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Toasts
Toast, 1835
25,00 €Toast, 1835 è un’incisione in rame che offre una bella veduta decorativa della città di Brindisi.
This work is taken from Italy by Le Chevalier Artaud, published in Paris in 1835.
- Sheet size: mm. 140×85 approx.
- Condition: Excellent
- Support: Lightweight sheet with white backing
- Margins: Small margins
Brindisi, House of Virgil, 1840
40,00 €Brindisi, Casa di Virgilio è un’incisione realizzata nel 1840, che rappresenta una veduta animata della casa di Virgilio a Brindisi.
Questa opera è stata creata da C. Werner, con incisione in acciaio eseguita da Bertrand.
- Sheet size: mm. 240×320 circa
- Engraving size: mm. 160×220 circa
- Support: Thick engraving paper
- Condition: Perfette, nitida e ben contrastata
Toast, The Castle, Saint-Non, 1781
120,00 €Toast, The Castle It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work offers a suggestive view of the Castle of Brindisi and part of its port.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 17×22 approx.
- Technique: Etching on laid paper colored with watercolor
- Condition: Excellent state of preservation
- Work taken from: “Voyage Pittoresque or description of the Royal Palaces of Naples and Sicily”
Brindisi, Port, 1890
20,00 €Brindisi, Port, 1890 it's a woodblock print which represents a fascinating glimpse of the port of Brindisi, dating back to the end of the 19th century.
This work is characterized by a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety, offering a complete viewing experience.
- Era: XIX
- Technique: Woodcut
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Brindisi, Ruins of the Temple of San Giovanni, 1890
20,00 €Brindisi, Rovine del tempio di San Giovanni it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Brindisi, View of the City, Saint-Non, 1781
120,00 €Brindisi, Veduta della Città It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work, entitled Vue de la Ville de Brindes, è un’acquaforte su carta vergellata colorata all’acquarello, parte del volume Voyage Pittoresque ou description des Royaumes de Naples et de Sicile.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 17×22 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Factories of Brindisi, 1819
25,00 €Brindisi Factories it is an etching made by AL Castellan in 1819.
This work is taken from Letters on Italy, published in Paris by A. Nepveu.
- Sheet size: cm. 20×12 approx.
- Engraving size: cm. 14×11 approx.
- Support: Paper
- Condition: Excellent state of preservation
Antoine-Laurent Castellan, painter and engraver, was born in Montpellier in 1772 and died in Paris in 1838.
Decorated with the Legion of Honour and a member of the Academy of Fine Arts, Castellan is known for his landscapes, particularly for the works included in View of Italy And View of the Alps.
Monuments of Brindisi, 1819
25,00 €Monuments of Brindisi It is an engraving made by TO THE CASTELLAN in 1819.
This etching it is part of the work Letters on Italy, published in Paris by A. Nepveu.
- Sheet size: cm. 20×12 approx.
- Engraving size: cm. 14×11 approx.
- Support: Paper
- Condition: Excellent state of preservation
Antoine Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.
Oria (Brindisi), 1842
30,00 €Oria (Brindisi) it's a lithography realizzata nel 1842, che offre una rara veduta della storica cittadina di Oria, situata in provincia di Brindisi.
This work is taken from the volume Picturesque Polyorama, pubblicato a Napoli, e presenta scritte al retro, rendendola un pezzo unico per collezionisti e appassionati di storia.
- Sheet size: mm. 150×113
- Condition: Excellent
- Support: Paper
Ostuni, Table of the Paladins, 1876
15,00 €Tavola de’ Paladini è un’incisione xilografica realizzata nel 1876, che rappresenta i famosi dolmen pugliesi situati nel comune di Fasano.
This work is taken from the volume Italian di K. Stieler e W. Kaden, pubblicato a Stuttgart.
- Sheet size: cm. 18×15 approx.
- Support: Light paper
- Condition: Excellent state of preservation
- Notes: Almost no margins and writing on the back
Otranto, 1834
25,00 €Otranto, 1834 è un’incisione in acciaio realizzata da Strahlheim Conrad Friedrich, pubblicata nel 1834.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst…, edito a Frankfurt am Main.
- Sheet size: mm. 240×150
- Engraving size: mm. 140×90
- Support: Light paper
- Condition: Excellent, with sporadic blooms on the white back
Port of Brindisi, 1889
15,00 €Port of Brindisi, 1889 it's a woodblock print which represents a view of the famous Apulian port.
This work is taken from the volume Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette in 1889.
- Sheet size: cm. 10x9 approx.
- Condition: Excellent
- Support: Paper
The print is cut from the book page and features lettering around and on the verso, making it a unique piece for collectors and history buffs.
View of the city of Brindisi, 1837
20,00 €Veduta della città di Brindisi It is a woodcut engraving made in 1837.
This work is taken from Pictorial Cosmorama, una rivista innovativa che ha dato spazio alle illustrazioni nel panorama editoriale dell’epoca.
- Sheet size: cm. 17×12 approx.
- Support: Paper
- Condition: Ottima, con un piccolo strappo restaurato
- Shipping: Completa di passepartout
Questa bella veduta decorativa offre uno spaccato della città di Brindisi e rappresenta un pezzo significativo della storia dell’illustrazione.
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