Southern Italy

Showing 625–648 of 878 results

Padula, 1846

20,00 

Padula, 1846 è un fac-simile di una pianta della Certosa di S. Lorenzo a Padula, situata in Puglia.
Questa litografia, realizzata nel 1846 e tratta dal volume Picturesque Polyorama di Napoli, offre una bella veduta della storica certosa, rendendola un pezzo non comune per collezionisti e appassionati di arte.

  • Sheet size: mm. 140×160
  • Condition: Excellent
  • Support: Paper
  • Notes: Margini quasi assenti; presenta scritte al retro.

Paestum Temple of Ceres, 1890

20,00 

Paestum Temple of Ceres it's a woodblock print built in 1890, which represents one of the most fascinating monuments of antiquity.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 10×12 approximately, surrounded by descriptive text. The complete sheet measures cm. 30×20 and also includes text on the back.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Paestum, 1835

20,00 

Paestum, 1835 It is an engraving made at burin su acciaio, che rappresenta un’importante testimonianza artistica del XIX secolo.
This work is taken from L'Univers, histoire et description de tous les peuples by M. Le Chevalier ARTAUD.

  • Sheet size: mm. 132×94
  • Condition: Good
  • Support: Steel
  • Margins: Good margins, white back

Paestum, 1838

20,00 

Paestum, 1838 it's a lithography che offre una veduta generale degli avanzi di Paestum.
Questa stampa, realizzata nel 1838, è parte della pubblicazione Picturesque Polyorama, un’opera periodica concepita per diffondere conoscenze utili in tutte le classi della società.

  • Sheet size: cm. 9×15 approx.
  • Condition: Excellent
  • Support: Paper

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Paestum, 1840

30,00 

Paestum, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10.2×15.5 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta piccoli margini ed è in ottime condizioni generali, rendendola un pezzo pregiato per collezionisti e appassionati di arte.

Paestum, Il Tempio, 1845

50,00 

Paestum, Il Tempio è una litografia realizzata nel 1845, che rappresenta il celebre Tempio di Paestum.
This work is taken from the work Napoli e le sue vicinanze di Nobile, con disegni di Vianelli e litografie di Zezon.

  • Sheet size: cm. 18×27 approx.
  • Engraving size: cm. 14×22 approx.
  • Support: Thick paper with white backing
  • Condition: Good, with some stains on the edges

Paestum, Interno del tempio di Nettuno, 1824

20,00 

Paestum, Interno del tempio di Nettuno è un’incisione in rame realizzata nel 1824, tratta dall’opera Itineraire inscrutif de Rome a Naples del Chev. M. Vasi.
Questa incisione offre una vista affascinante dell’interno del tempio di Nettuno, un’importante testimonianza della storia architettonica di Paestum.

  • Sheet size: cm. 18,5×10 circa
  • Engraving size: cm. 12,5×7,5 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Paestum, Tempio di Nettuno, 1824

20,00 

Paestum, Tempio di Nettuno è un’incisione in rame realizzata nel 1824, tratta dall’opera Itineraire inscrutif de Rome a Naples del Chev. M. Vasi.
Questa incisione rappresenta uno dei monumenti più iconici dell’antichità, il Tempio di Nettuno, situato nell’antica città di Paestum.

  • Sheet size: cm. 18,5×10 circa
  • Engraving size: cm. 12,5×7,5 circa
  • Support: Light paper
  • Condition: Excellent condition

Paestum, Templi, 1850

30,00 

Paestum, Templi è un’incisione realizzata nel 1850, che offre una splendida veduta dei templi di Paestum.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

This engraving stands out for its sharpness and liveliness, making it a valuable piece for collectors and art enthusiasts.

Papyrus in Sicily, 1835

30,00 

Papyrus in Sicily It is an engraving made in 1835, which represents a variety of plants typical of the Sicilian region, including Cotton wool, Papyrus, Aloe, prickly pear And Sugar cane.
This work is taken from the volume “Italy, Sicily, the Aeolian Islands, Elba, Sardinia, Malta, Calypso Island, etc.” by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16
  • Engraving size: cm. 25×16 approx.
  • Technique: Burin
  • Support: Medium thickness paper
  • Condition: Good

Persano, Salerno, 1840

30,00 

Persano, Salerno è un’incisione in acciaio realizzata nel 1840, che offre una splendida veduta dal mare della località, con barche e pescatori intenti nelle loro attività quotidiane.
Questa opera è caratterizzata da dettagli vividi e una composizione che cattura l’essenza della vita marittima.

  • Sheet size: mm. 195×125
  • Engraving size: mm. 140×102
  • Support: Paper
  • Condition: Excellent

Fishing, 1844

20,00 

Fishing, 1844 it's a lithography which offers a splendid view of the Peschici sanctuary, located in South Apulia.
This work is taken from the volume Picturesque Polyorama, published in Naples in 1846.

