Northern Italy

Showing 385–408 of 998 results

Carnival in Milan, 1884

30,00 

Carnival in Milan It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work captures the lively atmosphere of the Milanese carnival, offering a glimpse into the culture and traditions of the time.

  • Sheet size: cm. 25×55 approx.
  • Support: Paper
  • Condition: Excellent

Carnival in Milan, drawing by E. Ximenes, 1884

30,00 

Carnival in Milan It is a woodcut made by E. Ximenes in 1884, published in the work The Italian Illustration from Fratelli Treves Editori.
This charming print captures the essence of the Milanese Carnival, an event rich in color and tradition.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

The sheet will be shipped whole, with writing on the back, to preserve its integrity and historical value.

Carnival in Milan, drawing by E. Ximenes, the masks, 1884

30,00 

Carnival in Milan It is a woodcut made by E. Ximenes in 1884, extracted from The Italian Illustration, published by Fratelli Treves Editori in Milan.
This work captures the essence of the masks of the Milanese carnival, paying homage to a lively and colorful tradition.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The sheet will be shipped whole, keeping the beauty of the print intact.

The Carnival of Milan, The Italian Masks, 1884

30,00 

Il Carnevale di Milano, Le Maschere Italiane It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
Questa opera cattura l’essenza del Carnevale milanese, rappresentando le tradizionali maschere italiane in un contesto vivace e festoso.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

Il castello di Tagliolo (Valle d’Orba), 1889

20,00 

Il Castello di Tagliolo (Valle d’Orba) è una xilografia realizzata nel 1889, tratta da The Italian Illustration.
Questa stampa antica offre una vista affascinante del castello, evidenziando i dettagli architettonici e il contesto paesaggistico.

  • Sheet size: mm. 107×155
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Il Castello di Tagliolo, 1889

20,00 

Il Castello di Tagliolo è un’incisione realizzata nel 1889, rappresentante il suggestivo castello situato nella Valle d’Orba.
Questa xilografia è tratta da The Italian Illustration e presenta un retro scritto, testimoniando la sua provenienza da un libro.

  • Sheet size: mm. 107×155
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Il Ponte di Carignano a Genova, 1837

20,00 

Il Ponte di Carignano a Genova è un’incisione in xilografia realizzata nel 1837.
This work is taken from Pictorial Cosmorama, una rivista che ha avuto un ruolo significativo nella diffusione delle illustrazioni artistiche nel XIX secolo.

  • Sheet size: cm. 20×14 approx.
  • Support: Paper
  • Condition: Buone condizioni, con scritte al retro in parte visibili

La stampa, ritagliata dal libro, viene spedita completa di passepartout e rappresenta una bella veduta decorativa di Genova.

Il Ponte di Cassano sull’Adda, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 12×16 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Il Teatro di Verona, 1707

50,00 

Incisione realizzata nel 1707, utilizzando la tecnica dell’acquaforte su rame.
Questa opera è stampata su carta leggera vergellata con retro bianco.
It is part of the volume Les delices de l’Italie di De Rogissart, edizione francese, pubblicata a Parigi nel 1707.

  • Sheet size: cm. 19×16 circa
  • Dimensioni dell’incisione: cm. 10×14 circa
  • Support: Laid paper
  • Condition: Discrete condizioni. Due pieghe editoriali.

The Temple of S. Fedele in Milan, 1837

20,00 

The Temple of S. Fedele in Milan It is a woodcut engraving made in 1837, which offers a beautiful decorative view of the historic Milanese church.
This print was extracted from the magazine Pictorial Cosmorama, published in the third year of its edition.

  • Printed part dimensions: cm. 11×16
  • Margins: almost absent
  • Condition: Excellent, with writing on the back partly visible
  • Support: Card, shipped complete with passepartout

Pictorial Cosmorama It was an innovative magazine for its time, founded by Giovanni Francesco Zini and directed by Giuseppe Sacchi, who gave great importance to illustrations.
This engraving represents a significant piece of Milanese artistic history.

The Mont Cenis Tunnel, 1892

20,00 

The Mont Cenis Tunnel It is a woodcut made in 1892 by the author Chevalier C. Abbé.
This work represents the Church of S. Restituta, located in the Cathedral of Naples, and is taken from the volume Naples le Vesuve and Pompeii. Travel sketches.

