Central Italy

Showing 49–72 of 960 results

Ariccia, Ghigi Palace, 1832

25,00 

Ariccia, Ghigi Palace It is a steel engraving made by James Duffield Harding in 1832, taken from the work Tourist in Italy by Thomas Roscoe.
This evocative view of the Palazzo Ghigi is characterised by a clear and well-contrasted illustration, which captures the essence of the Italian landscape of the time.

  • Sheet size: cm. 19×12 approx.
  • Engraving size: cm. 14×10 approx.
  • Support: Medium thickness paper
  • Condition: Excellent

Arpino, 1835

20,00 

Arpino, 1835 It is a burin engraving on steel made by Michellon and engraved by Lemaitre in 1835.
This work is taken from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and presents a beautiful animated view.

  • Sheet size: mm. 95×132 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Arpino, 1876

20,00 

Arpino, 1876 it's an engraving xylographic on end grain wood, made in 1876 and taken from the work Italian by K. Stieler and W. Kaden, published in Stuttgart.
This decorative antique print features an image of the castle at the top and is notable for its almost absent margins.

  • Sheet size: mm. 183×170
  • Support: Light sheet
  • Condition: Excellent condition
  • Notes: Cut from the book with writing on the back

Arpino, Frosinone, 1845

25,00 

Arpino, Frosinone, 1845 it's a lithographic printing which represents the cyclopean walls from Arpino.
This work, of dimensions cm. 16×15, has almost no margins and is taken from Picturesque Polyorama, a periodical published in Naples by the printing and lithography of Poliorama Pittoresco, under the direction of Filippo Cirelli in 1845.
The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The Picturesque Polyorama It was an important publication that spread useful knowledge across all social classes, covering topics of science, technology, art and biographies from 1836 to 1860 in the Kingdom of the Two Sicilies.

Arpino, View, 1836

25,00 

Arpino, View It is a lithographic engraving made in 1836, which offers a splendid representation of the city of Arpino.
This work is taken from the volume Picturesque Polyorama, an important Neapolitan publication aimed at spreading artistic and cultural knowledge.

  • Sheet size: cm. 16×10 approx.
  • Support: Paper
  • Condition: Excellent

The print features almost no margins and has been cropped from the book, with writing on the back and back, making it a beautiful decorative view for collectors and enthusiasts.

Ascoli Piceno, Coat of Arms, 1871

15,00 

Ascoli Piceno, Coat of Arms It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
This print has an engraving size of 8x9 cm, with small margins, and was extracted from a book.

  • Sheet size: Small
  • Engraving size: cm. 8×9
  • Support: Light sheet
  • Condition: Excellent

Ascoli, Entrance to the city, 1890

20,00 

Ascoli, Entrance to the city it's a woodblock print made in 1890, which represents a fascinating glimpse of the city of Ascoli.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 10×12 approximately, surrounded by text and with further annotations on the back of the sheet, which measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Ascoli, Arringo Square, 1890

20,00 

Ascoli, Arringo Square it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with additional writing on the back of the sheet. The complete sheet measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Ascoli, People's Square, 1890

20,00 

Ascoli, People's Square It is a woodcut print made in 1890, which captures the essence of the historic square of Ascoli Piceno.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, surrounded by text and with additional annotations on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Assisi, 1835

30,00 

Assisi, 1835 It is a burin engraving made by Lenormand and engraved by Aubert.
This work represents a beautiful animated view of the Piazza and the Temple of Augustus, and is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 270×170
  • Engraving size: mm. 125×90
  • Support: Medium paper
  • Condition: Excellent state of preservation

Assisi, 1875

20,00 

Assisi, 1875 it is a woodcut representing an enchanting view of the city of Assisi.
This engraving, measuring 13x18 cm, was extracted from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1875.

