Italian City Views

Domodossola, 1832

25,00 

Domodossola, 1832 It is an engraving made with the etching and burin technique, which captures the essence of the city of Domodossola.
This work was printed by C. Stanfield and published in the volume Picturesque Annual, based on a drawing by Clarkson Stanfield, London in 1832.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Domodossola, 1835

30,00 

Domodossola, 1835 It is a copper engraving depicting a detailed and animated view of the city.
Made in 1835, this work is taken from the volume “Italy, Sicily, the Aeolian Islands, Elba, Sardinia, Malta, Calypso Island, etc.” by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 140×100 approx.
  • Support: Medium paper
  • Condition: Perfect state of preservation

This engraving is characterized by a sharpness and finesse that make it uncommon in its kind.

Domodossola, Panorama, 1890

30,00 

Domodossola, Panorama it's a woodblock print built in 1890, which offers a fascinating view of the city of Domodossola.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 17x24 cm, surrounded by text and with additional information on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Support: Paper
  • Condition: Excellent

Woman of Ischia, Watercolor, 19th century

120,00 

Donna di Ischia è un pregevole acquarello anonimo del XIX secolo, che rappresenta una ragazza in costume caratteristico dell’Isola di Ischia.
In basso è presente la scritta ‘Donna dell’Isola d’Ischia’.

  • Sheet size: cm. 19×13 approx.
  • Image size: cm. 15×11 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Woman from La Spezia, 1885

20,00 

Woman from La Spezia It is an engraving from 1885 which represents the clothing of the citizens of La Spezia.
This woodcut, taken from the volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by Fratelli Treves, offers a fascinating look at the fashion of the time.

  • Engraving size: cm. 15×6 approx.
  • Support: Paper
  • Condition: Excellent condition
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Dora, 1839, Bridge over the Dora

20,00 

Dora, 1839 – Bridge over the Dora It is an original copper engraving, made in 1839 and taken from the volume The picturesque Omnibus, published in Naples.
This print offers a beautiful decorative view of the bridge, making it a charming addition for collectors and art enthusiasts.

  • Sheet size: mm. 151×98, plus margins
  • Technique: Burin
  • Condition: Excellent condition
  • Support: Paper

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575, a fundamental work for the study of ancient architecture.
This etching on laid paper measures approximately cm. 16×28 and is trimmed to the marginal line. At the bottom, there is a detailed description of the monument and the site depicted, which offers important historical testimony.

  • Description of the monument: Remains of the Septizonium of Emperor Severus I, a tomb located along the Appian Way, designed to be visible to those coming from Africa.
  • Architectural details: Corinthian style building, with columns of different stones, some striated and others smooth, and marble decorations.
  • Popular name: Also known as Virgil's school.

Du Perac Etienne, architect and engraver, began his career in Venice before moving to Rome, where he made drawings of ancient monuments. His work, The Vestiges of Ancient Rome, is composed of a frontispiece and 39 plates, accompanied by historical-descriptive inscriptions that provide information on the monuments represented.

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575. This work represents an important collection of ancient monuments, executed with great attention to detail.
The work includes a description of the monument and the site represented, with an illustration of the Baths of Constantine in the Quirinal Hill.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575.
This work is an important collection of drawings of ancient monuments, executed with great precision and attention to detail.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent state of preservation

At the bottom, the engraving contains a description of the Antonine Column, with historical and architectural details that enrich the work.
Du Pérac, architect and engraver, dedicated his life to the study of antiquity, creating a volume that is a precious document for the history of Roman art and architecture.

Siena Cathedral, 1837

20,00 

Duomo di Siena it is a lithograph made in 1837, taken from the volume Universal Pictorial Warehouse, published in Genoa.
Questa opera rappresenta una vista iconica del famoso duomo, catturando l’essenza dell’architettura senese.

  • Sheet size: cm. 21×28 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Syracuse Cathedral, 1865

20,00 

Syracuse Cathedral It is an engraving made in 1865, coming from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This woodcut presents a detailed representation of the Duomo, and is part of a work illustrated with around 1000 coloured municipal coats of arms, published in Milan by Vallardi Editore.

  • Sheet size: mm. 215×160
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Egeria Fontana, 1846

15,00 

Egeria Fontana è un’incisione xilografica realizzata nel 1846, che offre una vista incantevole della Fontana Egeria nella campagna romana.
Designed by Jean Joseph Bellel, un noto pittore e litografo francese, questa opera è tratta dal volume Picturesque Store.

