Naples

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1575 Universal Cosmography, Naples, Vesuvius

30,00 

1575 Universal Cosmography, Naples, Vesuvius it is an engraving in woodcut taken from the famous work Universal Cosmography by Sebastian Münster, published in 1575 in Paris by Michel Sonnius.
This work represents one of the first descriptions of the world in the German language and has been enormously successful, with numerous editions in different languages.

  • Sheet size: cm. 21×34 approx.
  • Image size: cm. 6×6 approx.
  • Support: Paper
  • Condition: Excellent

There Cosmography Universalis It is considered one of the most popular books of the 16th century, with 24 editions in 100 years, the last of which was published in 1628, long after the author's death.

1880 Naples Vesuvius panorama watercolor woodcut

35,00 

Naples panorama with smoking Vesuvius. Woodcut from a French textImage size approx. 12x18 cm on 16x25 cm sheet. The print has a white back; light sheet. Water-coloured at a later date.

1880 Naples Vesuvius watercolor woodcut

30,00 

Naples panorama with smoking Vesuvius. Woodcut from a German textImage size approx. 12x12 cm; almost no margins. The print was extracted from the book and has a printed back; light sheet. Water-coloured at a later date.

1884 Naples from Corso Vittorio Emanuele watercolour woodcut

40,00 

Naples, vue de cours Victor-Emmanuel – 1884
Incisione xilografica acquarellata a mano, tratta dall’opera Italie di Jules Gourdault, pubblicata a Parigi nel 1884.
La scena raffigura una suggestiva veduta del corso Victor-Emmanuel a Napoli, con il Vesuvio fumante sullo sfondo. L’acquarellatura esperta dona profondità e vivacità ai dettagli, rendendo l’opera affascinante e decorativa. Stampata su carta leggera con retro stampato, è in ottime condizioni di conservazione.

  • Era: 19th century (1884)
  • Technique: Hand-watercoloured woodcut engraving
  • Dimensions: Incisione: 18×19 cm; intero foglio: 20×22 cm
  • Support: Lightweight paper with printed back
  • Condition: Excellent

Una veduta di grande fascino, perfetta per collezionisti di stampe antiche e amanti delle rappresentazioni storiche di Napoli e dei suoi dintorni.

Arcofelice, Pozzuoli, 1781-1786

60,00 

Arcofelice, Pozzuoli, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This etching, part of the work Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, offers a beautiful lively view of the historic town of Pozzuoli.

  • Sheet size: mm. 230×165 approximately, with irregular margins
  • Condition: Perfect condition
  • Support: Paper

Avernus and Lake Fusaro, 1847

30,00 

Avernus and Fusaro Lake It is an engraving made in 1847, which offers a suggestive view of Lake Averno and Fusaro, located near Naples.
This work is made with the technique of burin on steel, and was hand-watercoloured, giving it a unique and artistic touch.

  • Sheet size: mm. 150×100 approx.
  • Support: Paper with wide margins and white back
  • Condition: Excellent

Avernus, Lake, Phlegraean Fields, 1830

30,00 

Avernus, Lake, Phlegraean Fields It is a copper engraving colored with watercolour made in 1830.
This decorative view of Lake Avernus features vivid detail and a charming composition.

  • Sheet size: mm. 190×126 plus margins
  • Engraving size: mm. 190×126
  • Support: Medium paper
  • Condition: Excellent condition

Avernus, Lake, Phlegraean Fields, 1835

20,00 

Avernus, Lake, Phlegraean Fields It is a burin engraving made in 1835, which captures the beauty of the Phlegraean landscape.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Good state of preservation

Blue Bay, Naples, Phlegraean Fields, 1889

15,00 

Blue Bay, Naples, Phlegraean Fields it's a woodblock print made in 1889, which captures the beauty of one of the most evocative places in Naples.
This work is taken from the volume Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.

  • Sheet size: cm. 14×10 approx.
  • Support: Paper
  • Condition: Excellent

Bay from the Island of Procida, 1845

20,00 

Bay from the Island of Procida it's a lithographic printing built in 1845, which offers a suggestive view of the coasts of Baia, seen from the island of Procida.
This work is taken from the periodical Picturesque Polyorama, directed by Filippo Cirelli, which aimed to spread useful knowledge to all classes of society.

  • Sheet size: cm. 24×11 approx.
  • Support: Paper
  • Condition: Excellent

The print has almost no margins and has been cut from the book, with writing on the verso. A great addition for history and art lovers.

Bay, 1847

30,00 

Bay, 1847 è un’incisione al bulino che rappresenta una vista panoramica della Baia di Bajae con il Smoking Vesuvius.
Realizzata nel 1847, questa opera è tratta da un libro tedesco della metà dell’800.

