Natural history

Showing 337–360 of 421 results

Stonechat, 1853

15,00 

Saltimpalo (Stonechat) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
Questa stampa rappresenta un uccello affascinante e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Sarcopodium, Cromolitografia, 1867

25,00 

Sarcopodium Uniflorum it's a chromolithography made in 1867, from the volume Neerland's Plantentuin from Groningen.
Questa splendida stampa è caratterizzata da un design decorativo e vivace, perfetta per gli amanti della botanica e dell’arte.

  • Sheet size: cm. 26×17 approx.
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

Saxicola Stapazina, 1875

25,00 

Saxicola Stapazina è una litografia acquarellata d’epoca, realizzata nel 1875 e tratta dall’opera A History of Birds of Europe by Charles Robert Bree.
Questa affascinante rappresentazione del Russet Wheatear è pubblicata a Londra e si distingue per la sua qualità artistica e la cura nei dettagli.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Scarabeo, Coleotteri, 1890

30,00 

Sarabeo, Coleotteri It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, un’opera enciclopedica edita in Germania.
Questa stampa fa parte di una vasta serie di illustrazioni concepite per arricchire questa celebre enciclopedia, pubblicata dal Bibliographischen Instituts di Leipzig e Vienna.

  • Sheet size: cm. 29×23
  • Condition: Fair general condition with light yellowing and central editorial fold
  • Support: Paper

Scarafaggi, 1890

30,00 

Scarafaggi It is a lithograph made in 1890, taken from the famous publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa enciclopedia, pubblicata a cura del Bibliographischen Instituts di Leipzig e Vienna.

  • Sheet size: cm. 29×23
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Monkeys, Gorillas, 1890

15,00 

Monkeys, gorillas It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, a German encyclopedic work published by the Bibliographischen Instituts.
This antique print is part of a large series of illustrations designed to enrich the content of this famous encyclopedia.

  • Sheet size: cm. 29×23 approx.
  • Engraving size: cm. 29×23 approx.
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Monkeys, gorillas, gibbons, 1890

15,00 

Monkeys, gorillas, gibbons It is a lithograph made in 1890, taken from the famous publication Meyers Conversations Lexicon, a highly prestigious German encyclopedia.
This antique print is part of a large series of illustrations created to accompany the work, published by the Bibliographischen Instituts of Leipzig and Vienna.

  • Sheet size: cm. 29×23
  • Condition: Fair general condition, with light yellowing and central editorial fold
  • Support: Paper, white back

Scimmie, lemuri, 1890

15,00 

Scimmie e Lemuri It is a lithograph made in 1890, taken from the famous publication Meyers Conversations Lexicon, a highly prestigious German encyclopedia.
Questa stampa antica è parte di una vasta serie di illustrazioni create per accompagnare l’opera, edita dal Bibliographischen Instituts di Leipzig e Vienna.

  • Sheet size: cm. 29×23 approx.
  • Engraving size: cm. 29×23 approx.
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Scricciolo (Golden-crested Wren), 1853

15,00 

Scricciolo (Golden-crested Wren) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un uccello decorativo e affascinante, perfetto per gli amanti della natura e della fauna avicola.

  • Sheet size: mm. 135×100
  • Engraving size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Scricciolo (Sedge Warbler), 1853

15,00 

Scricciolo (Sedge Warbler) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta in modo vivace e dettagliato il famoso uccello, rendendola un elemento decorativo ideale per ogni ambiente.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Scricciolo (Willow Wren), 1853

15,00 

Scricciolo (Willow Wren) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
Questa stampa rappresenta un esemplare di grande bellezza e decoratività, perfetta per gli amanti della natura e degli uccelli.

  • Sheet size: mm. 135×100
  • Support: Medium paper, white back
  • Condition: Excellent condition

Scricciolo (Wood Wren), 1853

15,00 

Scricciolo (Wood Wren) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questo esemplare presenta un’immagine vivace e decorativa dello scricciolo, un uccello amato per il suo canto melodioso.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Scricciolo (Wren), 1853

15,00 

Scricciolo (Wren) è una splendida cromolitografia realizzata nel 1853, tratta dall’opera Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un uccello molto decorativo, ideale per gli amanti della natura e della fauna avicola.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Reed Warbler, 1853

15,00 

Scricciolo rosso (Reed Warbler) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
This print features a charming and decorative bird, perfect for nature and birdlife lovers.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Scricciolo, northern willow wren, 1875

25,00 

Scricciolo, northern willow wren It is a vintage watercolour lithograph, made in 1875 and taken from A HISTORY OF BIRDS OF EUROPE by Charles Robert Bree, published in London.
Questa opera rappresenta un affascinante esempio della fauna avicola europea, con dettagli vividi e colori delicati.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Silvia dell’Olivo, 1875

