Prints from Paintings

Showing 1–24 of 447 results

1793 Boilly the dotted Zograscope L'Optique engraved by Cazenave

250,00 

The Optique it is a dotted etching made by Jean-François Cazenave In the 1793, inspired by a painting by Louis-Léopold Boilly.
The work portrays Louise-Sebastienne Gély, second wife of Georges Danton, and Antoine, son of Danton's first marriage, observing prints through a Zograscope, an optical instrument popular in the 18th century.
This print is an excellent example of the fashion for stipple engraving, introduced in France in the late eighteenth century, partly inspired by the work of Francesco Bartolozzi in England.

  • Era: 18th century
  • Technique: Dotted etching
  • Dimensions: Large (about 56×45 cm)
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

The Optique It is a work of great decorative and artistic impact, appreciated not only for its technical refinement but also for its historical value, linked to the French Revolutionary period. Jean-François Cazenave, born in Paris around 1770, was a master of stipple engraving, and this print is considered one of the masterpieces of his production.

A. Van Ostade, Interieur d'un pauvre menage, 1863

20,00 

Interior of a poor household It is a woodcut made by A. Van Ostade in 1863.
This work represents the interior of a poor house and comes from a French book from the mid-nineteenth century.
The print is contained within the book page, with writing around and on the verso, and the entire page will be shipped.

  • Sheet size: cm. 29×19 approx.
  • Printed part dimensions: cm. 14×17 approx.
  • Support: Paper
  • Condition: Excellent

A.Cuyp, Landscape with Cattle, 1830

50,00 

Landscape with cattle It is a colored aquatint made by A. Cuyp in 1830.
This work is from the Dulwich Gallery and was executed by Ralph Cockburn, painter and engraver, and the gallery's first keeper.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Thick cardboard
  • Condition: Excellent
  • Origin: Haverhill Public Library (stamp on verso)

This rare and decorative work is one of the paintings in the Dulwich Picture Gallery.

A.Cuyp, Landscape with Cattle, 1830

50,00 

Landscape with cattle It is an engraving made by A. Cuyp in 1830, which represents a fascinating landscape with cattle.
This work is a colored aquatint, mounted on a thick cardboard support, and is taken from the Dulwich Gallery by R. Cockburn, first keeper of the gallery.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Cardboard
  • Condition: Excellent

The reverse bears the stamp of the Haverhill Public Library. This is a rare and decorative work, beautifully executed and taken from one of the pictures in the Dulwich Picture Gallery.

A.Delacroix, The Little Fisherman, 20th century

30,00 

The little fisherman It is a chromolithograph made by A. Delacroix in the 20th century.
This work, which measures 21x16 cm without margins, presents a beautiful representation of a young fisherman, highlighting the artist's mastery.

  • Sheet size: cm. 21×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent

A.Delacroix, Mother and Child, 20th century

30,00 

Mamma e bambino è una splendida cromolitografia realizzata da A. Delacroix nel XX secolo.
This work, which measures cm. 21×16 senza margini, è firmata in basso a destra dall’artista.
La rappresentazione è caratterizzata da una dolcezza e una tenerezza che catturano l’attenzione dello spettatore.

  • Sheet size: cm. 21×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent

A.Vandervelde, Landscape with Oxen, 1830

50,00 

Paesaggio con buoi è un’incisione realizzata da A. Vandervelde nel 1830.
Questa opera è un’acquatinta colorata che misura cm. 13×18, montata su un supporto in cartoncino spesso di dimensioni cm. 21×27 circa.
Taken from Dulwich Gallery di R. Cockburn, presenta al verso il timbro della Haverhill Public Library.
Si tratta di una splendida esecuzione ispirata a uno dei quadri presenti nella Dulwich Picture Gallery, realizzata da Ralph Cockburn, pittore ed incisore nonché primo custode della Galleria.
A rare and decorative work that enriches any collection.

A.Vandervelde, Landscape, 1830

50,00 

Landscape It is an engraving made by A. Vandervelde in 1830, executed in colored aquatint.
This work, of splendid execution, is taken from one of the paintings present in the Dulwich Picture Gallery and created by Ralph Cockburn, painter and engraver as well as the gallery's first keeper.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Thick cardboard
  • Condition: Excellent

Rare and decorative work, on the back it bears the stamp of the Haverhill Public Library.

Abraham and Hagar, Adr. v d. Werff, 1840-50

20,00 

Abraham and Hagar It is an etching made by Adr. v d. Werff between 1840 and 1850.
This work represents a biblical scene with careful attention to detail and a harmonious composition.
Published in the Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.

  • Sheet size: cm. 21×27 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Strong paper

Abraham Visited by Angels, 1838

20,00 

Abraham Visited by Angels it's a lithographic printing created in 1838 by Alessandro Veronese.
This work represents the biblical moment in which Abraham receives the visit of the angels in the valley of Mambre.

  • Sheet size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent

The print comes from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli.
This periodical, active from 1836 to 1860, aimed to spread useful knowledge to all social classes, dealing with topics of science, technology, art and biographies.