  • Engraving size: cm. 13×18 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Assisi, 1877

30,00 

Assisi, 1877 It is a watercolour woodcut engraving made in 1877, taken from the work Italy by J. Gourdault.
This engraving offers a beautiful and clear view of Assisi, animated by characters, making it very decorative and fascinating.

  • Sheet size: mm. 135×185 approx.
  • Support: Medium paper
  • Condition: Excellent

Assisi, 1898

15,00 

Assisi, 1898 it is a woodcut engraving representing a beautiful decorative view of the city of Assisi.
Made in 1898, this work was extracted from a German book and features a caption in Gothic German.

  • Sheet size: mm. 180×110
  • Condition: Excellent condition
  • Support: Head wood
  • Notes: Almost no margins and writing on the back

Assisi, Church of St. Francis, 1844

20,00 

Assisi, Church of St. Francis It is a lithograph from 1844 that offers a fascinating view of the interior of the temple of St. Francis in Assisi.
This print is taken from the work Picturesque Polyorama, a periodical publication that aimed to spread useful knowledge across all social classes.

  • Print Size: cm. 12×13
  • Margins: Almost absent
  • Support: Paper
  • Condition: Excellent

The lithograph has been cut from the book and features lettering on the verso. It comes complete with a mat, making it a beautiful view for collectors and enthusiasts.
Price: €20,00

Assisi, Panorama, 1890

25,00 

Assisi, Panorama It is a woodcut print made in 1890, which offers a fascinating view of the historic city of Assisi.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around and on the back.

  • Sheet size: cm. 16×26 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and will be shipped full page, thus maintaining its original charm.

Ambrosian Basilica of San Lorenzo in Florence, 1826

20,00 

Ambrosian Basilica of San Lorenzo in Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Bernardo Rosaspina, Florence, 1832

30,00 

View of the S.Trinità Bridge It is an engraving made by Bernardo Thorn Rose in 1832, which captures the architectural beauty of one of Florence's most iconic bridges.
This work is an etching on laid paper, signed lower right with the words 'B.Rosaspina Incise'.

  • Sheet size: cm. 20×24 approx.
  • Engraving size: mm. 155×198 at the copper edge
  • Support: Laid paper
  • Condition: Good condition, with a stain that also partially affects the print

Bibbiena, Arezzo, 1890

20,00 

Bibbiena, Arezzo, 1890 it's a woodblock print che rappresenta la storica città di Bibbiena, situata in provincia di Arezzo.
This work is taken from Illustrated geographical Italy di P. Premoli, pubblicata nel 1890.
The print, of dimensions cm. 12×10, è realizzata su light paper e presenta del testo attorno e al verso.
Si segnala che la stampa è stata estratta dal libro e verrà spedita con la pagina intera, inclusi i testi al retro.

River Mouth, Terracina, 1819

25,00 

River Mouth, Terracina It is an engraving made by TO THE CASTELLAN in 1819.
This work is an etching representing a suggestive landscape, part of the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Borgo a Mozzano, Lucca, 1885

30,00 

Borgo a Mozzano, Lucca, 1885 it is an engraving representing the famous Magdalene Bridge, located in Borgo a Mozzano.
Made by Alfred Louis Sargent, a French wood engraver, the work is taken from the volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Light paper

Borgo San Donnino, Square, 1890

20,00 

Borgo San Donnino, Square it's a woodblock print made in 1890, taken from the work Illustrated geographical Italy by P. Premoli.
This engraving, of dimensions cm. 12×9, is printed on light paper and features text both around and on the back.
The print has been extracted from the book and will be shipped with the full page, thus preserving the original context of the work.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Bracciano, 1877

20,00 

Bracciano, 1877 It is a woodcut engraving made by Adolf Closs, a well-known wood engraver active in the 19th century.
This work is taken from Italy di J. Gourdault e presenta una bella veduta decorativa della città di Bracciano.

