Southern Italy

Showing 73–96 of 873 results

Barletta, 1835

30,00 

Barletta, 1835 It is an engraving made with the technique of bulino su rame acquarellato.
This work, taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di AUDOT padre, risale al periodo 1835-1837.
The press presents a sharp and fine engraving, molto animata, che raffigura il Colosso Eraclio and the Basilica del Santo Sepolcro.

  • Sheet size: mm. 83×110
  • Support: Medium paper
  • Condition: Excellent
  • Margins: Piccoli margini irregolari

Barletta, Church of the Sepulchre and Colossus, 1890

20,00 

Barletta, Chiesa del Sepolcro e Colosso è una stampa xilografica realizzata nel 1890, che rappresenta un’importante testimonianza artistica del tardo Ottocento.
Questa opera presenta un’immagine di cm. 16×12 circa, circondata da testo e con ulteriore testo al verso del foglio, che misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 16×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Benedetto Marzolla, Map of Naples, 1845

120,00 

Naples Map It is a lithograph made by Benedict Marzolla in 1845.
This detailed outline map of Naples was constructed using the most recent and accurate materials of the time, highlighting all postal, rolling stock and railway roads.

  • Sheet size: cm. 46×23 approx.
  • Support: Lightweight paper with white backing
  • Condition: Good condition, with editorial creases and some sporadic stains

Benevento, 1839

40,00 

Benevento, 1839 è un’incisione in acciaio realizzata da W.L. Leitch e J. Redaway nel 1839, pubblicata da Fischer e Son a Londra e Parigi.
This work represents a nice animated scene che cattura l’essenza della vita a Benevento nel XIX secolo.

  • Sheet size: mm. 265×200
  • Engraving size: mm. 190×130
  • Support: Thick paper
  • Condition: Excellent condition

Benevento, Arch of Trajan, 1835

25,00 

Benevento, Arch of Trajan It is an engraving made in 1835, which represents a beautiful decorative view of the Arc de Trajan.
This work is taken from the volume Italy by Le Chevalier Artaud, published in Paris in 1835.

  • Sheet size: mm. 140×85 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Benevento, Arch of Trajan, 1890

20,00 

Benevento, Arch of Trajan it's a woodblock print made in 1890, which represents an important work of the late nineteenth century in Italy.
This print features an image measuring approximately 16 x 12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30 x 20 cm.

  • Sheet size: cm. 30×20
  • Image size: cm. 16×12
  • Support: Paper
  • Condition: Excellent

Benevento, C. Frommel, 1829

40,00 

Beneventum è un’acquaforte acquarellata realizzata da C. Frommel In the 1829.
Questa suggestiva veduta, molto decorativa, è tratta da Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Medium paper with white back
  • Condition: Excellent condition

Benevento, Facade of the Cathedral, 1890

20,00 

Benevento, Facade of the Cathedral it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with further text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Condition: Excellent
  • Support: Paper

Benevento, Caudine Forks, 1835

25,00 

Benevento, Forche Caudine è un’incisione realizzata nel 1835 da Vogel.
Questa opera, che rappresenta il Vallo di Caudium, è eseguita in burin on copper and is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Support: Medium paper
  • Condition: Good state of preservation

Benevento, Caudine Forks, 1889

15,00 

Benevento, Forche Caudine è un’incisione xilografica realizzata nel 1889, che rappresenta una bella veduta decorativa della Vallèe des fourches Caudines.
This work is taken from the volume Naples and Sicily by J. Gourdault, published in Paris.

  • Sheet size: mm. 104×100
  • Support: Paper
  • Condition: Excellent condition
  • Notes: Almost no margins and writing on the back

Benevento, Lepers' Bridge, 1836

20,00 

Benevento, Lepers' Bridge it's a lithographic printing built in 1836.
This work comes from the publication Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 28×20 approx.
  • Printed part dimensions: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The print has writing around and on the back, and the entire page containing the work will be shipped.

Benevento, Remains of the amphitheater, 1838

20,00 

Benevento, Resti dell’anfiteatro è una litografia del 1838 che rappresenta gli avanzi dell’anfiteatro di Benevento, vista dalla parte settentrionale.
This print is taken from the work Picturesque Polyorama, a periodical publication dedicated to the dissemination of useful knowledge for all social classes.

