282 alla battuta del rame
- Support: Laid paper
- Condition: Excellent state of preservation
Gnyp, Basan, 1771
30,00 €Gnyp è un’incisione realizzata da Pierre-François Basan nel 1771, parte del volume Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie opere incise da dipinti del cabinet di Monseigneur le Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Hogarth William (1697-1764), A Rake's Progress, 1813
150,00 €A Rake's Progress It is a series of 7 etchings made by William Hogarth in 1813.
These works measure approximately cm. 14×17 each and are printed on a sheet of cm. 22×30.
The paper used is of medium thickness and features Hogarth's signature at the bottom, together with that of T. Cook.
- Sheet size: cm. 22×30 approx.
- Engraving dimensions: cm. 14×17 approx.
- Support: Paper
- Condition: Excellent
A Rake's Progress tells the story of Tom Rakewell, a young spendthrift who, after arriving in London, squanders his fortune in a life of excess, prostitution and gambling.
The series charts his tragic decline, culminating in his imprisonment and admission to Bethlem Hospital (Bedlam).
Hogarth William (1697-1764), For the Benefit of Spiller, 1808
30,00 €For the Benefit of Spiller It is an engraving made by William Hogarth in 1808.
This work is a significant example of his art and is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Technique: Etching
- Support: Medium thickness paper
- Condition: Excellent condition
Hogarth William (1697-1764), Frontespiece to the terrae Filius, 1808
30,00 €Frontespiece to the terrae Filius It is an engraving made by William Hogarth in 1808.
This work is an example of etching and has an engraving size of approximately 14x17 cm on a sheet of 22x30 cm.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
The work is signed at the bottom with “Hogarth pinx” and “T.Cook sculp” and is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.
Hogarth William (1697-1764), Frontispieces, 1809
30,00 €Title pages by William Hogarth it is an engraving made in 1809, which has two frontispieces: Frontespiece to the Happy Ascetic (1724) and Frontespiece to Leveridge's song (1727).
This work is an example of etching, with engraving dimensions of approximately 14x17 cm on a 22x30 cm sheet.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Hogarth William (1697-1764), Gulliver Presented to the Queen of Babilary, 1808
30,00 €Gulliver Presented to the Queen of Babilary It is an engraving made by William Hogarth in 1808.
This work is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Hogarth William (1697-1764), Humors of Oxford, 1729
30,00 €Oxford Humours It is an engraving made by William Hogarth in 1729.
This work, performed in etching, presents an engraving size of approximately 14x17 cm on a sheet of 22x30 cm.
The paper used is of medium thickness and bears the signature at the bottom Hogarth pinx And T.Cook sculpture.
The work is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Hogarth William (1697-1764), Marriage à la Mode, 1813
150,00 €Marriage à la Mode It is a series of six engravings made by William Hogarth in 1813, taken from The Genuine Graphic Works of William Hogarth.
These works, originally painted between 1743 and 1745, offer a satire of 18th-century English society, highlighting the disastrous consequences of a marriage of convenience.
- Sheet size: cm. 22×30 approx.
- Engraving dimensions: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Hogarth William (1697-1764), Musick Introducid to Apollo by Minerva, 1727
30,00 €Musick Introducid to Apollo by Minerva è un’incisione realizzata da William Hogarth nel 1727.
Questa opera è parte delle sue celebri incisioni e presenta un’illustrazione ricca di significato, dove la musica viene introdotta ad Apollo da Minerva.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
L’incisione è firmata in basso con “Hogarth pinx” e “T.Cook sculp” ed è tratta da The Genuine Graphic Works of William Hogarth, published in London in 1813.
Hogarth William (1697-1764), Polling at the Husting, 1813
30,00 €Polling at the Husting It is an engraving made by William Hogarth in 1813.
This work is a significant example of his work, present in the volume The Genuine Graphic Works of William Hogarth, published in London in the same year.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Technique: Etching
- Support: Medium thickness paper
- Condition: Excellent
Hogarth William (1697-1764), Rich’s Triumphal Entry, 1809
30,00 €Rich’s Triumphal Entry è un’incisione realizzata da William Hogarth nel 1809.
Questa opera è un esempio significativo della sua maestria nell’arte dell’acquaforte.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
L’incisione presenta la firma di Hogarth in basso, con la dicitura ‘Hogarth pinx’ e ‘T.Cook sculp’.
This work is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.
Hogarth William (1697-1764), Specimens of beaver’s military punishments, 1725
30,00 €Specimens of beaver’s military punishments è un’incisione realizzata da William Hogarth nel 1725.
Questa opera è un esempio significativo della satira sociale dell’epoca, rappresentando le punizioni militari in modo incisivo e critico.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Technique: Etching
- Support: Medium thickness paper
- Condition: Excellent condition
L’incisione è firmata in basso con “Hogarth pinx” e “T.Cook sculp” ed è tratta da The Genuine Graphic Works of William Hogarth, published in London in 1813.
Hogarth William (1697-1764), The Beggars Opera, 1808
30,00 €The Beggars Opera è un’incisione realizzata da William Hogarth nel 1808, un’opera che riflette il suo stile distintivo e la sua abilità nell’illustrare la vita sociale del suo tempo.
This engraving is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.
- Sheet size: cm. 22×30 approx.
- Engraving size: cm. 14×17 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Veronese, Man between Vice and Virtue, 1786
50,00 €Veronese, The Man Between Vice and Virtue it is an etching made in 1786 by Paolo Caliari, known as Il Veronese.
This work is taken from the Gallery of the Palais Royal, which collects works from different artistic schools, with a historical description of each painting provided by the Abbé de Fontenai.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Condition: Good, with a lack on the lower left edge
- Support: Laid paper without watermark
- Published by: J. Couche, Paris, 1786
Industria della seta, 1700-1780
20,00 €Industria della seta, 1700-1780 è un’acquaforte che rappresenta tre scene significative della lavorazione della seta.
Realizzata su carta vergellata, questa opera offre uno sguardo affascinante su un’industria storica.
- Sheet size: cm. 20×28 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Isaac van Ostade (1621-1649), Bashan, 1771
30,00 €Isaac van Ostade (1621-1649) è un’incisione realizzata da Pierre-François Basan nel 1771, parte della collezione Cabinet of the Duke of Choiseul.
Questa opera è un’acquaforte su carta vergellata, che riproduce i dipinti del famoso pittore olandese Isaac van Ostade, noto per le sue scene di vita quotidiana.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Israel Silvestre, Torre di Nesle
40,00 €Torre di Nesle It is an engraving made by Israel Silvestre, un noto artista del XVII secolo.
Questa opera, datata al XVIII secolo, rappresenta la Torre di Nesle e l’Hotel de Nevers.
- Sheet size: cm. 19×27 approx.
- Engraving size: cm. 12×25 circa
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
JC Rugendas, After the battle, 1740
80,00 €Dopo la battaglia It is an engraving made by Johann Christian Rugendas In the 1740, ispirata a un dipinto di Georg Philipp Rugendas I of the 1698.
This work is part of the series Scene di battaglia con cavalli, pubblicata ad Augusta.
- Sheet size: cm. 23×42 circa
- Engraving size: cm. 20×38 circa
- Technique: Mezzotinta e acquaforte stampata color seppia
- Support: Carta vergata
- Condition: Excellent state of preservation
Sotto il bordo dell’immagine, si possono leggere le iscrizioni che attestano la provenienza e l’autore dell’opera.
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