Insular Italy

Showing 241–264 of 274 results

Syracuse, Tomb of Archimedes, 1860

35,00 

Syracuse, Tomb of Archimedes it is an etching made in 1860, which represents an important artistic testimony of the 19th century.
This work is taken from theAlbum of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Syracuse, Ancient Tombs, Latomie, Saint-Non, 1786

40,00 

Syracuse, Ancient Tombs, Latomie It is an engraving made by Jean-Claude Richard de Saint-Non in 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Good

The animated view of Syracuse offers a fascinating glimpse of 18th-century Sicily.

Syracuse, Ancient Tombs, Saint-Non, 1786

40,00 

Syracuse, Ancient Tombs It is an engraving made by Jean-Claude Richard de Saint-Non in 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Good
  • Support: Paper

This engraving offers a beautiful animated view of Syracuse, Sicily, and represents an important historical and artistic testimony of the 18th century.

Syracuse, View of the ancient theatre, Saint-Non, 1781-86

90,00 

Syracuse, View of the ancient theatre It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The view represents a lively scene of the ancient theatre of Syracuse, an important historical and artistic testimony of Sicily.

Coat of arms of Messina, 1866

25,00 

Coat of arms of Messina it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Palermo, 1866

25,00 

Coat of arms of Palermo It is an engraving made in 1866, from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.
This woodcut was hand-colored with watercolor and tempera in contemporary times, presenting a refined and detailed design.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Taormina, 1835

20,00 

Taormina, 1835 It is a steel engraving made in 1835, which captures the beauty of the Sicilian landscape.
This work has a frame size of 132×90 mm, making it a medium-sized piece.

  • Sheet size: mm 132×90
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Taormina, 1835

20,00 

Taormina, 1835 It is a steel engraving made in 1835, which captures the beauty of the Sicilian landscape.
This work, also known as Bridge on the Cantara, has a strike measurement of 132x90 mm, making it a medium-sized piece.

  • Sheet size: mm. 132×90
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Taormina, 1840

30,00 

Taormina, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and lithographer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10.2×15.5 approx.
  • Support: Paper
  • Condition: Excellent general condition

Taormina, 1840

30,00 

Taormina, 1840 It is a burin engraving made by Frommel, which offers a suggestive view of the famous Sicilian location.
This work is taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Taormina, 1877

15,00 

Taormina, 1877 It is a woodcut that offers a splendid view of the historic Sicilian city, with the remains of the amphitheatre clearly visible.
This work is taken from the volume Italian of Kaden and has almost no margins.

  • Sheet size: mm. 160×210
  • Support: Light paper
  • Condition: Good condition, with writing on the back

Taormina, Etna seen from the Taormina theatre, 1877

30,00 

Taormina, Etna seen from the Taormina theatre It is a woodcut made in 1877, which captures a spectacular view of the Etna volcano in the background.
This work offers a sharp and contrasting representation, showing the smoking volcano dominating the landscape.

  • Sheet size: mm. 360×260
  • Engraving size: mm. 240×160
  • Support: Medium paper
  • Condition: Excellent state of preservation

Taormina, Theatre, 1835

25,00 

Taormina, Theatre it is an engraving made in 1835, which represents the famous theatre of Taormina.
This work is made in burin on steel and presents a hand watercolouring on a light sheet with a white back.

  • Size of the joke: mm. 142×95
  • Support: Light paper
  • Condition: Excellent

Taormina, Teatro, Etna, 1835

30,00 

Incisione realizzata al burin in 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16×25 approx.
  • Dimensione dell’immagine: cm. 11×16 circa
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Ancient Theatre of Syracuse, 1889

15,00 

Ancient Theatre of Syracuse It is a woodcut engraving made in 1889, which offers a fascinating view of one of the most famous theatres in Sicily.
This work is taken from the volume Naples and Sicily by J. Gourdault, published in Paris.

  • Sheet size: mm. 106×118
  • Support: Paper
  • Condition: Excellent condition
  • Notes: Almost no margins and writing on the back

Syracuse Theatre, 1835

25,00 

Syracuse Theatre It is an engraving made with the technique of burin on steel in 1835, characterized by a light watercolour.
This work represents an important view of the famous Sicilian theatre, a symbol of the culture and history of the island.

  • Sheet size: mm. 142×95
  • Condition: Excellent
  • Support: Steel

Syracuse Theatre, 1865

15,00 

Syracuse Theatre It is an engraving made in 1865, coming from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This woodcut, which measures mm. 140×130, is part of a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Syracuse Theatre, 1885

20,00 

Syracuse Theatre It is an engraving made in 1885, which represents the ruins of the ancient theatre of Syracuse.
This woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Sheet size: cm. 12×19 approx.
  • Condition: Excellent condition
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Syracuse Theater, gouache on papyrus, late 1800s

50,00 

Syracuse Theatre it is a work made with gouache on papyrus by an anonymous artist, dating back to the late 19th century.
This beautiful execution is distinguished by the use of an unusual support, papyrus, which gives the work a unique charm.

  • Sheet size: cm. 8×14 approx.
  • Dimensions of the work: mm. 45×88
  • Support: Papyrus
  • Condition: Excellent

Temple of Hercules, Agrigento, 1875

20,00 

Temple of Hercules, Agrigento It is a woodcut made in 1875, which represents one of the most iconic monuments of Sicily.
This engraving is taken from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1885.

  • Engraving size: cm. 18×12 approx.
  • Condition: Excellent condition
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Temple of Segesta, Trapani, Saint-Non, 1781-86

40,00 

Temple of Segesta, Trapani It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The engraving offers a beautiful animated view of the temple, representing an important testimony of the Sicilian architectural heritage.

Temple of Segesta, Trapani, Saint-Non, 1781-86

40,00 

Temple of Segesta, Trapani It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

This engraving offers a beautiful animated view of the temple, well preserved and of great historical value.

Termini Imerese, San Leonardo Bridge, 1889

20,00 

Termini Imerese, San Leonardo Bridge it's a woodblock print made in 1889, taken from the work Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.
This print measures cm. 8×10 in the printed part, with smaller margins, and was cut out of the book, presenting a printed back.

  • Era: XIX
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

The San Leonardo bridge, designed in 1625 by the architect Agatino Daidone, stands on a Patare cliff and on the solid remains of an ancient bridge, presumably from the Roman era.

Terms, 1835

20,00 

Terms It is an engraving made with the technique of burin on steel in 1835.
This work features a measure of the beat of mm. 132×90 and is printed on medium quality paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

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