Central Italy

Showing 889–912 of 960 results

Tivoli, Hadrian's Villa, Cottafavi, 1843

70,00 

Antico ingresso della Villa Adriana a Tivoli It is an engraving made by Gaetano Cottafavi nel 1843.
This work is part of the Collection of the Principal Views of Rome and its Surroundings, disegnate dal vero e incise dallo stesso Cottafavi.

  • Engraving size: cm. 17×24
  • Copper strike dimensions: cm. 21×26
  • Sheet size: cm. 32×47
  • Support: Heavy paper
  • Condition: Excellent condition

Questa incisione presenta una veduta animata e decorativa, con un buon contrasto e retro bianco.
Verrà spedita in tubo rigido per garantire la massima protezione.

Tivoli, Villa d’Este, 1819

25,00 

Tivoli, Villa d’Este It is an engraving made by Antoine Laurent Castellan in 1819.
Questa opera è un’acquaforte che rappresenta uno dei luoghi più affascinanti d’Italia, noto per i suoi giardini e fontane straordinarie.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Taken from: Lettres sur l’Italie, par A.L.Castellan, Paris, chez A.Nepveu, Libraire, 1819

Tivoli, Villa D'Este, 1875

20,00 

Tivoli, Villa D'Este It is an 1875 woodcut that captures the beauty of the Old Trees in the famous Villa D'Este.
This work is taken from the volume Italy Pictorial Journey from the Alps to Etna by G.Stieler, E.Paulus and W.Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 20×16 approx.
  • Condition: Excellent
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Tivoli, Villa D’Este, 1884

25,00 

Tivoli, Villa D'Este It is a woodcut made in 1884, che rappresenta i magnifici giardini della Villa D’Este a Tivoli.
This work is taken from Picturesque Europe, pubblicato da Cassell & Co. a Londra, e presenta illustrazioni di artisti eminenti.

  • Sheet size: cm. 23×16 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Tivoli, Villa di Mecenate, 1798

40,00 

Tivoli, Villa di Mecenate It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta è caratterizzata da un’animazione vivace e un contrasto ben definito, con una spiegazione della stampa sul retro.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Tivoli, Villa di Mecenate, 1860

35,00 

Tivoli, Villa di Mecenate è un’incisione realizzata nel 1860, rappresentante una delle meraviglie architettoniche italiane.
This work is part of the album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Toscana, Vendemmia in Toscana, 1877

35,00 

Toscana, Vendemmia in Toscana It is a woodcut engraving made in 1877, taken from the work Italy by J. Gourdault.
Questa affascinante stampa rappresenta un bel soggetto di ragazze che vendemmiano, con un lattante in culla, catturando l’essenza della tradizione toscana.

  • Sheet size: mm. 244×182
  • Support: Medium paper
  • Condition: Excellent
  • Ampi margini: Yes
  • Back: White

Trevi, 1840

30,00 

Trevi, 1840 It is a steel engraving made by E. Goodall based on a drawing by James Duffield Harding.
This work is part of the volume Views of Cities and Scenery in Italy, France, and Switzerland, published by Fisher, Son & Co. in London and Paris.

  • Sheet size: mm. 145×95 approx.
  • Support: Medium paper
  • Condition: Perfect
  • Rarity: Rare and decorative

Un Lavoir a l’Ariccia. Lavandaie 1861

11,00 

Un Lavoir a l’Ariccia. Lavandaie è un’incisione del 1861 che rappresenta un nutrito gruppo di donne intente al bucato ad Ariccia.
This woodcut is from the Picturesque Store e offre uno spaccato della vita quotidiana dell’epoca.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Light paper
  • Condition: Excellent

Urbino, 1850

40,00 

Urbino, 1850 it is an etching depicting a fascinating glimpse of the city of Urbino.
This work, signed by C. Martinelli and produced by the Lloyd Establishment of Trieste, dates back to 1850.

