Rome

Showing 1–24 of 296 results

1843, Rome, People's Square, Cottafavi

70,00 

People's Square It is an engraving made by Gaetano Cottafavi In the 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
This work represents a lively and decorative view of the famous Roman square, characterized by an excellent contrast and printed on heavy paper.

  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Sheet size: cm. 32×47 approx.
  • Support: Heavy paper
  • Condition: Excellent condition

This engraving will be shipped in a hard tube for maximum protection.

Albano, Tomb of Ascanius, 1843

70,00 

Tomb of Pompey called Ascanius It is an engraving made by Gaetano Cottafavi in 1843, which represents a lively and decorative view of the tomb located on the Appian Way in Albano.
This work is taken from the collection Collection of the Principal Views of Rome and its Outlines drawn from life and engraved by Gaetano Cottafavi, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

This engraving has a great contrast and a white back. It will be shipped in a rigid tube.

Cubillarium in the Apennines, 1801

40,00 

Cubillario negli Appennini è un’incisione realizzata nel 1801, tratta dal volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta presenta un’animazione e un contrasto notevoli, con un retro bianco che ne esalta la qualità.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575, a fundamental work for the study of ancient architecture.
This etching on laid paper measures approximately cm. 16×28 and is trimmed to the marginal line. At the bottom, there is a detailed description of the monument and the site depicted, which offers important historical testimony.

  • Description of the monument: Remains of the Septizonium of Emperor Severus I, a tomb located along the Appian Way, designed to be visible to those coming from Africa.
  • Architectural details: Corinthian style building, with columns of different stones, some striated and others smooth, and marble decorations.
  • Popular name: Also known as Virgil's school.

Du Perac Etienne, architect and engraver, began his career in Venice before moving to Rome, where he made drawings of ancient monuments. His work, The Vestiges of Ancient Rome, is composed of a frontispiece and 39 plates, accompanied by historical-descriptive inscriptions that provide information on the monuments represented.

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575. This work represents an important collection of ancient monuments, executed with great attention to detail.
The work includes a description of the monument and the site represented, with an illustration of the Baths of Constantine in the Quirinal Hill.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575.
This work is an important collection of drawings of ancient monuments, executed with great precision and attention to detail.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent state of preservation

At the bottom, the engraving contains a description of the Antonine Column, with historical and architectural details that enrich the work.
Du Pérac, architect and engraver, dedicated his life to the study of antiquity, creating a volume that is a precious document for the history of Roman art and architecture.

Roman Forum, Campo Vaccino, C.Frommel, 1829

25,00 

Roman Forum, Campo Vaccino It is an engraving made by Carl Frommel in 1829.
This work is taken from the volume 50 Bilder zu Virgils Heneide…, featuring high-quality engravings.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Technique: Etching
  • Support: Medium paper
  • Condition: Excellent state of preservation

Borghese Gallery. A room in the Borghese Gallery. 1847

11,00 

Galerie Borghese è una xilografia del 1847 che rappresenta una delle sale più ricche della Galleria Borghese, famosa per le sue opere di Raffaello, Guercino e Tiziano.
L’immagine è animata da personaggi, tra cui una pittrice intenta a copiare un dipinto, che aggiunge vita alla scena.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 21×15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Carnival in Rome, 1884

30,00 

Carnival in Rome It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work captures the lively atmosphere of the Roman carnival, offering a fascinating insight into the culture and traditions of the time.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be sent.

Interior of the Colosseum, Cottafavi, 1843

70,00 

Interno dell’Anfiteatro Flavio detto il Colosseo It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa del Colosseo, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation
  • Technique: Burin

Questa incisione è caratterizzata da un buon contrasto e un retro bianco, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

The Aqueduct of the New Anio. Aniene.

15,00 

L’Acqueduc de l’anio novus è una xilografia del 1861 che rappresenta l’acquedotto dell’Aniene, situato nella campagna di Roma.
This work is taken from the Picturesque Store ed è stata realizzata dall’incisore E. Terington, con disegni di Therond.

  • Sheet size: cm. 30 x 21
  • Engraving size: cm. 20 x 15
  • Support: Light paper
  • Condition: Excellent state of preservation

Questo acquedotto è noto per essere stato iniziato da Caligola e completato da Claudio, rappresentando un’importante opera ingegneristica dell’antichità.

Le Catacombe a Roma, 1861

20,00 

Xilografia realizzata nel 1861, tratta dal Picturesque Store of the same year.

Dimensioni del foglio: cm. 28×18 circa
Dimensioni dell’immagine: cm. 20×15 circa
Support: Carta leggera, con scritte attorno alla immagine e al verso della stampa.
Condition: Ottima
The entire page containing the print will be sent.

Il Magasin Pittoresque è stato pubblicato per la prima volta nel gennaio 1833 sotto forma di libretto di otto pagine, illustrato con incisioni, venduto per due soldi, otto giorni dopo, seguì un nuovo numero, e così via, ogni settimana, per diciotto anni, vale a dire, fino alla legge sul francobollo del 16 luglio 1850.
Il Magasin pittoresque era una sorta di enciclopedia popolare che, senza tralasciare importanti scoperte moderne, si occupava soprattutto di far rivivere il passato. La descrizione di “Magazzino” voleva indicare che la collezione conteneva un po’ di tutto: morale, storia, archeologia, arte, scienze naturali, industria, viaggi, tutti argomenti, in una parola, che, rivolgendosi al cuore, all’immaginazione e al gusto, sarebbero stati di natura tale da arricchire il tempo libero della vita interiore e del focolare domestico con puro e istruttivo divertimento.

Map of the Roman Forum, 1873

25,00 

Map of the Roman Forum It is a copper engraving made in 1873.
This map, taken from the Guide in Italy edited by Cav. PE Sacchi and published by the Artaria company of Milan, offers a detailed representation of the Roman Forum.

