Italian City Views

Showing 2401–2424 of 2919 results

Sorrento, Tasso House, 1835

30,00 

Sorrento, Tasso's House It is a burin engraving made in 1835, which offers a splendid panoramic view of the Maison du Tasse in Sorrento.
This work was hand-watercoloured and comes from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Sheet size: mm. 95×140 approx.
  • Condition: Excellent state of preservation
  • Support: Steel

Sorrento, Tasso's House, 1865

25,00 

Sorrento, Tasso's House it is a woodcut engraving made in 1865, which represents the birthplace of Torquato Tasso in Sorrento.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1864.

  • Sheet size: mm. 140×100
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back, partially visible

Sorrento, Torquato Tasso's house, 1835

25,00 

Sorrento, Torquato Tasso's house it is a burin engraving made in 1835.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 80×110
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Perfect state of preservation

This beautiful view is very decorative and represents an important testimony to the beauty of Sorrento.

Sorrento, Torquato Tasso Square, 1884

25,00 

Sorrento, Torquato Tasso Square It is a woodcut engraving made in 1884.
This work represents a fascinating glimpse of the famous square of Sorrento, with details that evoke the atmosphere of the late nineteenth century.

  • Sheet size: cm. 11×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Notes: Written on the back

Sorrento, Tasso, 1876

20,00 

Sorrento, Badger It is a woodcut engraving made in 1876.
This work represents Tasso's house in Sorrento and is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 186×140
  • Condition: Excellent
  • Support: Light sheet
  • Notes: Almost no margins and writing on the back

Sorrento, Watercolor woodcut, 1892

25,00 

Sorrento it's a watercolor woodcut made in 1892, which offers a suggestive view of Sorrento.
This work is taken from the work Chevalier Abbé, Naples le Vésuve et Pompeii. Travel sketches, and bears the engraver's signature Anastasi.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper, printed back
  • Condition: Excellent

La Spezia, The Dock, 1890

20,00 

Spice, The Dock it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

La Spezia, Vittorio Emanuele Square, 1890

20,00 

La Spezia, Vittorio Emanuele Square, 1890 It is a late nineteenth-century woodcut print that captures the essence of a fascinating historical era.
This work presents an image measuring approximately 10x12 cm, surrounded by text and with further annotations on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Cumae Beach, 1875

20,00 

Cumae Beach, 1875 It is a woodcut made by Ludwig Dill, a well-known German painter and draftsman specializing in landscapes and seascapes.
This engraving, which measures cm. 20×14 (excluding margins), is taken from the work Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Spiaggia di Quinto, Genova, 1875

20,00 

Spiaggia di Quinto, Genova It is a woodcut made in 1875, che cattura la bellezza della costa ligure.
This work is taken from the work Italy Pictorial Journey from the Alps to Etna by G.Stieler, E.Paulus and W.Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 10×19 circa
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.
Designer: Gustav Schoenleber, noto pittore paesaggista tedesco, e Engraver: Adolf Closs, incisore su legno, hanno collaborato per creare questa affascinante rappresentazione.

Spluga, 1834-1838

20,00 

Spluga è un’incisione realizzata tra il 1834 e il 1838, che rappresenta la Strada della Spluga nella valle di S.Giacomo.
This work is a burin on steel con una misura della battuta di mm. 115×80 e presenta margini quasi assenti.

  • Taken from: Italy, Sicily, the Aeolian Islands, etc., first Italian edition by Audot père, Turin by Giuseppe Pomba, 1834
  • Back: White
  • Condition: Excellent condition

Spoleto, 1865

25,00 

Spoleto, 1865 it is a woodcut engraving representing the aqueduct and the fortress of Spoleto.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1865.

  • Sheet size: mm. 210×140 approx.
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back, partly visible on the back.

Spoleto, Panorama, 1890

25,00 

Spoleto, Panorama it's a woodblock print made in 1890, che offre una vista affascinante della città di Spoleto.
This work is taken from Illustrated geographical Italy by P. Premoli and features text around and on the back.

  • Sheet size: cm. 16×26 approx.
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Spoleto, Temple of Clitumnus, 1850

35,00 

Spoleto, Temple of Clitumnus It is a burin engraving made by James Duffield Harding in 1850.
This work presents a very fine animated scene, very decorative, and stands out for its hand-painted watercolor.

  • Sheet size: mm. 100×140 plus margins
  • Engraving size: mm. 100×140
  • Technique: Burin
  • Support: Medium paper with white back
  • Condition: Excellent

Spotorno, Western Riviera, Villa Ericier, 1886

30,00 

Spotorno, Western Riviera, Villa Ericier It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work features writing around and on the back of the sheet, adding further historical and informational value.

  • Sheet size: cm. 21×16 approx.
  • Support: Paper
  • Condition: Excellent

Room of Vittorio Emanuele II, 1890

20,00 

Stanza di Vittorio Emanuele II è una xilografia realizzata nel 1890, che rappresenta l’interno del Castello di Pollenzo a Brà, Cuneo.
Questa stampa è tratta da un testo italiano di fine Ottocento, con incisione di Barberis.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be shipped.

Coat of arms of the Province of Naples, 1866

25,00 

Coat of arms of the Province of Naples it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Alba, Cuneo, 1866

25,00 

Stemma di Alba, Cuneo it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

​Stemma di Alessandria, 1866

25,00 

Stemma di Alessandria it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Ancona , 1866

25,00 

Stemma di Ancona It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Arezzo, 1866

25,00 

Stemma di Arezzo It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Ascoli, 1866

25,00 

Stemma di Ascoli è un’incisione realizzata nel 1866,
una xilografia colorata a mano ad acquarello e tempera, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Bergamo, 1866

25,00 

Stemma di Bergamo It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Stemma di Bologna, 1866

25,00 

Stemma di Bologna it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

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