Italian City Views

Showing 217–240 of 2840 results

Blue Bay, Naples, Phlegraean Fields, 1889

15,00 

Blue Bay, Naples, Phlegraean Fields it's a woodblock print made in 1889, which captures the beauty of one of the most evocative places in Naples.
This work is taken from the volume Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.

  • Sheet size: cm. 14×10 approx.
  • Support: Paper
  • Condition: Excellent

Bay from the Island of Procida, 1845

20,00 

Bay from the Island of Procida it's a lithographic printing built in 1845, which offers a suggestive view of the coasts of Baia, seen from the island of Procida.
This work is taken from the periodical Picturesque Polyorama, directed by Filippo Cirelli, which aimed to spread useful knowledge to all classes of society.

  • Sheet size: cm. 24×11 approx.
  • Support: Paper
  • Condition: Excellent

The print has almost no margins and has been cut from the book, with writing on the verso. A great addition for history and art lovers.

Bay, 1847

30,00 

Bay, 1847 è un’incisione al bulino che rappresenta una vista panoramica della Baia di Bajae con il Smoking Vesuvius.
Realizzata nel 1847, questa opera è tratta da un libro tedesco della metà dell’800.

  • Sheet size: mm. 250×182
  • Engraving size: mm. 150×100
  • Support: Paper
  • Condition: Excellent

Bay, AH Payne, 1850

30,00 

Bay is an engraving made by AH Payne in 1850, which offers a suggestive overview of the town of Campi Flegrei.
This work is performed in burin on steel, with an engraving measuring 16.5x11 cm on a sheet of 22x18 cm.

  • Back: White
  • Condition: Excellent condition

Baia, Phlegraean Fields, 1829

25,00 

Bay, Phlegraean Fields è un’incisione a bulino realizzata nel 1829, che offre una suggestiva veduta della storica località.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper, white back
  • Condition: Excellent condition
  • Rarity: Rare

Baia, Phlegraean Fields, 1829

25,00 

Bay, Phlegraean Fields è un’incisione realizzata nel 1829, che offre una suggestiva veduta animata della storica area dei Campi Flegrei.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 16×12 approx.
  • Engraving size: mm. 107×75 approx.
  • Support: Medium paper with white back
  • Condition: Excellent condition
  • Rarity: Rare

Baia, Phlegraean Fields, 1829

30,00 

Bay, Phlegraean Fields It is a watercolour copper engraving, made in 1829.
This suggestive view is taken from the work Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Medium paper, white back
  • Condition: Excellent condition

Bay, Phlegraean Fields, 1889

20,00 

Bay, Phlegraean Fields è un’incisione xilografica realizzata nel 1889, che offre una splendida veduta decorativa della zona.
This work is taken from the volume Naples and Sicily by J. Gourdault, published in Paris.

  • Sheet size: mm. 190×130 circa
  • Condition: Excellent condition
  • Support: Carta, con retro bianco

Bay, Phlegraean Fields, Naples, 1892

25,00 

Bay, Phlegraean Fields, Naples It is a watercolour woodcut made in 1892 by Chevalier C. Abbé, a work that captures the beauty of the view of Baia.
This piece is taken from the volume Naples le Vesuve and Pompeii. Travel sketches, which offers a precious testimony of the Neapolitan landscape of the time.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper with printed back
  • Condition: Excellent

Bay, Pozzuoli, Christopher Weigel, 1719

120,00 

Bay, Pozzuoli It is an engraving made by Christopher Weigel In the 1719, which represents the famous town of Pozzuoli in Campania.
This work is an example of an original copper engraving, with beautiful colouring contemporary with the watercolour, which enhances the details.

  • Sheet size: cm. 37,5×28,5 approx.
  • Support: Laid paper with watermark
  • Condition: Good condition, with some stains on the front and back and a thin, almost invisible lesion at the bottom

Baia, Temple of Venus, 1834

20,00 

Baia, Temple of Venus it is a burin engraving made in 1834, which represents the famous Temple of Venus in Baia.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.