  • Sheet size: mm. 187×145
  • Margins: Assenti
  • Condition: Excellent condition
  • Support: Paper

Braun, Georg & Hogenberg Terracina Civitates Orbis Terrarum di Abraham Ortelius 1578

280,00 

BRAUN, Georg & HOGENBERG, Frans
Titolo: Terracina
Tratta da: Civitates Orbis Terrarum, a cura di Abraham Ortelius
Luogo di pubblicazione: Colonia, 1578
Tecnica: Incisione in rame (acquaforte) acquarellata in epoca successiva
Supporto: Carta vergellata
Dimensioni: cm 42 × 54 circa
Condizioni: Ottime, con piccola riparazione professionale al verso sugli angoli superiori

Description:
Rara e magnifica veduta prospettica della città di Terracina, realizzata nel 1578 da Georg Braun e Frans Hogenberg, tra i maggiori incisori e cartografi del Rinascimento. L’opera è tratta dal celebre atlante Civitates Orbis Terrarum, compilato sotto la direzione di Abraham Ortelius, considerato il primo vero atlante urbano del mondo, e pubblicato a Colonia tra il 1572 e il 1617.

La mappa è una straordinaria fusione tra arte e scienza cartografica, in cui la rappresentazione architettonica e paesaggistica è resa con grande attenzione al dettaglio. Terracina è raffigurata con edifici, mura, porti e colline circostanti, offrendo una visione storica impareggiabile dell’assetto urbano del tempo.

Colorata a mano in epoca successiva, con tonalità armoniose e rispettose dei modelli cinquecenteschi, la stampa conserva margini generosi e si presenta in ottime condizioni generali.

Note: Il Civitates Orbis Terrarum fu concepito come complemento al Theatrum Orbis Terrarum di Ortelius, il primo atlante moderno. L’opera documenta la topografia urbana europea e mediterranea, divenendo una fonte primaria per la storia dell’urbanistica e della cartografia rinascimentale.

Esemplare ricercato e perfetto per collezionisti, studiosi e istituzioni.

Braun, Georg & Hogenberg, Tibur (Tivoli) da Civitates Orbis Terrarum 1578

280,00 

BRAUN, Georg & HOGENBERG, Frans
Titolo: Tibur (Tivoli)
Tratta da: Civitates Orbis Terrarum
Luogo di pubblicazione: Colonia, 1578
Tecnica: Incisione in rame (acquaforte), acquarellata in epoca successiva
Supporto: Carta vergellata con filigrana (non identificata)
Dimensioni: cm 42 × 54 circa
Condizioni: Ottime. Lievi riparazioni professionali al verso sugli angoli superiori, non invasive, senza alcun impatto sull’immagine incisa.

Description:
Splendida veduta prospettica della città di Tivoli, anticamente conosciuta come Tibur, realizzata nel 1578 da Georg Braun e Frans Hogenberg, fra i principali protagonisti della cartografia urbana del Rinascimento. L’opera è tratta dal celebre Civitates Orbis Terrarum, considerato il primo atlante urbano illustrato del mondo, nato come complemento al Theatrum Orbis Terrarum di Ortelius.

L’incisione rappresenta Tivoli con straordinaria accuratezza topografica e una raffinata sensibilità artistica, offrendo una preziosa testimonianza visiva della città nel XVI secolo: sono visibili i principali edifici, le mura e il paesaggio collinare circostante, disegnati con cura minuziosa.

Colorata a mano in epoca successiva, la stampa conserva tonalità armoniche che esaltano i volumi e l’articolazione urbana. Margini ampi e stato di conservazione eccellente, con interventi minimi e invisibili sul verso.

Note: Le vedute contenute nel Civitates Orbis Terrarum sono fra i più importanti documenti della geografia storica rinascimentale. Questa tavola, dedicata a Tivoli, è una delle più ricercate per il valore storico, estetico e documentario.

Pezzo raro e di grande fascino, adatto a collezionisti, studiosi o esposizioni museali.

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