  • Sheet size: mm. 250×182
  • Engraving size: mm. 150×100
  • Support: Paper
  • Condition: Excellent

Bay, AH Payne, 1850

30,00 

Bay is an engraving made by AH Payne in 1850, which offers a suggestive overview of the town of Campi Flegrei.
This work is performed in burin on steel, with an engraving measuring 16.5x11 cm on a sheet of 22x18 cm.

  • Back: White
  • Condition: Excellent condition

Baia, Phlegraean Fields, 1829

25,00 

Bay, Phlegraean Fields è un’incisione a bulino realizzata nel 1829, che offre una suggestiva veduta della storica località.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper, white back
  • Condition: Excellent condition
  • Rarity: Rare

Baia, Phlegraean Fields, 1829

25,00 

Bay, Phlegraean Fields è un’incisione realizzata nel 1829, che offre una suggestiva veduta animata della storica area dei Campi Flegrei.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 16×12 approx.
  • Engraving size: mm. 107×75 approx.
  • Support: Medium paper with white back
  • Condition: Excellent condition
  • Rarity: Rare

Baia, Phlegraean Fields, 1829

30,00 

Bay, Phlegraean Fields It is a watercolour copper engraving, made in 1829.
This suggestive view is taken from the work Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Medium paper, white back
  • Condition: Excellent condition

Bay, Phlegraean Fields, 1889

20,00 

Bay, Phlegraean Fields è un’incisione xilografica realizzata nel 1889, che offre una splendida veduta decorativa della zona.
This work is taken from the volume Naples and Sicily by J. Gourdault, published in Paris.

  • Sheet size: mm. 190×130 circa
  • Condition: Excellent condition
  • Support: Carta, con retro bianco

Bay, Phlegraean Fields, Naples, 1892

25,00 

Bay, Phlegraean Fields, Naples It is a watercolour woodcut made in 1892 by Chevalier C. Abbé, a work that captures the beauty of the view of Baia.
This piece is taken from the volume Naples le Vesuve and Pompeii. Travel sketches, which offers a precious testimony of the Neapolitan landscape of the time.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper with printed back
  • Condition: Excellent

Baia, Temple of Venus, 1834

20,00 

Baia, Temple of Venus it is a burin engraving made in 1834, which represents the famous Temple of Venus in Baia.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.

  • Sheet size: mm. 117×90
  • Support: Light glued paper
  • Condition: Good state of preservation

Baia, Temple of Venus, Phlegraean Fields, 1835

20,00 

Baia, Tempio di Venere, Campi Flegrei è un’incisione realizzata nel 1835, che rappresenta un’importante testimonianza artistica dei Campi Flegrei.
Questa opera è stata realizzata da STRUTT e fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Engraving size: mm. 105×73 circa
  • Technique: Burin
  • Support: Medium paper
  • Condition: Good state of preservation

Benedetto Marzolla, Map of Naples, 1845

120,00 

Naples Map It is a lithograph made by Benedict Marzolla in 1845.
This detailed outline map of Naples was constructed using the most recent and accurate materials of the time, highlighting all postal, rolling stock and railway roads.

  • Sheet size: cm. 46×23 approx.
  • Support: Lightweight paper with white backing
  • Condition: Good condition, with editorial creases and some sporadic stains

Boscotrecase, Torre Annunziata, 1845

25,00 

Boscotrecase, Torre Annunziata it's a lithography from 1845 which offers a suggestive view of the surroundings of Naples, with the majestic Vesuvius in the background.
This print, taken from the work Picturesque Polyorama, is an example of how art can spread useful and enjoyable knowledge.

  • Sheet size: cm. 12×22 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.

Champs Elysees, 1835

35,00 

Campi Elisei è un’incisione realizzata nel 1835, eseguita con la tecnica del burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Condition: Good state of preservation
  • Support: Medium paper

Elysian Fields from Cape Miseno, Phlegraean Fields, 1841

30,00 

Campi Elisi da Capo Miseno è un’incisione originale realizzata nel 1841, che rappresenta una splendida veduta dei Campi Elisi.
Questa opera è stata creata da William Leitch e Henry Bartlett per il corredo grafico dell’opera di George Newenham Wright, The Rhine, Italy, and Greece, pubblicata a Londra dalla casa editrice Fisher, Son & Co.

  • Sheet size: mm. 260×192
  • Engraving size: mm. 192×123
  • Technique: Burin
  • Support: Thick paper with white backing
  • Condition: Excellent

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