Southern Italy

Showing 745–768 of 898 results

Salerno, 1835

25,00 

Salerno, 1835 It is a copper engraving that offers a splendid decorative view of the city.
This work is taken from Italy by Le Chevalier Artaud, published in Paris in 1835.

  • Sheet size: mm. 140×85 approx.
  • Support: Light paper
  • Condition: Excellent condition

Salerno, 1835

25,00 

Salerno, 1835 è un’incisione al bulino su rame che cattura la bellezza di questa storica città.
Realizzata nel 1835, l’opera fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 110×80 circa, con margini irregolari
  • Condition: Perfect condition
  • Support: Retro bianco

Salerno, 1835

25,00 

Salerno, 1835 è un’incisione al bulino su acciaio, realizzata nel 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Salerno, 1840

30,00 

Salerno, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, un noto paesaggista e litografo francese.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta piccoli margini e si trova in ottime condizioni generali.
Lindemann-Frommel, nato nel 1819 e morto a Roma nel 1891, ha studiato a Karlsruhe e Monaco, trasferendosi poi a Roma nel 1856, dove ha insegnato all’Accademia di Santa Lucia. Le sue opere sono conservate in diversi musei tedeschi, con vedute di Sorrento, Capri e La Spezia.

Salerno, 1877

25,00 

Salerno, 1877 It is a watercolour woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This engraving, which measures cm. 10×15 con margini ridotti, è tratta dal volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1885.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Salerno, Avanzi del castello, 1838

20,00 

Avanzi del castello di Salerno è una litografia realizzata nel 1838, che rappresenta i resti del castello di Salerno.
This print is taken from the work Picturesque Polyorama, una pubblicazione periodica ideata per diffondere conoscenze utili a tutte le classi sociali.

  • Sheet size: cm. 9×15 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in a page cut from the book and has writing on the verso. The entire page containing the print is shipped.

Salerno, Paestum, 1781-1786

50,00 

Salerno, Paestum, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This work is a vista presa d’apres nature sul cammino da Napoli a Paestum, situata a breve distanza da Salerno.

  • Sheet size: mm. 230×165 approximately, with irregular margins
  • Technique: Etching
  • Condition: Perfect state of preservation
  • Support: Paper

L’incisione fa parte dell’opera Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, pubblicata tra il 1781 e il 1786. Questa bella veduta è animata e offre un affascinante sguardo sulla bellezza del paesaggio italiano.

Salerno, Veduta, 1838

20,00 

Salerno, Veduta è una litografia del 1838 che rappresenta una vista panoramica di Salerno, precisamente dal punto in cui approdarono i 40 Normanni, dove il fiume Irno incontra il mare.
This print is taken from the work Picturesque Polyorama, un periodico dedicato alla diffusione di conoscenze utili per tutte le classi sociali, pubblicato a Napoli dalla tipografia e litografia del Poliorama Pittoresco sotto la direzione di Filippo Cirelli.

  • Sheet size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent
  • Era: XIX
  • Technique: Lithography
  • Dimensions: Small

Sangro, The Valley, 1877

25,00 

The Sangro Valley It is a woodcut engraving made by Adolf Closs in 1877.
This work, which measures 250x186 mm, is taken from the volume From the Alps to Etna by W. Kaden.

  • Sheet size: mm. 250×186 approx.
  • Support: Paper
  • Condition: Excellent condition
  • Notes: The print was cut from the book and has writing on the back.

This is a beautiful ancient view that captures the essence of the Sangro Valley.

Sanctuary of Montevergine, 1856

25,00 

Sanctuary of Montevergine It is a lithograph made in 1856, coming from the work Picturesque Polyorama, a periodical dedicated to the dissemination of useful knowledge.
This print, measuring approximately 15 x 23 cm, was cut from the book and features writing on the back.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 15×23 approx.
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

The print will be shipped with the full page containing it.

Scafati, 1846

20,00 

Scafati, 1846 it's a lithography che offre una suggestiva veduta del ponte di Scafati.
This work is taken from the volume Picturesque Polyorama, pubblicato a Napoli nel 1837.

