Central Italy

Showing 409–432 of 920 results

Map of Rome, 1791

80,00 

Pianta di Roma, made in 1791, è un’acquaforte su carta vergellata che offre una vista dettagliata della città eterna.
Questa pianta, parte dell’opera Histoire Universelle depuis les commencement du monde jusque a present, pubblicata a Parigi, rappresenta l’evoluzione di Roma dai tempi di Servio Tullio fino alla conquista da parte dei Galli.

  • Sheet size: cm. 16×33 alla linea marginale, con margini irregolari di 2-7 cm
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Ai lati della pianta si trovano le legende dei siti indicati e numerati, rendendo questa opera non solo un documento storico, ma anche un utile strumento di riferimento.

Arezzo Square, 1826

20,00 

Piazza di Arezzo it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Piazza di S.Maria Novella di Firenze, 1826

20,00 

Piazza di S.Maria Novella di Firenze It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Piazza di S.Spirito, Firenze, 1826

20,00 

Piazza di S.Spirito, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Piazza di S.Trinità di Firenze, 1826

20,00 

Piazza di S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Piazza e Duomo di Fiesole, 1826

20,00 

Piazza e Duomo di Fiesole it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Livorno's Piazza Grande, 1826

20,00 

Livorno's main square It is an engraving made by Anthony Verico in 1826, using the technique ofEtching on copper.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Picinisco, Frosinone, 1838

15,00 

Picinisco, Frosinone, 1838 it's a lithographic printing which represents the view of Picinisco from the eastern side.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Printed part dimensions: cm. 5×8 approx.
  • Margins: Almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The page clipping containing the print is sent.

Pierre Mariette, 8 views of Rome, 18th century

120,00 

8 Vedute di Roma è un insieme di incisioni realizzate da Pierre Mariette nel XVIII secolo, che rappresentano monumenti e rovine iconiche della città eterna.
Le vedute includono il Colosseo, il ponte delle Sabine, la piramide di Cestius, i bagni di Antonino Pio, le rovine del tempio della Pace e le terme di Antonino Pio.

  • Sheet size: cm. 18×24 approx.
  • Engraving dimensions: cm. 14×20 approx.
  • Technique: Etching and burin
  • Support: Laid paper
  • Condition: Excellent

Cinque delle stampe presentano il titolo in inglese, mentre le altre tre sono in latino, con la dicitura in basso Chez P. Mariette avec Privilege du Roy.

Pietramarina, (Firenze), 1819

25,00 

Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.

Pietrasanta, The Doors, 1890

20,00 

Pietrasanta, The Doors It is a woodcut print made in 1890, depicting the city of Pietrasanta, located in the province of Lucca.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.

  • Sheet size: cm. 12×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Piombino, 1865

20,00 

Piombino, 1865 è un’incisione xilografica su legno di testa che rappresenta una graziosa veduta del marina presso Piombino.
This work is taken from Picturesque Emporium, published by Sonzogno in Milan in 1865.

  • Size of the joke: mm. 230×160
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

Pisa, 1840

25,00 

Pisa, 1840 It is a burin engraving that offers an uncommon view of the city, animated by vivid details.
Made around 1840, this work is based on a German book and features a joke. mm. 95×150 on a sheet of paper mm. 262×180.

  • Sheet size: mm. 262×180
  • Engraving size: mm. 95×150
  • Support: Medium paper
  • Condition: Excellent

Pisa, 1840

30,00 

Pisa, 1840 è un’incisione al bulino realizzata dall’incisore Rouargue, che offre una beautiful view of the city.
Questa opera è caratterizzata da un great contrast e da una vivace animazione, rendendola un pezzo affascinante per gli amanti dell’arte.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

Pisa, Baptistery, 1881

25,00 

Pisa, Battistero It is an engraving made by Dieudonne Lancelot nel 1881.
Questa incisione xilografica su legno di testa presenta una bella veduta decorativa e animata del Battistero di Pisa.

  • Sheet size: mm. 160×220
  • Condition: Excellent condition
  • Support: Paper
  • Notes: Margini quasi assenti, ritagliata da un libro tedesco con scritte sul retro

Pisa, Baptistery, 1890

20,00 

Pisa, Battistero It is a woodcut made in 1890 by A.Quantin, an engraver and publisher active in Paris at the end of the 19th century.
This beautiful print, animated and in excellent condition, è stata tratta da un libro francese di fine ‘800.

  • Sheet size: cm. 10×16
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Pisa, Baptistery, Cathedral, 1835

30,00 

Pisa, Battistero, Cattedrale It is an engraving made with the technique of burin on steel in 1835.
This work offers a beautiful view della famosa piazza di Pisa, con il Battistero, la Cattedrale, la Torre e il Cimitero, presentata in modo nitido e ben contrastato.

  • Sheet size: mm. 195×130 plus margins
  • Support: Light paper
  • Condition: Good condition

Pisa, Baptistery, Cathedral and Tower, 1835

20,00 

Pisa, Baptistery, Cathedral and Tower It is an engraving made in 1835, which offers an iconic view of the famous square in Pisa.
This work is taken from Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and is made with the technique of burin on steel.

  • Sheet size: mm. 130×90 approx.
  • Support: Lightweight paper with white backing
  • Condition: Good condition

Pisa, Campo Santo, 1834

25,00 

Pisa, Holy Field è un’incisione in acciaio realizzata nel 1834, che cattura la bellezza del celebre Campo Santo di Pisa.
This work is taken from Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Pisa, Campo Santo, 1834-1837

25,00 

Pisa, Holy Field It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Questa veduta è caratterizzata da un aspetto animato e decorativo, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Pisa, Campo Santo, 1835

25,00 

Pisa, Holy Field It is an engraving made with the technique of burin on steel in 1835.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 195×130 plus margins
  • Condition: Good condition
  • Support: Lightweight paper, white back

The view of the interior is particularly beautiful and clear, making this engraving a fascinating piece for collectors and art enthusiasts.

Pisa, Campo Santo, 1846

30,00 

Pisa, Holy Field è un’incisione al bulino realizzata da A.H. Payne nel 1846, che ritrae l’interno del famoso Campo Santo di Pisa.
Questa opera è un esempio pregevole di arte incisoria, con una misura della battuta di mm. 170×110, più margini.

  • Sheet size: Small
  • Engraving size: mm. 170×110
  • Support: Paper
  • Condition: Excellent

Pisa, Camposanto, 1885

30,00 

Pisa, Camposanto è un’incisione realizzata nel 1885, che rappresenta l’interno del Campo Santo di Pisa.
This woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna, created by G. Stieler, E. Paulus and W. Kaden, published in Milan by Fratelli Treves.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 24×19 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Pisa, Galileo's House, 1880

20,00 

Pisa, Casa di Galileo è un’incisione xilografica acquerellata a mano realizzata nel 1880.
Questa stampa rappresenta una bella veduta decorativa della casa di Galileo a Pisa, ed è stata tratta dal volume L’Universo illustrato.

  • Sheet size: mm. 150×220
  • Support: Paper
  • Condition: Buone condizioni, con margini piccoli e scritte sul retro

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