  • Sheet size: cm. 22×31 approx.
  • Engraving size: cm. 13×20 approx.
  • Support: Light unlaid paper
  • Condition: Excellent condition

Urbino, 1850

40,00 

Urbino, 1850 it is an etching depicting a fascinating glimpse of the city of Urbino.
This work, signed by C. Martinelli and produced by the Lloyd Establishment of Trieste, dates back to 1850.

  • Sheet size: cm. 22×31 approx.
  • Engraving size: cm. 13×20 approx.
  • Support: Light unlaid paper
  • Condition: Excellent condition

Urbino, 1860

35,00 

Urbino, 1860 It is an engraving made in etching nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd a Trieste.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Urbino, 1861

15,00 

Urbino, 1861 It is a small woodcut engraving that offers a beautiful decorative view of the city of Urbino.
Made on end grain wood, this work features a caption in Gothic German and comes from a German book.

  • Sheet size: mm. 121×93
  • Support: Paper
  • Condition: Excellent

The print was cut from the book and has writing on the back, but it retains a unique charm for lovers of art and history.

Urbino, Ducal Palace, 1890

20,00 

Urbino, Palazzo Ducale it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Urbino, Panorama, 1890

20,00 

Urbino, Panorama It is a woodcut made in 1890, coming from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, offers a suggestive view of the city of Urbino.

  • Sheet size: cm. 10×13 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Urbino, St. Munster, 1614

60,00 

Urbino It is a woodcut made by Sebastian Munster in 1614, taken from his famous work Cosmography Universalis.
This view of Urbino offers a fascinating representation of the city, with details that reflect the Renaissance era. On the back there is a written text that further enriches the value of this page.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 8.5×13 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent

Vallombrosa, 1833, Convent

25,00 

Vallombrosa, 1833 It is a steel engraving made by James Duffield Harding, a well-known English landscape painter.
Questa suggestiva veduta del Convento di Vallombrosa è tratta da The Landscape Annual, pubblicato a Londra nel 1833. L’opera si distingue per la sua nitidezza e il contrasto ben definito, rendendo l’immagine vivace e animata.

  • Sheet size: mm. 140×95 approx.
  • Support: Light paper
  • Condition: Excellent

Vallombrosa, 1837

20,00 

Vallombrosa, 1837 è un’incisione in xilografia che offre una bella veduta decorativa.
La stampa, tratta da Pictorial Cosmorama, Anno terzo, 1837, presenta dimensioni della parte stampata di cm. 15×12, con margini quasi assenti.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper
  • Price: €20,00

La stampa è stata ritagliata dal libro e presenta scritte al retro in parte visibili; viene spedita completa di passepartout.
Pictorial Cosmorama fu una rivista fondata a Milano da Giovanni Francesco Zini, che ha avuto un ruolo significativo nell’illustrazione artistica dell’epoca.

Valmontone, 1877

20,00 

Valmontone, 1877 it's a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and lithographer of the French school.
This work is taken from the volume Italian di Kaden e presenta una beautiful panoramic view della città di Valmontone.

  • Sheet size: mm. 150×100
  • Condition: Buona, con margini quasi assenti e scritte sul retro
  • Support: Carta leggera, ritagliata dal libro

Veduta del Battistero di S.Giovanni di Firenze, 1826

20,00 

Veduta del Battistero di S.Giovanni di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Veduta del Palazzo Pitti, Firenze, 1826

20,00 

Veduta del Palazzo Pitti, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Poggio Imperiale, Firenze, 1826

20,00 

Veduta del Poggio Imperiale, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Ponte alle Grazie di Firenze, 1826

20,00 

Veduta del Ponte alle Grazie di Firenze è un’acquaforte su rame realizzata da A. Verico nel 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta dell’Arcispedale di S.M.Nuova, Firenze, 1826

20,00 

Veduta dell’Arcispedale di S.M.Nuova, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

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