  • Sheet size: mm. 117×90
  • Support: Light glued paper
  • Condition: Good state of preservation

Baia, Temple of Venus, Phlegraean Fields, 1835

20,00 

Baia, Tempio di Venere, Campi Flegrei è un’incisione realizzata nel 1835, che rappresenta un’importante testimonianza artistica dei Campi Flegrei.
Questa opera è stata realizzata da STRUTT e fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Engraving size: mm. 105×73 circa
  • Technique: Burin
  • Support: Medium paper
  • Condition: Good state of preservation

Bari, Ancient Castle, 1890

20,00 

Bari, Ancient Castle it's a woodblock print built in 1890, which represents an important testimony of the late nineteenth century.
This work is characterized by an image measuring approximately 10x12 cm, surrounded by text and with further annotations on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Bari, Basilica of San Niccolò, 1890

20,00 

Bari, Basilica of St. Nicholas it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Bari, Bari Castle, 1870

20,00 

Bari, Bari Castle It is a woodcut made in 1870, taken from the German magazine Illustrious Newspaper.
This engraving represents the castle of Bari in Apulia and has the following characteristics:

  • Engraving size: cm. 19×15 approx.
  • Condition: Excellent condition
  • Support: Paper
  • Back: Printed with writing on the back

Bari, Castle, 1872

20,00 

Bari, Castle it's a small woodcut original made in 1872, representing the castle of Bari.
This work is taken from The Popular Illustration, published in Milan by the Treves Brothers.

  • Sheet size: mm. 90×70
  • Support: Light sheet
  • Condition: Good, with writing on the back partly visible

Bari, Church of San Nicola, 1829

80,00 

Bari, Church of San Nicola it is a lithograph made in 1829, which represents the basement of the church of San Nicola in Bari.
This work was designed by G. Forino and lithographed by Cuciniello and Bianchi.

  • Sheet size: mm. 320×205
  • Support: Heavy paper
  • Condition: Perfect state of preservation
  • Stamp: Dry stamp of the typographer (B. & C.)
  • Origin: Taken from Pictorial Journey in the Kingdom of the Two Sicilies, dedicated to His Majesty King Francis I

This beautiful lithograph is well contrasted and represents a rare piece of 19th century art history.

Bari, Panorama from the Margherita Garden, 1890

20,00 

Bari, Panorama from the Margherita Garden It is a woodcut print made in 1890, representing a fascinating panorama of the city of Bari.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Bari, Panorama of the New Port, 1890

30,00 

Bari, Panorama of the New Port it's a woodblock print made in 1890, which offers a suggestive view of the port of Bari.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 17×24 approximately, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Condition: Excellent
  • Support: Paper

Barletta, 1835

30,00 

Barletta, 1835 It is an engraving made with the technique of bulino su rame acquarellato.
This work, taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di AUDOT padre, risale al periodo 1835-1837.
The press presents a sharp and fine engraving, molto animata, che raffigura il Colosso Eraclio and the Basilica del Santo Sepolcro.

  • Sheet size: mm. 83×110
  • Support: Medium paper
  • Condition: Excellent
  • Margins: Piccoli margini irregolari

Barletta, Church of the Sepulchre and Colossus, 1890

20,00 

Barletta, Chiesa del Sepolcro e Colosso è una stampa xilografica realizzata nel 1890, che rappresenta un’importante testimonianza artistica del tardo Ottocento.
Questa opera presenta un’immagine di cm. 16×12 circa, circondata da testo e con ulteriore testo al verso del foglio, che misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 16×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Ambrosian Basilica of San Lorenzo in Florence, 1826

20,00 

Ambrosian Basilica of San Lorenzo in Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Basilica di S. Zeno a Verona, 1843

30,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 12×16 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

La basilica di San Zeno, conosciuta anche con il nome di chiesa di San Zeno Maggiore o chiesa di San Zenone, è un importante luogo di culto cattolico che sorge nel cuore del quartiere di San Zeno a Verona; si tratta di uno dei capolavori dell’architettura medievale.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Bassano, 1877

15,00 

Bassano, 1877 it's a woodblock print taken from the work Italy by J. Gourdault.
Questa suggestiva veduta presenta dimensioni di mm. 188×114, con margini quasi assenti.
La stampa è stata ritagliata dal libro e presenta scritte sul retro, aggiungendo un tocco di autenticità all’opera.

  • Sheet size: mm. 188×114
  • Support: Paper
  • Condition: Good

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