Italian City Views

Showing 577–600 of 2840 results

As in 1859 Gravedona

30,00 

Gravedona sul Lago di Como è un’incisione anonima del 1859, che rappresenta due vedute del Duomo di Como.
This woodcut is taken from the work Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Support: Light paper
  • Condition: Excellent

Como, 1859, Panorama of the Lake

30,00 

Panorama del Lago di Como It is an anonymous engraving made in 1859, che offre una vista suggestiva del Lago di Como presa da Bellagio, con la Villa Carlotta, già Clerici e Sommariva.
This work is taken from the volume Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

Como, The Cathedral, The Broletto and the Tower, 1890

20,00 

Como, The Cathedral, The Broletto and the Tower It is a woodcut print made in 1890, which captures the architectural beauty of Como.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30 x 20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, Panorama, 1890

30,00 

Como, Panorama è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva della città di Como.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 17×24 circa, circondata da testo e con ulteriore testo al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, Porta Vittoria, 1890

20,00 

How, Victory Gate it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Como, Coat of Arms, 1871

15,00 

Como, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta lo stemma della città di Como ed è caratterizzata da una parte incisa di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper
  • Notes: The print was removed from the book and has writing on the verso.

Como, View of the Lake, 1877

20,00 

Como, Veduta del Lago è un’incisione xilografica realizzata nel 1877 da Rudolf Schick, un noto pittore di ritratti e paesaggista.
Questa suggestiva veduta del Lago di Como è tratta dal volume Italy by J. Gourdault, published in Paris.

  • Size of the joke: mm. 187×113
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa, ritagliata dal libro, presenta un retro scritto e offre un’immagine nitida e ben contrastata, animata da un’atmosfera vivace.

Conegliano, Vittorio Emanuele Street, 1890

20,00 

Conegliano, Vittorio Emanuele Street, 1890 it's a woodblock print which represents a fascinating glimpse of Conegliano at the end of the 19th century.
This work is characterized by a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Conegliano, Treviso, 1890

20,00 

Conegliano, Treviso, 1890 it's a woodcut in size cm. 10×13, from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, was cut out of the book and has writing on the back.
The full page print will be shipped, ensuring a complete collecting experience.

  • Sheet size: Small
  • Support: Paper
  • Condition: Excellent

Consalvo Carelli, Casamicciola

140,00 

Consalvo Carelli, Casamicciola It is a work created by Consalvo Carelli, one of the main exponents of the Posillipo School.
This pencil on paper, dated between 1870 and 1880, measures 142 x 220 mm. Unsigned, the work bears the inscription 'Casamicciola' on the bottom left.

  • Sheet size: mm. 142×220
  • Support: Paper glued to another paper support
  • Condition: Excellent

Carelli, born in Naples in 1818, had an important artistic career, becoming a master of painting and academician of San Luca. His work is a significant example of the Neapolitan landscape tradition of the 19th century.

Consalvo Carelli, Cross of Pozzano

120,00 

Croce di Pozzano It is a work created by Consalvo Carelli between 1870 and 1880.
This drawing, done in pencil on paper, measures mm. 130×204 and is glued to another paper support.
Carelli, one of the main exponents of the Posillipo School, è noto per la sua abilità nel catturare la bellezza dei paesaggi napoletani.

  • Era: XIX
  • Technique: Pencil
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, Pozzuoli

120,00 

Church in Pozzuoli It is a work of Consalvo Carelli (1818-1900), made between 1870 and 1880.
This pencil on paper, glued to another paper support, measures mm. 180×136 and is not signed. At the bottom left you can read 'Pozzuoli'.

  • Era: XIX
  • Technique: Pencil
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli is considered one of the major exponents of the Posillipo School, a 19th-century painting movement. Born in Naples, Carelli learned the basics of art from his father, Raffaele, a well-known landscape painter.
Throughout his career, he received numerous honors, including being appointed painting master to Queen Margherita and professor at the Accademia di San Luca.