  • Sheet size: mm. 150×141
  • Support: Paper
  • Condition: Excellent condition
  • Notes: Almost no margins, cut from the book and with writing on the back

Questa stampa rappresenta una bella veduta decorativa, ideale per gli amanti dell’arte e della natura.

Emanuel Philibert, 1865, Turin

15,00 

Emanuel Philibert it is an engraving made in 1865, which represents an equestrian statue dedicated to the famous leader.
This woodcut is from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 120×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Emissary of the Fucino in Avezzano, 1890

20,00 

Emissario del Fucino ad Avezzano it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Empoli, Florence, 1885

30,00 

Empoli, Florence, 1885 It is an engraving that represents the Collegiate Church and Square, made by Antoine Valerie Bertrand, a French wood engraver.
This woodcut measures cm. 19×25 and is found on a light sheet of cm. 27×37, with white back. The work is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Empoli, General View, 1875

20,00 

Empoli, General View It is a woodcut made in 1875, which offers a fascinating overview of the city of Empoli.
This engraving, measuring 8x16 cm, was extracted from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 8×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print, with reduced margins and printed back, will be shipped complete with passepartout, ready to be framed.

Enna, Sperlinga Castle, Saint-Non, 1781-86

40,00 

Enna, Castello di Sperlinga It is a magnificent engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
Questa opera proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta una bella veduta animata del castello di Sperlinga, ben conservata e di grande valore storico.
Jean-Claude Richard de Saint-Non, noto come Abate di Saint-Non, è stato un importante disegnatore e archeologo francese, la cui opera ha influenzato la percezione dei regni di Napoli e Sicilia.

Enna, Castrogiovanni, 1850

35,00 

Enna, Castrogiovanni è un’incisione in acciaio realizzata da W.L. Leitch nel 1850.
Questa opera rappresenta una bella veduta decorativa della storica città di Castrogiovanni, oggi conosciuta come Enna, animata da personaggi che ne arricchiscono il contesto.

  • Sheet size: cm. 28×22 approx.
  • Engraving size: cm. 19×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86

40,00 

Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent condition

The animated view offers a fascinating look at the surroundings of Castrogiovanni, representing an important testimony of the Sicilian cultural heritage.

Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86

40,00 

Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Questa incisione offre una bella veduta animata della Sicilia, ben conservata e di grande valore storico.

Enna, Surroundings of Leonforte, Saint-Non, 1781-86

40,00 

Enna, Dintorni di Leonforte It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent state of preservation

Questa incisione offre una bella veduta animata dei dintorni di Leonforte, rappresentando un’importante testimonianza della Sicilia del XVIII secolo.

Herculaneum, Naples, 1838

20,00 

Herculaneum, Naples, 1838 It is a lithograph made by Segoni inc. and taken from the volume Picturesque Polyorama.
This work offers a beautiful view of Herculaneum, making it rare and decorative.

  • Sheet size: mm. 164×94
  • Condition: Excellent
  • Support: Paper
  • Notes: Almost no margins and writing on the back

Herculaneum, Naples, 1876

20,00 

Herculaneum, Naples, 1876 è un’incisione xilografica su legno di testa acquarellata, realizzata da Auguste Paul Charles Anastasi.
Questa opera, che misura mm. 130×76, è tratta dal volume Promenades in Italy dell’Abbé Rolland, pubblicato a Tours nel 1876.

  • Sheet size: mm. 130×76
  • Condition: Excellent
  • Support: Paper

La veduta rappresenta un’interessante e decorativa scena di Ercolano, rendendola un pezzo affascinante per collezionisti e appassionati d’arte.

Herculaneum, Naples, 1884

20,00 

Herculaneum, Naples, 1884 è un’incisione xilografica su legno di testa, realizzata da Rudolf Kleinpaul.
This work is part of the volume Naples and its surroundings, pubblicato a Lipsia nel 1884.

  • Sheet size: mm. 160×120
  • Support: Light paper
  • Condition: Excellent condition
  • Characteristics: Margini quasi assenti, testo al verso

Questa incisione offre una bella veduta di Ercolano, rappresentando un’importante testimonianza storica della zona.

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