Religion Prints

Showing 1–24 of 729 results

Abbot, 1885

20,00 

Abatino è una xilografia realizzata nel 1885, tratta dall’opera Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.
This engraving measures cm. 13×9 e presenta piccoli margini, con retro stampato.

  • Condition: Excellent condition
  • Support: Paper
  • Dimensions: Small

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Abraham Casting Out Hagar, 1839

15,00 

Abraham Casting Out Hagar It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print illustrates a significant moment in Genesis, in which Abraham is forced to send away Hagar and her son Ishmael because of Sarah's jealousy.

  • Sheet size: cm. 9×13 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, the print is contained within the book page with writing on the back.

Abraham and Hagar, Adr. v d. Werff, 1840-50

20,00 

Abraham and Hagar It is an etching made by Adr. v d. Werff between 1840 and 1850.
This work represents a biblical scene with careful attention to detail and a harmonious composition.
Published in the Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.

  • Sheet size: cm. 21×27 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Strong paper

Abraham Visited by Angels, 1838

20,00 

Abraham Visited by Angels it's a lithographic printing created in 1838 by Alessandro Veronese.
This work represents the biblical moment in which Abraham receives the visit of the angels in the valley of Mambre.

  • Sheet size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent

The print comes from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli.
This periodical, active from 1836 to 1860, aimed to spread useful knowledge to all social classes, dealing with topics of science, technology, art and biographies.

Adoration of the Magi, 1838

15,00 

Adoration of the Magi it is a lithograph made by Andrea Sabatino from Salerno in 1838.
This work is taken from Picturesque Polyorama, a periodical publication dedicated to the dissemination of useful knowledge for all social classes.

  • Sheet size: cm. 13×16 approx.
  • Support: Paper
  • Condition: Excellent

The print has almost no margins and is contained in a page extracted from the book, with writing on the verso. The entire page containing the print is sent.

Hagar and Ishmael in the Desert

25,00 

Hagar and Ishmael in the Desert It is an engraving made by F. Baroccio and engraved by J.Rogers between 1830 and 1850.
This work is taken from the Scripture Gallery of Engraving and it was published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame and vignettes

Hagar and Ishmael, 1850

20,00 

Hagar and Ishmael It is an engraving made in 1850, inspired by the work present in the Vernon Gallery.
This work is an example of etching and burin, published in Art Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Lamb of God, 1850

15,00 

Agnello di Dio It is an engraving made in 1850, rappresentante il celebre soggetto dell’Agnello di Dio.
Questa opera è stata pubblicata dalla casa editrice Serz & co. Edits Nurnberg in Germania.

  • Sheet size: cm. 8×12 approx.
  • Support: Cardboard
  • Condition: Buono stato, con qualche piccola mancanza e cartoncino applicato sul retro per coprire una scritta

Agostino Carracci, The Deposition from the Cross, 1838

15,00 

The Deposition from the Cross It is an engraving made by Augustine Carracci In the 1838.
This work is taken from Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.

  • Sheet size: cm. 11×15 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print has been cut from the book and has writing on the back; the entire page containing the print will be sent.
Omnibus It was a magazine founded in Naples in 1833, among the first and longest-running periodicals of the Kingdom of the Two Sicilies, whose publications continued until 1882.

Alessandro Veronese, Abraham, 1842

20,00 

Alessandro Veronese, Abraham it's a lithographic printing made in 1842, taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print, with printed part dimensions of cm. 10×16, has almost no margins and is contained within a page of the book, with writing around and on the back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The print will be shipped together with the entire page containing it.

Guardian Angel, 1850

10,00 

Angelo Custode It is a chromolithograph made in 1850, proveniente dalla Germania.
Questo affascinante soggetto rappresenta un angelo custode, simbolo di protezione e guida.

  • Sheet size: cm. 7×11 approx.
  • Condition: Excellent condition
  • Support: Cardboard

Guardian Angel, canivet, 1850

20,00 

Angelo Custode è un canivet realizzato nel 1850 dalla casa editrice Pintard à Lyon, situata a Lione, Francia.
Questo affascinante pezzo presenta un’illustrazione dell’Angelo Custode, accompagnata da una preghiera sia al recto che al verso.