  • Sheet size: mm. 155×125
  • Condition: Excellent, with almost no margins
  • Support: Paper
  • Notes: The print has writing on the back and is considered a beautiful view, not common.

Pescina, L'Aquila, 1841

20,00 

Pescina, L'Aquila, 1841 it is a lithograph representing the house of Mazzarini in Piscina, made by Smargiassi in 1836.
This work is taken from the volume Picturesque Polyorama, published in Naples between 1836 and 1837.

  • Sheet size: mm. 152×108
  • Support: Paper
  • Condition: Excellent
  • Characteristics: Small margins and text on the back

Lithography offers a beautiful panoramic view of the ancient house of the famous Cardinal Mazarin, making it a fascinating piece for collectors and history buffs.

Petra Rosetti, Benevento, 1885

20,00 

Petra Rosetti, Benevento, 1885 it is a woodcut that represents Petra Roseti sul Calore presso Benevento.
Questa incisione, con dimensioni di cm. 14×18 e margini ridotti, è tratta dal volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1885.

  • Engraving size: cm. 14×18
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Piazza di Pozzuoli, 1839

20,00 

Piazza di Pozzuoli, 1839 è un’incisione in rame realizzata da Segoni, che offre una bella veduta decorativa della piazza.
This work is taken from Picturesque Omnibus, un’enciclopedia artistica e letteraria con figure incise in rame, diretta da Vincenzo Torelli e pubblicata a Napoli dalla tipografia dell’Omnibus nel 1839.

  • Printed part dimensions: cm. 16×11 approx.
  • Condition: Excellent
  • Support: Paper
  • Notes: The print has been cut from the book and has writing on the back; it is shipped complete with mat.

Piedigrotta, Napoli, Processione, 1854

30,00 

Piedigrotta, Napoli, Processione it's a lithographic printing made in 1854.
This work comes from Picturesque Polyorama, un’importante pubblicazione periodica diretta a diffondere conoscenze utili in tutte le classi della società.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 14×24 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
Picturesque Polyorama fu pubblicato dal 1836 al 1860 nel Regno delle Due Sicilie e trattava vari argomenti, tra cui scienze, tecnologia e arte.

Piedimonte d’Alife, Caserta, 1845

25,00 

Piedimonte d’Alife, Caserta, 1845 it's a lithographic printing che rappresenta il Conventino de’ PP.MM. Alcantarini in Piedimonte di Alife.
This work comes from Picturesque Polyorama, an important 19th-century publication aimed at spreading useful knowledge across all social classes.

  • Print Size: cm. 16×24
  • Margins: almost absent
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.
The Picturesque Polyorama fu pubblicato dal 1836 al 1860 nel Regno delle Due Sicilie e si occupò di vari argomenti, tra cui scienze, tecnologia e arte.

Pierre Vander AA, Plan of the city of Nola, 1729

40,00 

Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the Thesaurus antiquitatum et historiarum Italiae.
This detailed map represents the city of Nola, located in the province of Naples, and was created using the etching technique on laid paper.

  • Sheet size: cm. 40×24 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Laid paper
  • Condition: Excellent

Pompeii, 1819

25,00 

Pompeii, 1819 It is an engraving made by TO THE CASTELLAN using the etching technique.
This work, which measures 105x140 mm, is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Pompeii, 1834

25,00 

Pompeii, 1834 It is a steel engraving representing an important work of the 19th century.
This engraving is taken from Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main in 1834.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms on the white back

Pompeii, 1835

30,00 

Pompeii, 1835 It is an engraving made by Coach del. Monthellier, executed with the technique of burin on copper.
This work, part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot senior, is dated between 1835 and 1837.

  • Sheet size: mm. 177 x 128
  • Condition: Good margins, perfect condition
  • Support: Heavy paper, white back

Pompeii, 1835

30,00 

Pompeii, 1835 It is an engraving made by Vogel, which represents the City gate of Pompeii on the side of Herculaneum.
This work is a burin on copper sized 168×110 mm, with margins, and comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16.8×11 approx.
  • Engraving size: cm. 16.8×11 approx.
  • Support: Medium paper
  • Condition: Excellent

Pompeii, 1835

20,00 

Pompeii, 1835 It is a burin engraving on steel that represents an important historical testimony.
This work is taken from L'Univers, histoire et description de tous les peuples by M. Le Chevalier Artaud.

  • Sheet size: mm 132 x 95
  • Support: Steel
  • Condition: Good margins, white back

Pompeii, 1840

30,00 

Pompeii, 1840 It is a steel engraving that captures the essence of the historic city of Pompeii.
Made in 1840 and published in the volume Picturesque Italy from the publisher Ernst Kollmann of Leipzig, this work is an example of high quality engraving art.

  • Sheet size: 14 x 23 cm approx.
  • Engraving size: 10.2 x 15.5 cm approx.
  • Support: Paper
  • Condition: Excellent general condition

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