  • Sheet size: cm. 9×15 approx.
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Benevento, Coat of Arms, 1871

15,00 

Benevento, Stemma it's a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta lo stemma della città di Benevento, un simbolo di orgoglio e identità locale.

  • Sheet size: cm. 8x9 approx.
  • Support: Light sheet
  • Condition: Excellent condition
  • Notes: The print was removed from the book and has writing on the verso.

Boscotrecase, Torre Annunziata, 1845

25,00 

Boscotrecase, Torre Annunziata it's a lithography from 1845 which offers a suggestive view of the surroundings of Naples, with the majestic Vesuvius in the background.
This print, taken from the work Picturesque Polyorama, is an example of how art can spread useful and enjoyable knowledge.

  • Sheet size: cm. 12×22 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.

Toast, 1835

25,00 

Toast, 1835 è un’incisione in rame che offre una bella veduta decorativa della città di Brindisi.
This work is taken from Italy by Le Chevalier Artaud, published in Paris in 1835.

  • Sheet size: mm. 140×85 approx.
  • Condition: Excellent
  • Support: Lightweight sheet with white backing
  • Margins: Small margins

Brindisi, House of Virgil, 1840

40,00 

Brindisi, Casa di Virgilio è un’incisione realizzata nel 1840, che rappresenta una veduta animata della casa di Virgilio a Brindisi.
Questa opera è stata creata da C. Werner, con incisione in acciaio eseguita da Bertrand.

  • Sheet size: mm. 240×320 circa
  • Engraving size: mm. 160×220 circa
  • Support: Thick engraving paper
  • Condition: Perfette, nitida e ben contrastata

Brindisi, Port, 1890

20,00 

Brindisi, Port, 1890 it's a woodblock print which represents a fascinating glimpse of the port of Brindisi, dating back to the end of the 19th century.
This work is characterized by a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety, offering a complete viewing experience.

  • Era: XIX
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Brindisi, Ruins of the Temple of San Giovanni, 1890

20,00 

Brindisi, Rovine del tempio di San Giovanni it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Calabria Citeriore, Coat of arms, 1865

15,00 

Calabria Citeriore, Coat of Arms it is a heraldic engraving made in 1865, representing the civic coat of arms of Calabria Citeriore.
This chromolithography It is taken from Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition
  • Support: Paper

The page contains the coat of arms and some historical notes on the city, with writings also on the back.

Calvi Risorta, Caserta, Coat of Arms, 1865

15,00 

Calvi Risorta, Caserta, Coat of Arms it is a civic heraldic engraving made in 1865.
This chromolithography It is taken from Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated by approximately 1000 colored municipal weapons.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Support: Paper
  • Condition: Excellent

The page contains the coat of arms and some historical notes on the city, with writings also on the back.

Camels, Isernia, Coat of Arms, 1865

15,00 

Coat of arms of Cameli, Isernia it is a civic heraldic engraving made in 1865.
This chromolithography comes from Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition
  • Support: Paper

The page contains the coat of arms and some historical notes on the city, with writings also on the back.

Countryside, Salerno, Coat of Arms, 1865

15,00 

Coat of arms of Campagna, Salerno it is a civic heraldic engraving made in 1865.
This chromolithography It is taken from Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition

The page contains the coat of arms and some historical notes on the city, with writings also on the back.

Champs Elysees, 1835

35,00 

Campi Elisei è un’incisione realizzata nel 1835, eseguita con la tecnica del burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Condition: Good state of preservation
  • Support: Medium paper

Elysian Fields from Cape Miseno, Phlegraean Fields, 1841

30,00 

Campi Elisi da Capo Miseno è un’incisione originale realizzata nel 1841, che rappresenta una splendida veduta dei Campi Elisi.
Questa opera è stata creata da William Leitch e Henry Bartlett per il corredo grafico dell’opera di George Newenham Wright, The Rhine, Italy, and Greece, pubblicata a Londra dalla casa editrice Fisher, Son & Co.

  • Sheet size: mm. 260×192
  • Engraving size: mm. 192×123
  • Technique: Burin
  • Support: Thick paper with white backing
  • Condition: Excellent

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