Italian City Views

Civita Castellana, 1877

15,00 

Civita Castellana, 1877 it's a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is taken from the volume Italian of Kaden and offers a beautiful panoramic view of the city.

  • Sheet size: mm. 150×100
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

Civita Lavinia, 1877

15,00 

Civita Lavinia, 1877 It is a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
Questa stampa antica offre una veduta affascinante di Civita Lavinia, oggi conosciuta come Lanuvio, in provincia di Roma. L’immagine è animata dalla presenza di figure, rendendo la scena vivace e coinvolgente.

  • Sheet size: mm. 150×100 approx.
  • Support: Light paper
  • Condition: Good condition, with writing on the back
  • Margins: Quasi assenti, in quanto la stampa è stata ritagliata dal libro

Civitavecchia, 1833-1845

70,00 

Civitavecchia, 1833-1845 è un’incisione realizzata da Attilio Zuccagni-Orlandini, un noto cartografo e geografo italiano.
This acquaforte rifinita al bulino rappresenta la città di Civitavecchia e i suoi dintorni, ed è tratta dall’importante opera Corografia fisica, storica e statistica dell’Italia e delle sue isole, pubblicata tra il 1833 e il 1845.

  • Sheet size: mm. 450×620
  • Engraving size: mm. 330×510
  • Support: Thick engraving paper
  • Condition: Perfect state of preservation

1865

15,00 

1865 It is a woodcut engraving made in 1865, taken from the edition of Picturesque Emporium, published by Sonzogno in Milan.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo.

  • Size of the joke: mm. 180×100
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

Civitella oggi Bellegra, 1835

20,00 

Civitella oggi Bellegra è un’incisione al bulino su acciaio realizzata nel 1835, che rappresenta uno scorcio della cittadina di Civitella, oggi conosciuta come Bellegra.
This work is taken from the work “Italie picturesque tableau historique et descriptif de l’Italie…” di M. De Norvins e C. Nodiers, pubblicata a Parigi nel 1834.

  • Sheet size: mm. 190×260
  • Engraving size: mm. 115×175
  • Support: Carta leggera da incisione
  • Condition: Excellent state of preservation

L’incisione ritrae due donne nei tipici costumi locali, immerse tra le antiche case del borgo medievale.

Civitella, Le Mammelle, 1877 ​

15,00 

Civitella, Le Mammelle It is a woodcut engraving made by Adolf Closs In the 1877.
This work is taken from the volume From the Alps to Etna di W. Kaden e presenta una bella veduta decorativa.

  • Sheet size: mm. 187×125
  • Condition: Excellent
  • Support: Paper
  • Notes: Margini assenti, ritagliata dal libro con scritte sul retro.

Clusone, Bergamo, 1890

20,00 

Clusone, Bergamo it is a woodcut that represents The Church of the Disciplines, built in 1890.
This print is taken from a late nineteenth-century Italian text and features a large-sized image. cm. 9×7 approximately, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Support: Paper
  • Condition: Excellent

Garda Lake, 1890

20,00 

Colà del Garda è una xilografia realizzata nel 1890, disegnata da E. Bondier and engraved by C. Petit.
Questa stampa proviene da un libro francese di fine ‘800 e presenta una scena animata, tipica delle vedute italiane dell’epoca.

  • Sheet size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Comacchio, Three Bridges, 1890

20,00 

Comacchio, Treponti è una stampa xilografica del 1890 che rappresenta una veduta della località vista dal mare.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9 x 12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Comacchio, Caldirolo Valley, 1890

20,00 

Comacchio, Valle Caldirolo è una stampa xilografica realizzata nel 1890, che rappresenta la stazione di pesca di Valle Caldirolo.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Comacchio, Office Street, 1890

20,00 

Comacchio, Via degli Uffici it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 9x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

As in 1859 Gravedona

30,00 

Gravedona sul Lago di Como è un’incisione anonima del 1859, che rappresenta due vedute del Duomo di Como.
This woodcut is taken from the work Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Support: Light paper
  • Condition: Excellent