  • Sheet size: cm. 7×10 approx.
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Paper

Annunciazione della Beata Vergine Maria, da Theodore Belbrule

40,00 

Annunciazione della Beata Vergine Maria, xilografia attribuita a Theodore Belbrule, realizzata originariamente negli anni Ottanta del Cinquecento.
Questa raffinata incisione su carta vergellata raffigura la scena dell’Annunciazione con grande attenzione ai dettagli. L’opera reca il monogramma T.B. sulla base del piccolo arcolaio in basso a sinistra. Pur essendo attribuibile al XVI secolo, l’esemplare qui proposto proviene da un testo di epoca probabilmente XIX-XX secolo, di origine non identificata.

  • Era: XIX-XX secolo (da originale cinquecentesco)
  • Technique: Woodcut
  • Sheet size: Grandi (cm 30×23 circa)
  • Image size: cm 20,5×13,5 circa
  • Support: Laid paper
  • Condition: Good

Un’affascinante testimonianza dell’arte xilografica rinascimentale, riproposta in un’edizione successiva, ideale per collezionisti e studiosi di arte sacra.

Anonymous, God who admonishes, 18th century

30,00 

God who warns It is an anonymous engraving from the 18th century, made in etching on laid paper.
The work represents God sitting on a cloud, supported by little angels, while pointing to a dove in the sky.

  • Sheet size: mm. 125×84 at the marginal line
  • Condition: Good condition

Anonymous, Jesus and St. Peter, 18th century

30,00 

Jesus and St. Peter It is an anonymous engraving from the 18th century which represents the moment in which Jesus hands over the keys to Saint Peter.
This work is made in etching on heavy paper, with dimensions of mm. 95×95 at the marginal line.
On the back there is a dry stamp from a previous collector, which certifies its provenance.

  • Condition: Good condition
  • Support: Heavy paper

Assumption of the Virgin 1877

25,00 

Assumption of the Virgin It is an engraving made in 1877, which represents an important work of art of the period.
This print is taken from a late 19th century French text and attributed to the author from Perugino.

  • Sheet size: cm. 28×19 approx.
  • Print Size: cm. 22×14 approx.
  • Support: Thick, white paper
  • Condition: Good condition, with small shadows on the white part of the print

Children, Canivet, 1870-90

15,00 

Children è un’opera realizzata tra il 1870 e il 1890, che rappresenta un affascinante soggetto infantile.
Questa incisione è stata pubblicata dalla casa editrice Bes et Dubreuil in Paris, France.

  • Sheet size: cm. 7×10 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper
  • Prayer: Si

Bartolozzi, Piazzetta, The Pentecost, 1756

250,00 

La Pentecoste It is an engraving made by Francesco Bartolozzi nel 1756, con disegno di Giovanni Battista Piazzetta.
This work is an example of etching and burin su carta vergellata pesante, caratterizzata da una filigrana non riconosciuta.

  • Engraving size: cm. 37,5×26,5 circa
  • Condition: Excellent
  • Support: Heavy laid paper

Al retro si trova un timbro di collezionista non riconosciuto.
Si ipotizza che questa incisione sia stata eseguita per un messale dell’editore Albrizzi, secondo le notizie storico-critiche di De Vesme e Calabi.

Blessed are those who do not see and yet believe, 1850

25,00 

Beati quelli che non vedono e credono It is a lithograph made in 1850, taken from the work Literary and Artistic Register by Vittoria Colonna, published in Naples.
Questa stampa rappresenta un tema di fede e convinzione, esprimendo un messaggio profondo attraverso l’arte.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Buone condizioni, presenta qualche macchia e il foglio è un po’ sciupato.

Bible, Biblical Episode of Jeremie, 1850

30,00 

Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.

  • Sheet size: cm. 18×20 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Double card
  • Condition: Excellent

Bible, Biblical Episode of Jeremie, 1850

30,00 

Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.

  • Sheet size: cm. 18×20 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Double card
  • Condition: Excellent

CVSichem, from Goltzius, 1646

35,00 

CV Sichem, from Goltzius It is a woodcut made by Christoffel van Sichem in 1646, representing The Crucifixion.
This work is taken from the work Bibels tresoor, ofte Der zielen lvsthof, published by Pieter Jacobsz Paets in Amsterdam in the same year.

  • Sheet size: mm. 112×75 approximately, with small margins
  • Engraving size: mm. 112×75 approx.
  • Technique: Woodcut
  • Support: Laid paper
  • Condition: Excellent

Cain and Abel, 1850

20,00 

Cain and Abel It is an engraving made in 1850, which represents the dramatic moment in which Cain kills his brother Abel.
This work is made in etching and measure cm. 9×14.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Light paper

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.