Music

Showing 1–24 of 37 results

1870 Facsimile of a piece from Il Trovatore

25,00 

Facsimile of a piece from Il Trovatore it is a woodcut made in 1870, which presents a passage from the work The Troubadour.
On the back of the sheet there is a facsimile of the signature of John Calvin and of Saint Charles Borromeo.
This sheet was extracted from thePicturesque Emporium of 1870.

  • Sheet size: cm. 29×20
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

1870 Facsimile of a letter from Garibaldi and Rossini

25,00 

Facsimile of a letter from Garibaldi and Rossini It is an engraving made in 1870, which features an autograph of two famous Italian figures: Giuseppe Garibaldi and Gioacchino Rossini.
This sheet was extracted from thePicturesque Emporium and represents an important historical testimony.

  • Sheet size: cm. 29×20
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Autograph by Beniamino Cesi, 1895

120,00 

Autografo di Beniamino Cesi è un raro documento datato 24 giugno 1895, proveniente da Napoli.
Questo autografo include uno spartito musicale, ma non è chiaro se le note siano inedite o parte di melodie già conosciute.

  • Sheet size: cm. 19×12
  • Condition: Ottimo stato
  • Support: Thick cardboard

Beniamino Cesi (1845-1907) è stato un rinomato pianista e compositore italiano, noto per il suo contributo alla musica del suo tempo.

Neapolitan Songs, Graziella, I Love You Very Much, 1884

30,00 

Neapolitan Songs, Graziella, I love you very much it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents an important testimony of the Neapolitan musical culture of the time.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

Neapolitan Songs, Michelemma, Fenesta that shines, 1884

30,00 

Neapolitan Songs, Michelemma, Fenesta that shines it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work has a sheet size of 25x35 cm and includes writing on the back.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be sent.

Catania, Organ, 1841

20,00 

Catania, Organo è una litografia del 1841 che rappresenta il prospetto dell’organo nella chiesa dei PP. Cassinesi a Catania.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.

  • Sheet size: cm. 21×16 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Diderot and D'Alembert, 1778, crafts, luthier, ancient musical instruments, guitar

25,00 

Diderot and D'Alembert è un’incisione del 1778 che rappresenta il mestiere del liutaio e gli strumenti musicali antichi, in particolare la chitarra.
Questa opera è tratta dall’illustre Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Technique: Etching
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
La sua diffusione nel Nord Europa è stata favorita dalla sua natura meno antireligiosa rispetto all’originale francese.

Diderot and D'Alembert, 1778, crafts, luthier, ancient musical instruments, lyre

25,00 

Diderot and D'Alembert It is an engraving from 1778 that represents the trades, in particular the work of the luthier and ancient musical instruments such as the lyre.
This work is taken from theEncyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Technique: Etching
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

This engraving is part of the edition of the famous Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, which stands out for its less French and less anti-religious approach, contributing to its spread in Northern Europe.

Diderot and D'Alembert, 1778, crafts, luthier, ancient musical instruments, drum

25,00 

Diderot and D'Alembert It is an engraving from 1778 representing the trades, in particular the work of the luthier and ancient musical instruments, including a drum.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Technique: Etching
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon
  • Engraving period: 1771
  • Period of circulation: 1778

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, which stands out for its less French and anti-religious approach, contributing to its spread in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ

25,00 

Diderot and D'Alembert, 1778 It is an engraving that represents the theme of crafts, in particular the work of the luthier and musical instruments, including organs.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Engraving period: 1771
  • Period of circulation: 1778

This engraving is part of the edition of Diderot and D'Alembert's Encyclopédie, known as the Encyclopédie d'Yverdon, which was distinguished by a less French and less anti-religious approach, earning it the nickname of Protestant encyclopedia and a notable diffusion in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ n,2

25,00 

Diderot and D'Alembert, 1778 it is an engraving representing the trades, in particular the luthier and musical instruments, including an organ.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Technique: Etching
  • Condition: Good condition

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
Its diffusion in Northern Europe was favoured by its less anti-religious nature than the original edition.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 3

25,00 

Diderot and D'Alembert, 1778 it is an engraving representing the craft of the luthier and musical instruments, in particular an organ.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Technique: Etching
  • Condition: Good condition
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, which stands out for its less French and less anti-religious approach, contributing to its spread in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 4