  • Sheet size: mm. 156×100
  • Margins: almost absent
  • Condition: Ottima, con scritte al retro
  • Price: € 20,00

​Scanno, The Lake, L'Aquila, 1886

30,00 

Scanno, The Lake, L'Aquila It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work presents a small-sized image, enriched by writing around it and annotations on the back of the sheet.

  • Sheet size: cm. 10×17 approx.
  • Support: Paper
  • Condition: Excellent

​Scanno, L'Aquila, The Madonna of the Lake, 1886

30,00 

Scanno, L'Aquila, The Madonna of the Lake It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work presents an image measuring 9x13 cm, enriched by writings around it and annotations on the back of the sheet.

  • Sheet size: Small
  • Engraving size: cm. 9×13 approx.
  • Support: Paper
  • Condition: Excellent

Scanno, L'Aquila, Passage along the mouth of Scanno, 1886

30,00 

Scanno, L’Aquila, Passaggio lungo la foce di Scanno è un’incisione del 1886, tratta da The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni cm. 11×18, arricchita da scritte intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 11×18 circa
  • Engraving size: cm. 11×18 circa
  • Support: Paper
  • Condition: Excellent state of preservation

Excavations at Pompeii, 1877

50,00 

Excavations in Pompeii It is a hand-coloured woodcut made in 1877, which represents an important testimony of the archaeological excavations in Pompeii.
This work is taken from the volume Italian by W. Kaden, and is characterized by a high artistic and decorative quality.

  • Sheet size: mm. 280×370
  • Engraving size: mm. 190×245
  • Support: Paper
  • Condition: Excellent

Scylla, 1835

30,00 

Scylla, 1835 It is an engraving made at burin su acciaio, proveniente dall’opera Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di AUDOT padre, pubblicata tra il 1835 e il 1837.
Questa incisione presenta un formato di cm. 25×16 and stands out for its medium thickness paper with white back.

  • Condition: Good state of preservation
  • Dimensions: Great

Scylla, 1840

30,00 

Scylla, 1840 It is an engraving made by Frommel, which skillfully combines the technique of burin on steel.
This work, which measures 15x10 cm, is printed on a sheet of 22x14 cm and is part of the volume Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

This beautiful view offers a very suggestive representation of the landscape.

Scylla, Panorama, 1890

20,00 

Scylla, Panorama it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Scilla, Rock and promontory 1850

40,00 

Scilla, Rupe e promontorio è un’incisione realizzata nel 1850, che offre una splendida veduta della costa.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18
  • Support: Strong paper
  • Condition: Excellent

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un’aggiunta preziosa per ogni collezione.

Roman Sepino, Campobasso 1856

25,00 

Roman Sepino, Campobasso 1856 it is a valuable one lithographic printing representing a view of Sepino, made in 1856.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 18×15 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.

Sepino, 1856

20,00 

Sepino, 1856 it's a lithographic printing of great historical and artistic interest.
This work is taken from Picturesque Polyorama, a periodical publication aimed at disseminating useful knowledge to all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 13×15 approx.
  • Support: Paper
  • Condition: Good

The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.

Serra S. Bruno, 1856

20,00 

Serra S. Bruno it is a lithograph from 1856 which represents the Priory Chapel of the Royal Charterhouse of S. Stefano del Bosco.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 12×20 approx.
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Sessa, Colonna per il Duomo di Sessa, 1845

20,00 

Colonna per il Duomo di Sessa it's a lithographic printing realizzata nel 1845 da S. Puglia.
Questa opera rappresenta la colonna per il cereo pasquale nel duomo di Sessa ed è tratta dal volume Picturesque Polyorama, un’importante pubblicazione del XIX secolo che mirava a diffondere conoscenze utili in tutte le classi sociali.

  • Sheet size: cm. 15×18 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, cut from the book with writing on the back, shipped complete with passepartout.

Sessa, Tribune of the Cathedral, 1845

20,00 

Sessa, Tribune of the Cathedral it is a lithograph from 1845 which represents a beautiful view of the ancient tribune of the Cathedral of Sessa.
This print was made by S. Puglia and measures cm. 15×18, with almost no margins.
It is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Published in Naples by the typography and lithography of Poliorama Pittoresco, under the direction of Filippo Cirelli, the periodical had an editorial life from 1836 to 1860.
The print has been cut from the book and has writing on the verso; it is shipped complete with mat.

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.