Old Masters

Showing 1–24 of 1149 results

1578, Georg Braun, Hogenberg, map of Terracina from Civitates Orbis by Ortelius

180,00 

Terracina Map It is an old print made by George Brown And Frans Hogenberg in 1578. This map is part of the famous atlas Cities of the Earth's Orb Of Abraham Ortelius, one of the first cartographic works to collect detailed views of the most important cities in the world. The map depicts the city of Terracina, a historic town in central Italy, and is a fine example of how the art of cartography and engraving merge to document the geographical and urban realities of the Renaissance period.

  • Era: 16th century
  • Technique: Etching
  • Dimensions: Large (approximately 42×54 cm)
  • Support: Laid paper
  • Condition: Excellent (with a small repair to the verso at the upper corners)

1582, Georg Braun, Frans Hogenberg, Civitates Orbis Terrarum, Frontispiece

140,00 

Urbium Praecipuarum Totius Mundi Liber Quartus
Made by George Brown, Frans Hogenberg And R.A. Skelton In the 1582, this magnificent frontispiece is taken from the famous Civitates Orbis Terrarum, one of the most important works of Renaissance cartography.
The print represents seven allegorical female figures symbolizing the Constance, theHonor, the Dignity, the Peace, the Justice, the Diligence and the Wisdom. These symbols offer a fascinating insight into the ideals of the age.

  • Era: Renaissance (16th century)
  • Technique: Copper engraving
  • Dimensions: Large (approximately 42×27 cm)
  • Support: Laid paper
  • Condition: Excellent

An iconic work that combines art and history, perfect for collectors and scholars of the Renaissance period

1793 Boilly l'amour couronne dotted engraved by Cazenave

250,00 

The Love of the Crown It is a dotted etching made by the engraver Jean-François Cazenave In the 1793, inspired by a painting by the famous French artist Louis-Léopold Boilly.
This work is an exceptional example of the stippling technique, particularly in vogue in France and England at the end of the 18th century, made famous by masters such as Francesco Bartolozzi. Cazenave, born in Paris around 1770, distinguished himself as a specialist in this technique, collaborating with renowned artists such as Boilly and Prud'hon.

  • Era: 18th century
  • Technique: Etching and dotting
  • Dimensions: Large (approx. 56 x 45 cm)
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

This print is characterized by a high artistic and decorative quality, making it an ideal choice for collectors and lovers of historical art.

A. Van Ostade, Interieur d'un pauvre menage, 1863

20,00 

Interior of a poor household It is a woodcut made by A. Van Ostade in 1863.
This work represents the interior of a poor house and comes from a French book from the mid-nineteenth century.
The print is contained within the book page, with writing around and on the verso, and the entire page will be shipped.

  • Sheet size: cm. 29×19 approx.
  • Printed part dimensions: cm. 14×17 approx.
  • Support: Paper
  • Condition: Excellent

AJMatham, A.van de Venne, 1636

25,00 

Kaleb and the Philistines It is an engraving made by A. Jacobsen Matham and A. van de Venne in 1636.
This biblical episode represents a significant moment in history, illustrating the figure of Kaleb in a context of conflict with the Philistines.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper with partial watermark
  • Condition: Excellent

A.Tempesta (attr.), Hare Hunting, 1600

40,00 

Hare hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presents a hunting scene rich in detail and dynamism.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Notes: Refined on the marginal line, unsigned; at the bottom there is a Latin inscription.

Abraham Bloemaert, Sleeping Shepherds 1630

80,00 

Sleeping Shepherds It is an engraving made by Abraham Bloemaert between 1625 and 1630.
This work, performed with the technique of Burin, is printed on heavy laid paper with lily and crown filigree.
The image measures mm. 140×200 at the copper strike, with a slight bleed on the right side.
At the bottom is the wording Mariette excud cum Regis Privilege, accompanied by a French inscription that reads: Ayant le ciel pour couverture et la terre pour matelas… Additionally, there is a dry stamp from an unknown collector.

Abraham Bloemaert, Head of an Old Woman, 1650-1656

140,00 

Old woman's head it is an etching made by Abraham Bloemaert between 1650 and 1656.
This work represents the face of an old woman and is part of a series of drawing studies.