25,00 

Diderot and D'Alembert, 1778 it is an engraving representing the trades, in particular the work of the luthier and musical instruments, including an organ.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon
  • Engraving period: 1771
  • Period of circulation: 1778

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, which stands out for its less anti-religious and more Protestant approach, contributing to its spread in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 5

25,00 

Diderot and D'Alembert, 1778 it is an engraving representing the craft of the luthier and musical instruments, in particular an organ.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

This engraving, made with the technique ofetching, is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, which is distinguished by its less French and more Protestant approach than the original.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 6

25,00 

Diderot and D'Alembert, 1778 it is an engraving representing the craft of the luthier and musical instruments, in particular an organ.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon
  • Era: 18th century
  • Technique: Etching

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, which stands out for its less French and less anti-religious approach, contributing to its spread in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 7

25,00 

Diderot and D'Alembert, 1778 – Professions: Luthier and Musical Instruments it is an engraving representing the art of violin making and musical instruments, in particular an organ.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18 approx.
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon
  • Engraving period: 1771
  • Period of circulation: 1778

This engraving is a significant example of the Yverdon Encyclopedia, noted for its less French and more Protestant approach than Diderot and D'Alembert's original, contributing to its spread in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no. 8

25,00 

Diderot and D'Alembert, 1778 it is an engraving that represents the craft of the luthier and musical instruments, in particular the organ.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

This engraving, published in 1778, is part of the famous encyclopedia known as Yverdon Encyclopedia, which stands out for its less French and less anti-religious approach than the original by Diderot and D'Alembert, contributing to its diffusion in Northern Europe.

Diderot and D'Alembert, 1778, trades, violin maker, musical instruments, organ no.9

25,00 

Diderot and D'Alembert, 1778 it is an engraving representing the trades, in particular the work of the luthier and musical instruments, including an organ.
This work is taken from the very important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon
  • Engraving period: 1771
  • Period of circulation: 1778

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland. It is distinguished by a less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and contributing to its diffusion in Northern Europe.

Dietrich, The Violin Player, 1863

20,00 

Dietrich, The Violin Player It is a woodcut made in 1863, coming from a French book of the mid-nineteenth century.
This print, measuring 20x17 cm, is contained within a page of the book and features writing around and on the back.

  • Sheet size: cm. 29×19 approx.
  • Margins: Almost absent
  • Condition: Excellent

The entire page containing the print is sent.

Domenico Cimarosa, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Domenico Cimarosa (Aversa, 17 dicembre 1749 – Venezia, 11 gennaio 1801) è stato un compositore italiano esponente di spicco del Classicismo; è considerato uno dei maggiori musicisti italiani della seconda metà del XVIII secolo e uno dei grandi rappresentanti della scuola musicale napoletana.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Franz Liszt, 1886

30,00 

Franz Liszt It is an engraving made in 1886, taken from the prestigious publication The Italian Illustration, published in Milan by the Treves Brothers.
This work presents an image measuring 21x31 cm, enriched by decorative writings around and annotations on the back of the sheet.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Rossini's Funeral, 1866

25,00 

Rossini's Funeral It is a print from 1866 which represents the exit of the funeral procession from the Church of the Holy Trinity.
This work is taken from the Emporio Pittoresco of Naples and presents a single double sheet with dimensions of approximately 39x29 cm.

  • Sheet size: cm. 39×29 approx.
  • Support: Light paper
  • Condition: Good, with crease in the center and visible stains
  • Notes: Back written and excerpt from a book

Rossini's Funeral, 1866

25,00 

Rossini's Funeral It is an 1866 print depicting the sprinkling in the Church of the Holy Trinity.
This work is taken from the Emporio Pittoresco of Naples and has a unique format, being a double sheet.

  • Sheet size: cm. 39×29 approx.
  • Support: Light paper
  • Condition: Good condition, with fold in the center of the sheet and writing on the back

Jerome Crescentini, 1844

20,00 

Jerome Crescentini it is a lithograph made in 1844, taken from the volume Picturesque Polyorama of Naples.
This work depicts the famous Italian opera singer, soprano and composer, Girolamo Crescentini, known for his influence in the world of music.

  • Sheet size: cm. 10x9 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Back: Printed

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