Florence

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1946 JOURNAL FLORENTIN DE RM RILKE

60,00 

Florentine Journal by R. M. Rilke is a literary work published in 1946, enriched by 12 etchings by Despierre.
This book, published by Editions Emile-Paul Frères, is entirely in French and comes in an elegant box set.

  • Edition: First edition limited to 1600 numbered copies, of which 1500 on white vellum
  • Specimen number: 260
  • Illustrations: 12 etchings hors texte, under snake, including engraved title sheet

Amphitheatre of the Boboli Gardens, Florence, 1826

20,00 

Amphitheatre of the Boboli Gardens, Florence it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Arch and Loggia of Peruzzi, Florence, 1826

20,00 

Arch and Loggia of Peruzzi, Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Ambrosian Basilica of San Lorenzo in Florence, 1826

20,00 

Ambrosian Basilica of San Lorenzo in Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Bernardo Rosaspina, Florence, 1832

30,00 

View of the S.Trinità Bridge It is an engraving made by Bernardo Thorn Rose in 1832, which captures the architectural beauty of one of Florence's most iconic bridges.
This work is an etching on laid paper, signed lower right with the words 'B.Rosaspina Incise'.

  • Sheet size: cm. 20×24 approx.
  • Engraving size: mm. 155×198 at the copper edge
  • Support: Laid paper
  • Condition: Good condition, with a stain that also partially affects the print

Caffè Haux in Boboli, Florence, 1826

20,00 

Haux Café in Boboli, Florence It is an engraving made by Anthony Verico in 1826, using the technique ofcopper etching.
This work is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Calenzano, Florence, Coat of Arms, 1865

15,00 

Coat of arms of Calenzano, Florence it's a chromolithography made in 1865, taken from Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with approximately 1000 colored municipal weapons published by Vallardi in Milan.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition
  • Support: Paper

The coat of arms is slightly larger than a postage stamp and the page containing the coat of arms and some historical notes about the city is sent, with writing also on the back.

Campi Bisenzio, Florence, Coat of Arms, 1865

15,00 

Coat of arms of Campi Bisenzio it is a civic heraldic engraving made in 1865.
This coat of arms, of small size, is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Technique: Chromolithography
  • Condition: Excellent
  • Support: Paper

The page also includes historical notes about the city and features writing on the back.

Farmhouses near Florence, 1826

20,00 

Farmhouses near Florence it is an engraving made by Antonio Verico in 1826.
This work is an etching on copper, part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Certaldo, 1842-1844

45,00 

Certaldo, 1842-1844 It is a steel engraving made by William Brockendon between 1842 and 1844.
This work is taken from the volume Italy, classical, historical, and picturesque illustrated and described, which celebrates the beauty and history of Italy.

  • Sheet size: cm. 34×25 approx.
  • Engraving size: cm. 23×15 approx.
  • Support: Thick engraving paper
  • Condition: Good, with some occasional stains on the edges

Convent of Vallombrosa, 1819

25,00 

Convent of Vallombrosa It is an engraving made in 1819 by TO THE CASTELLAN, a well-known French painter and engraver.
This work is an etching that measures cm. 10×14 for the joke, on a sheet of paper cm. 20×12 of laid paper, with white back.
The engraving is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Laid paper

Shower, Fiesole, 1819

25,00 

Doccia, Fiesole it is an etching made by TO THE CASTELLAN nel 1819, che rappresenta la Villa S. Michele a Doccia.
This work is taken from the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Empoli, Florence, 1885

30,00 

Empoli, Florence, 1885 It is an engraving that represents the Collegiate Church and Square, made by Antoine Valerie Bertrand, a French wood engraver.
This woodcut measures cm. 19×25 and is found on a light sheet of cm. 27×37, with white back. The work is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Empoli, General View, 1875

20,00 

Empoli, General View It is a woodcut made in 1875, which offers a fascinating overview of the city of Empoli.
This engraving, measuring 8x16 cm, was extracted from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 8×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print, with reduced margins and printed back, will be shipped complete with passepartout, ready to be framed.

Fiesole, 1819

35,00 

Fiesole, 1819 It is an engraving made by AL Castellan, which offers a fascinating view of the city of Fiesole.
This etching It is part of the volume Letters on Italy, published in Paris in 1819.

  • Sheet size: mm. 215×135 approx.
  • Support: Paper
  • Condition: Good condition, with editorial fold and irregular margins

Fiesole, 1834

30,00 

Fiesole, 1834 It is a burin engraving that offers a panoramic and decorative view of the city of Fiesole, located near Florence.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 approx.
  • Support: Light paper
  • Condition: Good condition

Fiesole, 1835

30,00 

Fiesole, 1835 it is a burin engraving made by Fortier, which represents a beautiful view of the tower of Fiesole.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 170×270
  • Engraving size: mm. 97×126
  • Support: Heavy paper
  • Condition: Good state of preservation

This engraving is not only decorative, but also an important historical testimony of the era.

Fiesole, Convent of San Michele a Doccia, 1819

25,00 

Fiesole, Convent of San Michele a Doccia it is an etching made by AL Castellan in 1819.
This work is taken from Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: mm. 105×140 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing significantly to the illustrated literature of his time.

Fiesole, Oratory, 1819

25,00 

Fiesole, Oratory it is an etching made by AL Castellan in 1819, which represents the Oratory of S. Giovanni in Bologna, Florence.
This work is taken from the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Fiesole, General view, 1819

40,00 

Fiesole, General view It is an engraving made by TO THE CASTELLAN in 1819, which offers a panoramic view of the historic city of Fiesole.
This work is taken from the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×24 approx.
  • Engraving size: cm. 14×21 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Florence and Fiesole, 1850

35,00 

Florence and Fiesole It is an engraving made in 1850, which offers an enchanting view of the city of Florence from the Fiesole hill.
This colored etching, signed by Doherty, captures the essence of Tuscan beauty.

  • Sheet size: cm. 16×21 approx.
  • Engraving size: cm. 11×17 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Florence, Palazzo Vecchio, 1850

40,00 

Florence, Palazzo Vecchio It is an engraving made in 1850, which offers a splendid view of the courtyard of Palazzo Vecchio.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Excellent

This engraving stands out for its sharpness and vividness, making it a valuable addition to any collector.

Florence, 1834

25,00 

Florence, 1834 It is a burin engraving representing a panoramic view of the banks of the Arno in Florence.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 approx.
  • Support: Light paper
  • Condition: Good condition

A beautiful decorative view that captures the essence of Florence.

Florence, 1840

30,00 

Florence, 1840 It is a burin engraving that captures a beautiful view of the city, made by the engraver Rouargue.
This work, characterized by a lively animation and a well-defined contrast, was executed on steel and has a stroke size of 10x15 cm on a sheet of 17x26 cm.

  • Sheet size: cm. 17×26
  • Engraving size: cm. 10×15
  • Support: Heavy paper with white backing
  • Condition: Excellent

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