Peasant Woman from Biassa, La Spezia, 1885

25,00 

Peasant from Biassa, La Spezia it is an engraving made in 1885, part of the volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden.
This watercolour woodcut has an engraving size of 16x8 cm, with smaller margins and printed reverse.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print was cut from a book page and features writing on the verso.

Peasant from the mountains of Lucca, 1875

25,00 

Farmer from the mountains of Lucca It is an engraving made in 1875, representing a typical farmer from the Lucca region.
This watercolour woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1885.

  • Engraving size: cm. 16×9 approx.
  • Condition: Excellent condition
  • Support: Paper
  • Notes: The print was cut from a book page and features writing on the verso.

Convent of Vallombrosa, 1819

25,00 

Convent of Vallombrosa It is an engraving made in 1819 by TO THE CASTELLAN, a well-known French painter and engraver.
This work is an etching that measures cm. 10×14 for the joke, on a sheet of paper cm. 20×12 of laid paper, with white back.
The engraving is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Laid paper

Cori, Temple of Hercules, 1798

40,00 

Cori, Temple of Hercules It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view offers remarkable animation and contrast, making it a fascinating work for art and history lovers. On the back of the print is a detailed explanation that further enhances the value of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Correggio, Main Square, 1890

20,00 

Correggio, Main Square it is a woodcut print made in 1890, which represents the Via Maestra of Correggio.
This work is taken from Illustrated geographical Italy by P. Premoli and features text around and on the back.
The print has been removed from the book and will be shipped with the full page, including the text details on the back.

  • Sheet size: cm. 14×10 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

Courtyard in Ischia, 1885

25,00 

Cortile ad Ischia è una xilografia acquarellata realizzata nel 1885, un’opera che cattura la bellezza dei cortili italiani.
Designed by Arthur Jean Baptiste Calame and engraved by Adolf Closs, questa stampa misura cm. 14×19, con margini ridotti e retro stampato.

  • Taken from: Italia Viaggio Pittorico dall’Alpi all’Etna di G.Stieler, E.Paulus, W.Kaden
  • Condition: Excellent condition
  • Shipping: Completa di passepartout, pronta per ricevere la cornice

Cosenza, The Cathedral, 1890

20,00 

Cosenza, La Cattedrale it's a woodblock print realizzata nel 1890, che rappresenta un’importante opera del fine Ottocento.
Questa stampa è caratterizzata da un’immagine di dimensioni cm. 16×12 circa, circondata da testo e con ulteriore testo al verso del foglio, il quale misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

Cosenza, Prefecture Palace, 1890

20,00 

Cosenza, Prefecture Palace It is a woodcut print made in 1890, which represents the Prefecture Palace and the Monument to the Bandiera Brothers.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Cosenza, Coat of Arms, 1871

15,00 

Cosenza, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
Questa stampa rappresenta lo stemma della città di Cosenza e misura la parte incisa circa cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Cosenza, View from the Crati River, 1890

20,00 

Cosenza, View from the Crati River it's a woodblock print built in 1890, which offers a suggestive view of the city of Cosenza from the Crati river.
This work is based on a late nineteenth-century Italian text and features text around and on the back of the sheet, further enhancing its historical value.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

Cosenza, View of the Church of San Domenico, 1894

20,00 

Cosenza, View of the Church of San Domenico It is a woodcut engraving made in 1894, which represents a fascinating view of the Church of San Domenico and the Busento river.
This work is taken from The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno in Milan.

  • Sheet size: mm. 250×200
  • Condition: Good condition, with missing margins and writing on the back
  • Support: Paper

Costume of the women of Sepino, 1856

30,00 

Costume of the women of Sepino It is a lithograph made in 1856, part of the publication Picturesque Polyorama, a periodical work dedicated to the dissemination of knowledge useful to all social classes.
This small print has been cut from the book and features lettering on the verso. The entire page containing the print will be shipped, ensuring a complete collector's experience.

  • Sheet size: cm. 30×20 approx.
  • Lithograph dimensions: cm. 19×15 approx.
  • Support: Paper
  • Condition: Excellent

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