Como, 1859, Panorama of the Lake

30,00 

Panorama del Lago di Como It is an anonymous engraving made in 1859, che offre una vista suggestiva del Lago di Como presa da Bellagio, con la Villa Carlotta, già Clerici e Sommariva.
This work is taken from the volume Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

Como, The Cathedral, The Broletto and the Tower, 1890

20,00 

Como, The Cathedral, The Broletto and the Tower It is a woodcut print made in 1890, which captures the architectural beauty of Como.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30 x 20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, Panorama, 1890

30,00 

Como, Panorama è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva della città di Como.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 17×24 circa, circondata da testo e con ulteriore testo al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, Porta Vittoria, 1890

20,00 

How, Victory Gate it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Como, Coat of Arms, 1871

15,00 

Como, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta lo stemma della città di Como ed è caratterizzata da una parte incisa di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper
  • Notes: The print was removed from the book and has writing on the verso.

Como, View of the Lake, 1877

20,00 

Como, Veduta del Lago è un’incisione xilografica realizzata nel 1877 da Rudolf Schick, un noto pittore di ritratti e paesaggista.
Questa suggestiva veduta del Lago di Como è tratta dal volume Italy by J. Gourdault, published in Paris.

  • Size of the joke: mm. 187×113
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa, ritagliata dal libro, presenta un retro scritto e offre un’immagine nitida e ben contrastata, animata da un’atmosfera vivace.

Conegliano, Vittorio Emanuele Street, 1890

20,00 

Conegliano, Vittorio Emanuele Street, 1890 it's a woodblock print which represents a fascinating glimpse of Conegliano at the end of the 19th century.
This work is characterized by a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Conegliano, Treviso, 1890

20,00 

Conegliano, Treviso, 1890 it's a woodcut in size cm. 10×13, from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, was cut out of the book and has writing on the back.
The full page print will be shipped, ensuring a complete collecting experience.

  • Sheet size: Small
  • Support: Paper
  • Condition: Excellent

Consalvo Carelli, Casamicciola

140,00 

Consalvo Carelli, Casamicciola It is a work created by Consalvo Carelli, one of the main exponents of the Posillipo School.
This pencil on paper, dated between 1870 and 1880, measures 142 x 220 mm. Unsigned, the work bears the inscription 'Casamicciola' on the bottom left.

  • Sheet size: mm. 142×220
  • Support: Paper glued to another paper support
  • Condition: Excellent

Carelli, born in Naples in 1818, had an important artistic career, becoming a master of painting and academician of San Luca. His work is a significant example of the Neapolitan landscape tradition of the 19th century.

Consalvo Carelli, Cross of Pozzano

120,00 

Croce di Pozzano It is a work created by Consalvo Carelli between 1870 and 1880.
This drawing, done in pencil on paper, measures mm. 130×204 and is glued to another paper support.
Carelli, one of the main exponents of the Posillipo School, è noto per la sua abilità nel catturare la bellezza dei paesaggi napoletani.

  • Era: XIX
  • Technique: Pencil
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, Pozzuoli

120,00 

Church in Pozzuoli It is a work of Consalvo Carelli (1818-1900), made between 1870 and 1880.
This pencil on paper, glued to another paper support, measures mm. 180×136 and is not signed. At the bottom left you can read 'Pozzuoli'.

  • Era: XIX
  • Technique: Pencil
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli is considered one of the major exponents of the Posillipo School, a 19th-century painting movement. Born in Naples, Carelli learned the basics of art from his father, Raffaele, a well-known landscape painter.
Throughout his career, he received numerous honors, including being appointed painting master to Queen Margherita and professor at the Accademia di San Luca.

Peasant Woman from Biassa, La Spezia, 1885

25,00 

Peasant from Biassa, La Spezia it is an engraving made in 1885, part of the volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden.
This watercolour woodcut has an engraving size of 16x8 cm, with smaller margins and printed reverse.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print was cut from a book page and features writing on the verso.

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.