  • Sheet size: cm. 15.5x9.5 approx.
  • Support: Paper
  • Condition: Excellent state of preservation
  • Characteristics: White back with legend of the most important sites of the city

Map of Civitavecchia, Scotus, 1761

90,00 

Mappa di Civitavecchia it is a copper engraving made by Francesco Scotto in 1761.
This map is taken from the work Itinerary of Italy, pubblicata a Roma da Fausto Amidei, mercante di libri.

  • Sheet size: cm. 18×23 approx.
  • Engraving size: cm. 12×18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Folds: Present

Map of Rome, 1873

30,00 

Map of Rome, 1873 è un’incisione su rame realizzata da P. Allodi, che misura cm. 15,5×20,5 con margini più piccoli.
This map is taken from the publication Guide in Italy, edited by knight PE Sacchi and printed by the Artaria company of Milan in 1873.
On the back there is a white background, while on the side there is a legend of the most important sites of the city.

  • Condition: Excellent condition
  • Fold: Editorial fold

Matthaus Greuter, Roma, CHiesa di S.Pietro in Vaticano, 1618

50,00 

Incisione realizzata nel 1618 da Matthaus Greuter (1564-1638), utilizzando la tecnica dell’acquaforte su rame.
Questa opera è stampata su carta spessa vergellata con retro bianco.

  • Sheet size: cm. 14×22 circa
  • Dimensioni dell’incisione: cm. 13×21 circa
  • Support: Laid paper
  • Condition: Pieghe editoriali, qualche macchia, ma nel complesso buone condizioni.

Matthaus Greuter, Roma, Colonna Traiana e Colonna Antonina, 1618

50,00 

Incisione realizzata nel 1618 da Matthaus Greuter (1564-1638), utilizzando la tecnica dell’acquaforte su rame.
Questa opera è stampata su carta spessa vergellata con retro bianco.

  • Sheet size: cm. 20×21 circa
  • Dimensioni dell’incisione: cm. 19×20 circa
  • Support: Laid paper
  • Condition: Pieghe editoriali, qualche macchia, ma nel complesso buone condizioni.

Matthaus Greuter, Roma, Il Palazzo Papale a Monte Cavallo, 1618

50,00 

Incisione realizzata nel 1618 da Matthaus Greuter (1564-1638), utilizzando la tecnica dell’acquaforte su rame.
Questa opera è stampata su carta spessa vergellata con retro bianco.

  • Sheet size: cm. 14×22 circa
  • Dimensioni dell’incisione: cm. 13×21 circa
  • Support: Laid paper
  • Condition: Pieghe editoriali, qualche macchia nel bordo destro danneggiato, ma nel complesso buone condizioni.

New Aniene Waterfall in Tivoli, 1843

70,00 

New Aniene Waterfall in Tivoli It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
This work represents an animated and decorative view of the famous waterfall, engraved on copper with great mastery.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent condition

The engraving features good contrast and a white back, making it a highly valuable piece for collectors and art enthusiasts.

Borghese Palace Woodcut 1840-70

15,00 

Palazzo Borghese è una xilografia che rappresenta una sala del celebre Palazzo Borghese a Roma, realizzata tra il 1840 e il 1870.
This piece is taken from the Picturesque Store, una pubblicazione che ha documentato vari aspetti dell’arte e della cultura dell’epoca.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 14 x 15 circa
  • Support: Light paper
  • Condition: Excellent

Paolo Pannini, Temples of Rome, 1753

80,00 

Temples of Rome it is an engraving made by Giovanni Paolo Pannini in 1753.
This work, performed in etching on thick laid paper, it represents a lively scene with the following temples:

  • Temple of Fortune
  • Temple of Jupiter Stator
  • Temple of Janus
  • Tomb of Cestius

Sheet size: cm. 27×21 approx.
Condition: Excellent state of preservation

Map of Rome, 1791

80,00 

Pianta di Roma, made in 1791, è un’acquaforte su carta vergellata che offre una vista dettagliata della città eterna.
Questa pianta, parte dell’opera Histoire Universelle depuis les commencement du monde jusque a present, pubblicata a Parigi, rappresenta l’evoluzione di Roma dai tempi di Servio Tullio fino alla conquista da parte dei Galli.

  • Sheet size: cm. 16×33 alla linea marginale, con margini irregolari di 2-7 cm
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Ai lati della pianta si trovano le legende dei siti indicati e numerati, rendendo questa opera non solo un documento storico, ma anche un utile strumento di riferimento.

Pierre Mariette, 8 views of Rome, 18th century

120,00 

8 Vedute di Roma è un insieme di incisioni realizzate da Pierre Mariette nel XVIII secolo, che rappresentano monumenti e rovine iconiche della città eterna.
Le vedute includono il Colosseo, il ponte delle Sabine, la piramide di Cestius, i bagni di Antonino Pio, le rovine del tempio della Pace e le terme di Antonino Pio.

  • Sheet size: cm. 18×24 approx.
  • Engraving dimensions: cm. 14×20 approx.
  • Technique: Etching and burin
  • Support: Laid paper
  • Condition: Excellent

Cinque delle stampe presentano il titolo in inglese, mentre le altre tre sono in latino, con la dicitura in basso Chez P. Mariette avec Privilege du Roy.

Porta Tiburtina today called S. Lorenzo, 1843

50,00 

Porta Tiburtina oggi detta di S.Lorenzo It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa di Roma, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Support: Heavy paper
  • Condition: Ottima prova con buon contrasto, retro bianco, foglio un po’ sporco con pieghe

L’incisione verrà spedita in tubo rigido per garantire la massima protezione durante il trasporto.

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