Aelbert Cuyp, Environs of Utrecht, 1830

70,00 

Aelbert Cuyp, Dintorni di Utrecht è un’incisione realizzata nel 1830, che offre una splendida veduta dei dintorni di Utrecht.
Questa opera è un’acquatinta colorata, tratta da uno dei quadri presenti nella Dulwich Picture Gallery, eseguita da Ralph Cockburn, pittore ed incisore, nonché primo custode della galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

Questa rara e decorativa opera è timbrata al verso dalla Haverhill Public Library.

Agostino Carracci, The Deposition from the Cross, 1838

15,00 

The Deposition from the Cross It is an engraving made by Augustine Carracci In the 1838.
This work is taken from Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.

  • Sheet size: cm. 11×15 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print has been cut from the book and has writing on the back; the entire page containing the print will be sent.
Omnibus It was a magazine founded in Naples in 1833, among the first and longest-running periodicals of the Kingdom of the Two Sicilies, whose publications continued until 1882.

Alessandro Veronese, Abraham, 1842

20,00 

Alessandro Veronese, Abraham it's a lithographic printing made in 1842, taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print, with printed part dimensions of cm. 10×16, has almost no margins and is contained within a page of the book, with writing around and on the back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The print will be shipped together with the entire page containing it.

At the Fountain, painting by Egisto Ferroni, 1886

30,00 

At the Fountain It is an engraving made by Egisto Ferroni in 1886, published in theItalian Illustration in Milan by Fratelli Treves Editori.
This work features a beautiful decorative print, with writing around and on the back of the sheet.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Amore, Cupido E.Sirani, A.H.Payne, 1840-50

40,00 

Amore, acquaforte tratta da un dipinto di Elisabetta Sirani, engraved by W. French, realizzata tra il 1840 e il 1850.
Questa elegante incisione raffigura Cupid, il dio alato dell’amore, rappresentato con arco e frecce, simbolo del suo potere di far innamorare gli esseri umani. Il soggetto, ispirato alla tradizione mitologica classica, esprime grazia e leggerezza, elementi distintivi dello stile pittorico di Sirani.

  • Era: XIX secolo (1840-1850)
  • Technique: Etching
  • Sheet size: Grandi (cm 19×26 circa)
  • Image size: cm 12×18 circa
  • Support: Medium thickness paper
  • Condition: Good

Un’incisione raffinata e suggestiva, ideale per collezionisti e appassionati di arte classica e mitologica.

Amsterdam Feast of St. Nicholas.1861

11,00 

Amsterdam – St. Nicholas Day It is a woodcut made in 1861, inspired by the famous painting by Jan Steen which represents a family scene during the feast of St. Nicholas.
This work was published in Picturesque Store of the same year.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 20×15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Assumption of the Virgin 1877

25,00 

Assumption of the Virgin It is an engraving made in 1877, which represents an important work of art of the period.
This print is taken from a late 19th century French text and attributed to the author from Perugino.

  • Sheet size: cm. 28×19 approx.
  • Print Size: cm. 22×14 approx.
  • Support: Thick, white paper
  • Condition: Good condition, with small shadows on the white part of the print

Self-Portrait, Rembrandt, 1845

20,00 

Self portrait It is a lithograph made by Rembrandt in 1845.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

​Ave Maria gratia plena, painting by Angelo Dall'Oca Bianca, 1886

30,00 

Hail Mary full of grace It is an engraving made by White Goose Angel In the 1886.
This work is taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.

  • Sheet size: cm. 21×9 approx.
  • Support: Paper
  • Condition: Excellent

Bacchus and Ariadne, Tintoretto, 1887

20,00 

Bacchus and Ariadne it is an engraving made by Tintoretto in 1887.
This woodcut on end grain is taken from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 170×145
  • Support: Paper
  • Condition: Good condition, with writing on the back

Bartholomeus Breenbergh, Bashan, 1771

30,00 

Bartholomeus Breenbergh, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, a collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Berchem, A Landscape, 1830

70,00 

A Landscape It is a coloured aquatint made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a splendid execution based on one of the paintings in the gallery, and stands out for its rarity and decorativeness.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent
  • Origin: DULWICH GALLERY by R. Cockburn, 1830
  • Stamping: Haverhill Public Library stamp on the back

Berckheyde, van de Velde, Bashan, 1771

30,00 

View of Harlem It is an engraving made by Job Adriaensz Berckheyde And Adriaen van de Velde, published by Pierre-François Basan in 1771.
This work is part of the Record of recorded prints after the tables on the cabinet of Monseigneur le Duc de Choiseul, and was printed in Paris.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Cattle Drinking, Berchem, 1850

20,00 

Bestiame che beve è un’incisione realizzata da Nic. Berchem nel 1850, che rappresenta un incantevole paesaggio pastorale.
This work, performed with the technique of burin, è un’interpretazione di un quadro di Nicolaes Pietersz Berchem, un noto pittore olandese del XVII secolo.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

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