Central Italy

Showing 409–432 of 960 results

Palo, Ladispoli, 1877

15,00 

Palo, Ladispoli, 1877 it is a woodcut engraving on end grain, taken from the work Italy by J. Gourdault, published in Paris in 1877.
Questa graziosa veduta rappresenta un’immagine rara e affascinante del paesaggio italiano.

  • Size of the joke: mm. 182×120
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

Paolo Pannini, Temples of Rome, 1753

80,00 

Temples of Rome it is an engraving made by Giovanni Paolo Pannini in 1753.
This work, performed in etching on thick laid paper, it represents a lively scene with the following temples:

  • Temple of Fortune
  • Temple of Jupiter Stator
  • Temple of Janus
  • Tomb of Cestius

Sheet size: cm. 27×21 approx.
Condition: Excellent state of preservation

Papigno, 1834

30,00 

Papigno, 1834 it is a burin engraving made by COIGNET and engraved by Leroy.
This work, taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, was published in Paris in 1834.

  • Sheet size: mm. 183×115 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

The view depicts the city from above with a bridge in the foreground, resulting sharp and well contrasted, making it a decorative work of great charm.

Papigno, Terni, 1884

25,00 

Papigno, Terni, 1884 è una xilografia che rappresenta il suggestivo paesaggio di Papigno e il castello di St. Angelo, situato vicino alle cascate di Terni.
This work is taken from the volume Picturesque Europe, pubblicato a Londra da Cassell & Co. nel 1884, e presenta illustrazioni realizzate dai più eminenti artisti dell’epoca.

  • Sheet size: cm. 23×16 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper with printed back

Pelago (Firenze), 1850

30,00 

Pelago (Firenze) It is a burin engraving made in 1850 from James Duffield Harding, a well-known English landscape painter.
This work represents a very fine animated scene della città di Pelago, vista dall’alto, ed è caratterizzata da un’eleganza decorativa.

  • Size of the joke: mm. 140×100 approx.
  • Support: Medium paper with white back
  • Condition: Excellent

Pellegrini presso il Convento A Subiaco, 1845

25,00 

Pellegrini presso il Convento A Subiaco è un’incisione realizzata nel 1845, che rappresenta un momento di vita religiosa presso il Convento di San Benedetto a Subiaco.
This work is taken from L’ami de la jeunesse ed è stato inciso da B. Linton based on a design by Bocourt.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 22×28 circa
  • Support: Paper
  • Condition: Buone, con piega centrale editoriale e strappo restaurato al verso

Perugia, 1850

40,00 

Perugia, 1850 It is an engraving made in etching on strong paper, offering a splendid view of the city.
This work measures cm. 13×18 for engraving and cm. 22×32 for the sheet, with white back.

  • Condition: Perfect
  • Taken from: “The Classic Lands of Europe, Italy, Sicily and Greece..” by John Sherer
  • Engravers: Allom, Bartlett, Leitch and other eminent artists
  • Year of publication: 1850

This engraving is part of the collection of the London Printing and Publishing Company and features a clear and lively representation of the city of Perugia.

Perugia, Great Square, 1850

35,00 

Perugia, Piazza Grande è un’incisione realizzata da W. French nel 1850.
This work offers a veduta animata e ben contrastata della celebre piazza, presentando dettagli architettonici e una vivace atmosfera.

  • Sheet size: cm. 28×20 approx.
  • Engraving size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Pesaro, Prefecture Palace, 1890

20,00 

Pesaro, Prefecture Palace It is a woodcut print made in 1890, which represents an important testimony of the Italian architectural heritage of the late nineteenth century.
This work is characterized by an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Pesaro, Salmon Thomas, 1738-1768

40,00 

Pesaro it is an etching on copper made by Thomas Salmon between 1738 and 1768.
This work represents the city of Pesaro in the Duchy of Urbino, part of the Ecclesiastical State.

  • Size of the joke: cm. 15×10 approx.
  • Margins: Irregular
  • Technique: Etching on copper
  • Support: Laid paper without watermark
  • Condition: Excellent state of preservation

The work is taken from the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, Naples edition.

Pesaro, Salmon Thomas, 1738-1768

40,00 

Pesaro it is an etching on copper made by Thomas Salmon between 1738 and 1768.
This work represents the city of Pesaro in the Duchy of Urbino, part of the Ecclesiastical State.