25,00 

Silvia dell’Olivo è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe by Charles Robert Bree.
Questa affascinante illustrazione rappresenta il Warbler dell’Olivo, un uccello noto per il suo canto melodioso.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Silvia verde, 1875

25,00 

Silvia Verde è una litografia acquarellata realizzata nel 1875, raffigurante il black throated green warbler.
This work is taken from A History of Birds of Europe by Charles Robert Bree, published in London in 1875.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Small Copper, 1832

20,00 

Small Copper è un’incisione al bulino realizzata nel 1832, raffigurante la farfalla Small Copper.
This work is characterized by a acquarellatura manuale coeva, che ne esalta i dettagli.

  • Engraving size: mm. 88×120
  • Support: Lightweight paper with white backing
  • Condition: Good condition

The engraving is taken from the volume Book of Butterflies, Sphinxes & Moths di Captain Thomas Brown, pubblicato nel 1832.

Rock Pipit, 1853

15,00 

Spioncello (Rock Pipit) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un soggetto ornithologico di grande fascino e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Stefano Della Bella – Hunts of Different Animals, 1654

80,00 

Different Animal Hunts It is an engraving made by Stephen Of The Beautiful in 1654, part of the series dedicated to hunting.
This work, which represents the Deer Hunting, is a fine example of etching, signed lower left with 'S.D.Bella F.' and lower right with 'S.Bella Cum Privilegi Regis'.

  • Sheet size: mm. 226×149 at the copper edge plus 5 mm of regular margin
  • Support: Unlaid paper, brown colored sheet
  • Condition: Exceptional state of preservation
  • Notes: Glued to the upper right and left margins on non-contemporary cardboard
  • Reference: De Vesme Massar 734

Stefano Della Bella, Various Animals, 1641

50,00 

Various Animals It is an engraving made by Stephen Of The Beautiful in 1641, part of his famous series dedicated to fauna.
This etching è impressa su laid paper senza filigrana e presenta alcune tracce di colla ai margini superiori, oltre a una leggera spellatura al margine inferiore.

  • Sheet size: Not specified
  • Condition: Good state of preservation
  • Support: Laid paper
  • Reference: De Vesme-Massar 690

Stephen Of The Beautiful, noto anche come Stefanino, è stato un incisore fiorentino attivo tra il 1610 e il 1664. Al servizio della corte medicea, ha soggiornato in diverse città europee, tra cui Roma e Parigi, e ha lasciato un’importante eredità artistica con oltre mille incisioni caratterizzate da un linguaggio originale e vivace.

Stefano Della Bella, Various Animals, 1641

50,00 

Various Animals It is an engraving made by Stephen Of The Beautiful in 1641, part of his famous series dedicated to fauna.
This work is an etching signed on the lower left with the inscription Stef. of the beautiful fecit, imprinted on laid paper without watermark.

  • Sheet size: not specified
  • Condition: Good condition, with traces of glue on the upper edges
  • Technique: Etching

Stephen Of The Beautiful (Florence 1610 – 1664) was a highly talented engraver, known for his original style and for the more than a thousand engravings he created.
His work is characterized by an innovative use of the etching technique, with a visual language that reflects contemporary life and the culture of his time.

Stefano Della Bella, Six Landscapes…, 1646

150,00 

Sei Paesaggi con Soggetti di Animali It is an engraving made by Stephen Of The Beautiful nel 1646 circa.
Questa opera, firmata in lastra in basso a sinistra con la dicitura S.D.Bella inu. et fec., rappresenta una splendida prova nel secondo stato su due.

  • Sheet size: mm. 145×145
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Era: 17th century
  • Margins: Ricostruiti

Questa incisione è la tavola n.3 della serie Sei Paesaggi con Soggetti di Animali, catalogata come De Vesme-Massar 716.

Stefano Della Bella, Six Landscapes…, 1646

150,00 

Sei Paesaggi con Soggetti di Animali It is an engraving made by Stephen Of The Beautiful nel 1646 circa.
Questa opera, firmata in lastra in basso a sinistra con la dicitura S.D.Bella inu. et fec., rappresenta una splendida prova nel secondo stato su due della serie Sei Paesaggi con Soggetti di Animali.

  • Sheet size: mm. 145×145
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Era: 17th century

Margini ricostruiti, esemplare databile nella prima metà del XVII secolo.
Questa incisione è catalogata come tavola n.5 nella serie e fa parte del catalogo De Vesme-Massar 718.

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