  • Sheet size: cm. 29×25 approx.
  • Engraving size: cm. 19×15 approx.
  • Technique: Etching
  • Support: Laid paper with watermark (lily in the crown)
  • Condition: Excellent state of preservation

18th century aquatint

40,00 

18th century aquatint It is an anonymous engraving dating back to the mid-1700s, which represents a historical scene of considerable interest.
This work is made in aquatint and measures 15x17 cm at the edge, on medium-thickness paper with white backing.

  • Sheet size: Small
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Adam Frans van der Meulen, Promenade, 19th century

30,00 

Stroll It is an engraving made by Adam Frans van der Meulen in the 19th century.
This work, signed AFVandermeulen pinx., represents a fascinating and detailed scene, highlighting the artist's mastery.

  • Sheet size: cm. 20×26 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Adriaen Jacobsen Matham (1599-1660) Fencing Lessons, large etching

180,00 

Fencing Lessons #5 It is a refined engraving made by Adriaen Jacobsen Matham (1599-1660), a well-known Dutch artist of the 17th century. This print is part of a series dedicated to the art of fencing, a theme that was particularly popular in the cultural and artistic context of the Dutch Golden Age. Crispian Queborn's signature is in the center of the work, underlining the quality and importance of the work.

This work represents a precious reference for historical fencing enthusiasts and a rare collector's item thanks to its technical quality and monumental size.

  • Era: 17th century
  • Technique: Etching
  • Dimensions: Large (about 50×70 cm)
  • Support: Medium thickness paper, white back
  • Condition: Good storage conditions

This print is not only a testimony of the seventeenth-century engraving art, but also a document of historical interest for scholars of Western martial arts.

Adriaen van Ostade, 1770

30,00 

Adriaen van Ostade It is an engraving made in 1770, executed with the technique ofetching.
This work is printed on laid paper and features a white back.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Condition: Excellent state of preservation

Albani, Audran, Diana and Love, 1770

130,00 

Diana and Love It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is an example of an etching on heavy laid paper, signed on the plate with the following indications: Franc. Albanus in and pinx And Well. Audran ex cum privilege. Regis.

  • Dimensions of the figured part: cm. 32×26 approx.
  • Engraved part dimensions: cm. 34×30 approx.
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Albani, Audran, Venus and Adonis, 1770

130,00 

Venus and Adonis It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is a fine example of etching on heavy laid paper, signed on the plate by Albani and Audran.

  • Sheet size: cm. 34×30 approx.
  • Dimensions of the figured part: cm. 32×26 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Albrecht Durer, Apparition of Jesus to his Mother, woodcut

70,00 

Apparition of Jesus to his mother It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Albrecht Durer, Ecce Homo, woodcut

70,00 

Behold the Man It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Slightly browned
  • Monogram: Monogrammed in plate

Albrecht Durer, Jesus Crucified, woodcut

70,00 

Jesus Crucified It is a woodcut made by Albrecht Dürer, one of the most important artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Albrecht Durer, Jesus before Caiaphas, woodcut

70,00 

Jesus before Caiaphas It is a woodcut made by Albrecht Dürer, a master of Renaissance engraving.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent
  • Technique: Woodcut

Albrecht Durer, Jesus before Pilate, woodcut

70,00 

Jesus before Pilate It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: It features Durer's monogram plate

Albrecht Durer, Jesus Mocked, woodcut

70,00 

Jesus mocked It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Slightly browned
  • Technique: Woodcut

Albrecht Durer, Jesus nailed to the cross, woodcut

70,00 

Jesus nailed to the cross It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning

Albrecht Durer, Jesus Crowned with Thorns, woodcut

70,00 

Jesus crowned with thorns it is an engraving of Albrecht Dürer, made between 1510 and 1511, part of the series The Little Passion.
This woodcut, dating back to the nineteenth century, is an anonymous copy that reflects the art and spirituality of the Renaissance period.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent

Albrecht Durer, Jesus in the Garden of Olives, woodcut

70,00 

Jesus in the Garden of Olives It is a woodcut made by Albrecht Dürer, a master of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Albrecht Durer, The Last Judgement, woodcut

70,00 

Il Giudizio Universale It is a woodcut made by Albrecht Dürer, a master of Renaissance engraving.
Questa opera è una copia anonima ottocentesca dalla serie The Little Passion, datata 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Technique: Woodcut

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