  • Size of the joke: cm. 15×10 approx.
  • Margins: Irregular
  • Technique: Etching on copper
  • Support: Laid paper without watermark
  • Condition: Excellent state of preservation

The work is taken from the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, Naples edition.

Pescia, The Tower, 1890

20,00 

Pescia, La Torre è una stampa xilografica realizzata nel 1890, proveniente dall’opera Illustrated geographical Italy by P. Premoli.
Questa affascinante incisione misura cm. 12×16 e presenta un testo descrittivo attorno e al verso.

  • Sheet size: cm. 12×16 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Pescia, Pistoia, 1890

20,00 

Pescia, Pistoia, 1890 it's a woodblock print che offre una veduta suggestiva presa dal ponte del Duomo.
This work is taken from Illustrated geographical Italy di P. Premoli, pubblicata nel 1890.

  • Sheet size: cm. 10×13 approx.
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and has writing on the verso; the full page will be sent.

Mountain Fish, Terracina, 1819

25,00 

Mountain Fish, Terracina It is an engraving made by TO THE CASTELLAN in 1819.
This work is an etching that measures cm. 10×14 for the joke, on a sheet of paper cm. 20×12 of laid paper.
It is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Laid paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he devoted his career mainly to the representation of landscapes for illustrated books such as View of Italy And Letters from ItalyThe Montpellier museum hosts two of his works.

Plan of the Gianola Promontory, 1846

20,00 

Plan of the Gianola Promontory, built in 1846, is a lithographic printing by G. Mariani.
This work is taken from the volume Picturesque Polyorama, an important 19th-century publication aimed at spreading useful knowledge across all social classes.

  • Sheet size: cm. 13×15 approx.
  • Margins: almost absent
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and features writing on the verso. It ships complete with mat, making it a great choice for collectors and history buffs.

Map of Rome, 1791

80,00 

Pianta di Roma, made in 1791, è un’acquaforte su carta vergellata che offre una vista dettagliata della città eterna.
Questa pianta, parte dell’opera Histoire Universelle depuis les commencement du monde jusque a present, pubblicata a Parigi, rappresenta l’evoluzione di Roma dai tempi di Servio Tullio fino alla conquista da parte dei Galli.

  • Sheet size: cm. 16×33 alla linea marginale, con margini irregolari di 2-7 cm
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Ai lati della pianta si trovano le legende dei siti indicati e numerati, rendendo questa opera non solo un documento storico, ma anche un utile strumento di riferimento.

Arezzo Square, 1826

20,00 

Piazza di Arezzo it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Piazza di S.Maria Novella di Firenze, 1826

20,00 

Piazza di S.Maria Novella di Firenze It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Piazza di S.Spirito, Firenze, 1826

20,00 

Piazza di S.Spirito, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Piazza di S.Trinità di Firenze, 1826

20,00 

Piazza di S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Piazza e Duomo di Fiesole, 1826

20,00 

Piazza e Duomo di Fiesole it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Livorno's Piazza Grande, 1826

20,00 

Livorno's main square It is an engraving made by Anthony Verico in 1826, using the technique ofEtching on copper.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Picinisco, Frosinone, 1838

15,00 

Picinisco, Frosinone, 1838 it's a lithographic printing which represents the view of Picinisco from the eastern side.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Printed part dimensions: cm. 5×8 approx.
  • Margins: Almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The page clipping containing the print is sent.

Pierre Mariette, 8 views of Rome, 18th century

120,00 

8 Vedute di Roma è un insieme di incisioni realizzate da Pierre Mariette nel XVIII secolo, che rappresentano monumenti e rovine iconiche della città eterna.
Le vedute includono il Colosseo, il ponte delle Sabine, la piramide di Cestius, i bagni di Antonino Pio, le rovine del tempio della Pace e le terme di Antonino Pio.

  • Sheet size: cm. 18×24 approx.
  • Engraving dimensions: cm. 14×20 approx.
  • Technique: Etching and burin
  • Support: Laid paper
  • Condition: Excellent

Cinque delle stampe presentano il titolo in inglese, mentre le altre tre sono in latino, con la dicitura in basso Chez P. Mariette avec Privilege du Roy.

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