  • Sheet size: cm. 19×28 approx.
  • Engraving size: cm. 12×18 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Imola, Rocca (Prisons), 1890

20,00 

Imola, Rocca (Prisons) it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with further information on the back of the sheet, which measures cm. 30×20.
The entire sheet containing the print will be shipped, offering a complete experience for collectors and art enthusiasts.

Imola, Coat of Arms, 1871

15,00 

Imola, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa presenta una dimensione della parte incisa di cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Support: Paper
  • Condition: Excellent

The print was removed from the book and has writing on the verso.

Inaugurazione del Canale Villoresi, 1884

30,00 

Inaugurazione del Canale Villoresi it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un’importante testimonianza storica e verrà spedita con il foglio intero contenente la stampa.

  • Sheet size: cm. 25×35
  • Condition: Excellent
  • Support: Paper

Intra, 1840

25,00 

Intra It is an engraving made by Frommel in 1840, executed with the technique of burin on steel.
This work is a beautiful view taken from the volume Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Isola Bella (Lake Maggiore), 1835

20,00 

Beautiful Island (Lake Maggiore) It is a copper engraving made in 1835 by Leonce Audot.
This work offers a beautiful and decorative view of Isola Bella, located on the suggestive Lake Maggiore.

  • Sheet size: cm. 17×10 approx.
  • Support: Paper
  • Condition: Excellent

Isola Bella on Lake Maggiore, 1837

20,00 

Isola Bella on Lake Maggiore It is a lithograph made in 1837, which offers a fascinating view of one of the most iconic places on Lake Maggiore.
This print is taken from the work Picturesque Polyorama, a periodical founded by Filippo Cirelli and Salvatore Fergola, dedicated to the dissemination of knowledge in various fields.

  • Sheet size: cm. 10×15 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has almost no margins and has been cut from the book, with writing around and on the verso, making it a valuable decorative piece.

Beautiful Island, 1832

25,00 

Beautiful Island It is an engraving made in 1832, printed by C. Stanfield and published in Picturesque Annual based on a drawing by Clarkson Stanfield.
This work, which represents a fascinating view of Isola Bella, is made with the technique ofetching and burin.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent

Lecchi Island, Brescia, 1866

25,00 

Isola Lecchi, Brescia it's a woodcut tratta dal volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.
Questa stampa rappresenta un affascinante scorcio dell’isola e si distingue per la sua qualità artistica e storica.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Palmaria Island, La Spezia, 1875

20,00 

Palmaria Island, La Spezia it is a woodcut from 1875 representing the enchanting Palmaria Island in the Gulf of La Spezia.
This engraving, measuring 8x16 cm, was extracted from the volume Italy Pictorial Journey from the Alps to Etna, created by G. Stieler, E. Paulus and W. Kaden, published in Milan by Fratelli Treves.

  • Engraving size: cm. 8×16 approx.
  • Condition: Excellent condition
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Isolabella, 1834

25,00 

Beautiful Island It is an engraving made in 1834, taken from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
This work is an example of steel engraving, with dimensions of mm. 140×90 on a sheet of mm. 240×150.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Excellent, with sporadic blooms on the white back

Isolabella, 1841

15,00 

Beautiful Island it's a lithographic printing from 1841 which represents the enchanting Isola Bella on Lake Maggiore.
This work is taken from Picturesque Polyorama, a periodical work aimed at spreading useful knowledge to all classes of society.

  • Printed part dimensions: cm. 22×15
  • Margins: almost absent
  • Typography: Lithograph of the Poliorama Pittoresco, Naples
  • Director: Philip Cirelli
  • Condition: Excellent

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Isolabella, 1877

20,00 

Beautiful Island It is a woodcut engraving made by Adolf Closs in 1877, taken from the work Italy by J. Gourdault.
This evocative view presents a sharp, well-contrast image, animated by vivid details.

  • Size of the joke: mm. 182×180
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

The print was cut from the book and has writing on the back.

Isolabella, 1886

15,00 

Beautiful Island It is a woodcut engraving made in 1886, which represents a splendid decorative view of Isola Bella.
This work is based on a German book and has no margins, with writing on the back.

  • Sheet size: mm. 140×120
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

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